One in a Million

Twentieth Century Fox's "One in a Million" provides some light entertainment as well as the skating of Sonja Henie. The film has historic interest in that part of it takes place at the 1936 Olympics in Nazi Germany, though politics are never mentioned. Henie actually won the Olympics in 1928, 1932, and 1936. This film was released in December 1936 and apparently was done before the 1936 Winter Olympics took place.

It's a slight story - Menjou and his troupe of performers arrive to work at a Swiss hotel, but find it has been burned down. They seek shelter at a nearby inn, run by Greta (Henie) and her father (Jean Hersholt). Reporter Don Ameche arrives to get the dope on the burnt hotel, apparently destroyed by an anarchist. Instead, he becomes interested in Greta and her Olympic quest and also her father's story. He was stripped of his Olympic medal in 1908 because he supposedly had worked as a professional, though he really hadn't. Menjou winds up endangering Greta's Olympic status in his zeal of signing her for his show.

There is lots of music in "One in a Million" but most of it, including the title song, isn't all that great. "Who's Afraid of Love?" is pretty, particularly when sung by Ameche, who had a lovely, light tenor voice that matched his charming film persona. Though Ameche continued to star in 20th Century Fox films and had a marvelous career, after Tyrone Power arrived, the roles that would have been intended for him went to Power, including Power's breakout role in "Lloyds of London." Menjou is a little over the top, and the Ritz Brothers I'm sure entertained the kiddie crowd with their slapstick. Arline Judge, as Menjou's wife, gives one of the best performances with her dry delivery. She had the best lines, too, so I suppose that helped. Hersholt as usual is sympathetic and wonderful.

Pretty, petite Henie was a natural for film. A vibrant presence on the ice, her skating, of course, was much less athletic than one sees today. As far as speed, spins, and showmanship, she could compete today. Some of her moves are no longer done - the pirouettes, which were really lovely, and that trademark dancing on "point" like a ballerina. The jump landings are interesting - rather than getting out of the jump quickly, the style in those days was to let the front leg continue to turn the skater into several circles, and jumps were landed with the head and body pointed downward. Some turns were done with a bent back leg, which looks really strange when viewed now. But Henie in her day elevated the sport of skating and should be appreciated for what she brought to it.

"One in a Million" is interesting for being Henie's debut. If you fast forward through the Ritz Brothers, you'll find it a lot more palatable.

"One in a Million" is a cheery, lighthearted mix of comedy, romance, songs and ice skating dances, directed by Sidney Lanfield ("Sing, Baby, Sing"). It is an admirable vehicle and showcase for the Norwegian Olympic skating champion Sonja Henie in her American debut. The film derives some aspects from Sonja's career. Sonja plays an amateur Swiss skater who is discovered by an American theatrical troupe leader (Adolphe Menjou) and almost spoils her by putting in a professional show until a charismatic reporter (Don Ameche) rescues her and convinces her into making the right decision, leading to her spectacular performance at Madison Square Garden.

"One in a Million" is not one of the better Fox musicals, but there are enjoyably fine moments, including some very funny comic acts by the Ritz Brothers, especially toward the end, and one memorable musical number "Who's Afraid Of Love", sung by Ameche.

Good stuff.

It's the stuff of Hollywood legend how shrewd a businesswoman Sonia Henie was. She had just won her third gold medal for figure skating in the 1936 Olympics and was an international superstar, not to mention a national heroine in her native Norway. Darryl F. Zanuck beat off competition from the other studios for her and she made him pay dear because she was well aware of her star status. Very much like that other international sensation from Scandinavia, Jenny Lind in the previous century.

Zanuck hedged his bets a bit on her. One In A Million did not quite have the budget that Sonia's succeeding vehicles did. You can tell by looking at it. What he didn't cheapen was her skating routines because that purportedly is what the movie-going public was paying to see. He also gave her good support with a cast that included Don Ameche, Jean Hersholt, Ned Sparks, Arline Judge, the Ritz Brothers, Montagu Love, and Adolphe Menjou.

Sonia's life was destined to change dramatically in One In A Million. Adolphe Menjou, a Barnum style promoter is stranded in a small Swiss town after a mysterious fire burns down the town's leading hotel. That owner's bad luck is good luck for Jean Hersholt who owns a small inn and suddenly finds himself booked with Menjou's troupe. A pair of reporters, Don Ameche and Ned Sparks, also arrive smelling a story about that hotel fire. Their appetites for a story are whetted with the presence of a mysterious stranger also at the hotel, Montagu Love.

Hersholt is a former Olympic champion who is training his daughter for the 1936 Olympics. He was disqualified like Jim Thorpe for being a professional and he's worried about his daughter's amateur status. That's not of concern to Adolphe Menjou who sees a meal ticket as a professional. Ameche gets sidetracked from his hotel fire story to follow Henie's progress when he finds out who she is.

Arline Judge gets some of the best sharp shooter lines in this film as Menjou's wife, constantly deflating her ego ridden husband.

As was known to the world Sonia Henie won her third gold medal and this film was raced into production to capitalize on the event. The only mention of the German location is the presence of someone in a Nazi uniform in the crowd behind Ameche and Sparks. Also the Ritz Brothers get into an argument with some folks in the stand and one of them tells the other two very obviously Jewish looking siblings that 'we're not in Brooklyn'.

With the success of this film, especially in the European market, Sonia got bigger budgets for her succeeding films at 20th Century Fox. She was a bona fide movie star like no other the figure skating world ever produced. I do recall Carol Heiss the champion from the 1960 Olympics trying, but failing in a film career. Somehow I can't envision any of today's figure skaters doing what Henie did.

I could be wrong though.

"You don't need a phone!" complains Arline Judge to screen husband Adolphe Menjou, and she's right - he bellows many of his lines in a state of high excitement in the musical comedy that introduced Olympic ice skating champion Sonja Henie to moviegoers. Henie's a little wooden off the ice rink, so 20th Century Fox called in big guns like Menjou and a young Don Ameche, who not only sports a naked philtrum but sings (or possibly mimes) for his Norwegian co-star. Supposedly comical interludes are provided by the woeful Ritz Brothers. It's ok, but completely unmemorable.

This first Sonja Henie film was a surprise hit in 1936 and launched her onto a successful film career. Not bad considering how rare it was for those coming from successful sports careers to sustain such a thing (Johnny Weissmuller and Buster Crabbe possibly the only others---Esther Williams' sports background was negligible). This film's release coincided with her third straight gold medal performance at the Winter Olympics (she was champ in 1928 and 1932). (As a side note, it should be remembered that not only were the 1936 Summer Olympics held in Nazi Germany, so were that year's Winter Olympics. Granted this has nothing to do with Ms. Henie, but reviewers are bringing up the subject, so this note may quell any potential confusion over the Olympics issue.) As for "One in a Million" it is a light concoction that features Don Ameche in only his third film role and the Ritz Brothers in only their second feature film. So, lots of early work here. The results: miserable to okay. Ameche already shows his easy charm, here playing a reporter tracking an anarchist bomber story to Switzerland where he meets up with hotel proprietor Hersholt and his "gifted amateur" ice skating daughter Henie. The anarchist story fizzles but Ameche moves on to romance with Henie and her shot at the Olympics. Menjou is the brassy (maybe too much so) wheeler-dealer showman who gets Henie to perform in his show and nearly costs her the amateur standing that she needs in order to qualify for the Olympics. Along for the knockabout ride is the inimitable Ned Sparks, as Ameche's photographer partner, doing what he does best: providing that Buster Keaton-lookalike face and steely foghorn monotone delivery. Also, as part of Menjou's show, we get the Ritz Brothers who provide some strenuously awful comedy (Harry Ritz mugging so ferociously he looks as if he's herniating himself). Henie acquits herself adequately. Strangely enough, she was Norway's golden girl athlete, yet the film makes her Swiss for no apparent reason. Couldn't she be a Norwegian hotel proprietor's daughter? The other interesting aspect is her skating. We see the Olympic caliber work of a 1930's era skater, which is far simpler and less dazzling than what we've grown accustom to. Her "show-stopping" number at the end would be a warm-up for today's super-skaters. So, as a time capsule involving Henie this film is worth watching, but otherwise it's mostly light-headed knockabout nonsense not worth your time.