Pennies from Heaven

Bing Crosby was loaned out from Paramount to Columbia for this film and Columbia did no better for him in the way of budget than Paramount. Again relying on Crosby's personality to bring in the box office, if anything Columbia probably spent less money than Paramount on his films.

What they did do was give Crosby a good supporting cast, a role tailor- made for him and a good score of tunes to sing, topped by one of his immortal hits, the title tune Pennies from Heaven. This was the second of 15 movie songs introduced by Bing that were nominated for the Academy Award as best song when that award actually meant something.

Crosby's Larry Poole is a more delineated character than most of the ones he did in the 1930s. He's asked by a prisoner who's on death row to look up the family of a man he murdered and give them the key to an old house that the prisoner owned. He meets up with the family which consists of juvenile Edith Fellows and grandfather Donald Meek. He also tangles with social worker Madge Evans, but in the end all his righted.

In the real world I can't believe that civil servant Evans would ever take up with a vagabond character like Larry Poole, definitely not in this day and age. But if he's played by Bing Crosby, well.........

The film has one other interesting feature. Donald Meek mentions to Crosby a few times that while he's down on his luck now, he expects to come into a regular source of income soon. Finally Bing asks just what is this expected windfall and Meek replies, "The Townsend Plan."

Today's audience would not get that dated bit of humor, but the Townsend Plan was the brainstorm of a Doctor Francis Townsend who was a retired physician who came up with a scheme in which the elderly were to be paid in scrip (in other words money that had to be spent) and then that money would be taxed through the sales which would in turn pay for another month's scrip and so on and so on. At the time of the filming of Pennies from Heaven this plan had a lot of followers in the country which was in a depression.

Of course Townsend never got his plan passed, but a lot of historians credit him with raising such a fuss over what we did with our elderly that the result was Social Security.

One of Bing's best.

I was ten years old and this was one of Bing Crosby's earliest films. Oh how I used to enjoy all his films! I believe this is the first film he did with the great Louis Armstrong. What a joy and thrill to all that great music; same for Birth of the Blues.

Bing Crosby is one of the few performers who while he performed in over 70 films while he was alive, was so talented he has now appeared as a performer in just as many after his death in archive footage. He was a very shrewd Businessman too. This film, released by Columbia, was really made by a production company partly owned by Bing. A lot of film historians forget how Democratic the earlier years of films were where often the actors owned their own productions before the studio system really took over in the late 1930's. The big stars like Crosby even later than this had the power to own their own films and get a piece of the box office.

This film has the major attraction of Crosby in his prime with plenty of support and a fine performance by Louis Armstrong who is one of the great musical performers of the era too. Directed by Norman Z McCleoud who is a comedy director with Monkey Business & Horsefeathers, 2 of the great Marx Brothers films already on his resume, this film flows along quite nicely. The script is light hearted and puts together just enough plot to get through all the great musical numbers.

This is the type of film that isn't made anymore but is great to see, especially since a lot of Crosbys work is very entertaining. This one holds up well even today after all these years.

Pleasant if meandering Bing Crosby vehicle casts him as a man unjustly jailed who is given a note to deliver by a condemned man. Out of prison, he tracks down the Smith family in New Jersey and discovers a lonely girl (Edith Fellows) who lives with her destitute grandfather (Donald Meek). On opening the note they realize the condemned man has left them a house. Crosby ambles along with them and becomes part of the family, much to the dismay of a nosy social worker (Madge Evans). Somehow it is decided that they will open a restaurant in the house and thus provide a steady income to satisfy the social worker. No one seems unduly concerned about school or the fact that a total stranger has moved into the household.

Not a lot of logic here but Crosby and Fellows are quite good. Evans seems a little ill at ease with her character. Meek is always good. Louis Armstrong shows up as a chicken thief and bandleader/singer at the restaurant. Nana Bryant is another social worker. George Chandler is a harried waiter. Nydia Westman has a nice scene as a maid with Crosby. Harry Tyler is the cheating ring-toss man, and Tom Dugan plays daredevil manager.

Not a great film but it has a few pleasant songs, including the title number, and Crosby continues his screen persona of easy-going and decent. Fellows is quite good as the sometimes bratty girl. Evans is very pretty--too bad she did get better films and parts.

How innocent the movies were 70 years ago! But innocent doesn't mean without cool: Bing is the paragon of smooth, then or today. And what a vehicle for several excellent pop songs: "Pennies From Heaven", of course, but also "So Do I", "Let's Call A Heart A Heart" and even "One, Two, Button My Shoe". Of course the plot is no more sophisticated than Bellini's operas, but who's really watching it for the plot when it's bel canto?! And you have to love the interplay between Bing and Louis Armstrong - and while you're watching Louis, that's Lionel Hampton playing the drums rather than vibes tonight - not many remember that he first started on the drums before moving to the vibes. I mean, what's not to like here? Check this thing out, you'll love it. Even the graphics on the hand-painted "The Haunted House Cafe" sign are fun!