More Than a Secretary

Jean Arthur is a secretarial teacher who becomes "More Than a Secretary," a 1936 comedy also starring George Brent, Lionel Stander, Ruth Donnelly, Reginald Denny and Dorothea Kent. Arthur and Donnelly run a secretarial school for dizzy young women who plan on using their skills to nab husbands in corporate America. One gal in particular, Maizie (Kent) is a total dropout but seems to have the man magnet technique down, to the disgust of the bespectacled Carol, who hasn't given up on love. When a client fires another secretary, Carol decides to replace her and goes to work for a health magazine run by Fred Gilbert (Brent). Carol falls for him...and then complications arise in the form of the aforementioned Maizie.

This is a very dated, slow, and ultimately boring comedy that fails to hold interest. Brent is actually quite good as a passionate health nut. Comedy is a departure for him, and he's successful at it. Arthur is very good, but it's not a role with the type of range one is used to seeing her do. And it's hard to get past the extremely dated notion of women going to work only to meet men and then quitting their jobs, their goal accomplished. But the typewriters are a hoot as are the phrases being dictated. If you're old enough to remember Peter Piper picked a peck etc., standard manual typewriters and manual returns, you'll have a good laugh.

With Jean Arthur, Ruth Donnelly, and Lionel Stander in the cast, More Than A Secretary starts to look like a road company Mr. Deeds Goes To Town. Too bad it isn't quite up to the standard of that comedy classic.

But this was more an example of the fluff that Jean Arthur was asked to carry in her career. Not every film could be a Mr. Deeds.

Jean and Ruth Donnelly run a secretarial school from which they graduate women of all kinds including Dorothea Kent, a poor man's Marie Wilson. Dorothea's typing and shorthand leave much to be desired, but she does have other assets and his certainly decorative enough.

Jean goes to work for health magazine editor George Brent who is maniacal on the subject of fitness, sexist in his views of women, and something of a puritan. But Jean proves pretty indispensable as his magazine circulation starts to boom.

But then Reginald Denny who has a jealous wife dumps Dorothea back on George who with Jean has to put up with her incompetence. Something has to give.

The whole thing was rather silly to me. Why they don't just fire this bimbo is beyond me. Maybe Denny's hormones are making the decision for him, but Brent's certainly aren't.

Maybe I'm too harsh on the film though. I in fact worked for a woman who headed a state agency and she was so stupid she couldn't probably spell the word. I could have seen her like Kent, running Tina's Nail Salon on Cropsey Avenue in Brooklyn. But she also was in her job because somebody's hormones went into overdrive.

George Brent was borrowed from Warner Brothers by Harry Cohn for this film. My only question is why did he use a favor from Jack Warner for this. Or was Brent being punished?

We enjoyed this movie very much! I think you will like this movie if you generally like movies from the 1930s or if you like the actress Jean Arthur. It was a lot of fun to watch. When you consider the outrageous corporate-executive behavior exposed recently by the #MeToo movement, you won't say that the movie is dated. This movie takes a funny look at some of the consequences of that behavior.

Carol baldwin (jean arthur) runs a secretarial school. And when she has a run in with a client (brent), she ends up working for him. Misunderstandings, romance, arguments. You'll recognize lionel stander.. he was max on hart to hart! And ruth donnelly was so good in chickadee, mister deeds, and mister smith. The film code had just come in full force, but there were still some pretty naughty references scattered here and there, if you pay attention! This is one of the columbia romance pictures from the 1930s, where it was all about the girl's mission to trap a man. It's pretty good. Directed by al green. Jean arthur was huge in the 1930s, 1940s. Oscar nominated for more the merrier. In so many big big films, like "angels" in 1939 with cary grant. She had started in the silents, but didn't really hit it big until the talkies came along.

Romantic comedies aren't supposed to tax the brain, and so they tend to have weak plots. This one is far weaker than most romantic comedies.

That's not to say that the characters aren't pleasant. Dorothea Kent as Maizie is an especially fun character, but the rest of the cast is certainly competent as well. If only they'd had a decent script, the resources put into this film could have resulted in a really nice movie.

This movie was released on Christmas Eve 1936, but it would have fared better had it been released in late summer. In that era, movie theaters were among the few facilities that were air conditioned. Spending the day in a blast-furnace of a workplace, and sleeping in a bed soaked with sweat was miserable, so movie houses didn't need much in the way of entertainment to sell tickets; the cold air was sufficient for that.