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Mayerling

  • 1936
  • Approved
  • 1 घं 36 मि
IMDb रेटिंग
7.0/10
1 हज़ार
आपकी रेटिंग
Charles Boyer and Danielle Darrieux in Mayerling (1936)
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंRodolfe, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry... सभी पढ़ेंRodolfe, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry no weight. He agrees to marry a princess to sire an heir, then spends his nights as a pla... सभी पढ़ेंRodolfe, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry no weight. He agrees to marry a princess to sire an heir, then spends his nights as a playboy. In 1888, he meets Marie Vetsera, 17, a baroness' daughter. She is resolute, smitten,... सभी पढ़ें

  • निर्देशक
    • Anatole Litvak
  • लेखक
    • Claude Anet
    • Irma von Cube
    • Joseph Kessel
  • स्टार
    • Charles Boyer
    • Danielle Darrieux
    • Marthe Régnier
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Anatole Litvak
    • लेखक
      • Claude Anet
      • Irma von Cube
      • Joseph Kessel
    • स्टार
      • Charles Boyer
      • Danielle Darrieux
      • Marthe Régnier
    • 19यूज़र समीक्षाएं
    • 5आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 1 नामांकन

    फ़ोटो55

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    टॉप कलाकार40

    बदलाव करें
    Charles Boyer
    Charles Boyer
    • L'archiduc Rodolphe
    Danielle Darrieux
    Danielle Darrieux
    • Marie Vetsera
    Marthe Régnier
    Marthe Régnier
    • La baronne Vetsera
    • (as Marthe Regnier)
    Yolande Laffon
    • L'archiduchesse Stéphanie
    Suzy Prim
    Suzy Prim
    • La comtesse Larisch
    Gina Manès
    Gina Manès
    • Marinka
    Odette Talazac
    Odette Talazac
    • La nourrice de Marie
    Nane Germon
    • Anna Vetsera
    Assia Granatouroff
    • La cousine de Marie
    • (as Assia)
    Christiane Ribes
    • Une fille
    • (as Ribès)
    Gabrielle Dorziat
    Gabrielle Dorziat
    • L'impératrice Élisabeth
    Jean Dax
    Jean Dax
    • L'empereur François-Joseph
    Jean Debucourt
    Jean Debucourt
    • Le comte Taafe
    André Dubosc
    • Loscheck, le valet de Rodophe
    René Bergeron
    René Bergeron
    • Szeps
    • (as Bergeron)
    Vladimir Sokoloff
    Vladimir Sokoloff
    • Le chef de la police
    • (as Sokoloff)
    Raymond Aimos
    Raymond Aimos
    • Le premier policier
    • (as Aimos)
    André Siméon
    André Siméon
    • Le second policier
    • (as Siméon)
    • निर्देशक
      • Anatole Litvak
    • लेखक
      • Claude Anet
      • Irma von Cube
      • Joseph Kessel
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं19

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    फ़ीचर्ड समीक्षाएं

    8springfieldrental

    First Big Hit for a Foreign Film in a Non-EnglishLanguage Movie

    Motion pictures from overseas were a tough sell for American theaters in the mid-1930s. Even though movies from France, Germany, Italy among others were shown in selected theaters in the United States, none caught the attention of the public accustomed to Hollywood glossy productions. When Pax Films imported the French movie, February 1936 "Mayerling," American viewers were enthralled about its story of a royal murder-suicide.

    "Mayerling" became the first international hit with sound in cinema (with a couple of British pictures the exception). The film's popularity made French actor Charles Boyer a major world-wide movie star, and a barrage of offers from Hollywood studios for Anatole Litvak cascaded on its director. One reviewer labeled the film as "one of the most compelling love stories the cinema has produced," and the co-founder of the American Ballet, Lincoln Kirstein wrote it is "a kind of standard for the romantic film in an historical setting." The movie's title derives from the small town in Austria where Rudolf, the Crown Prince of Austria (Boyer), shot and killed his 17-year-old mistress, baroness Mary Vetsera (Danielle Darrieux) at his hunting lodge in January 1889. Rudolf was the only son to Emperor Franz Joseph of Austria and had been in an unhappy marriage to a princess from Belgium before meeting Mary. Compounding the royal couple's stress was Rudolf had transmitted the clap to his wife as a result of his many affairs.

    Actress Darrieux, as Mary Vetsera, was almost the same age of the real-life teenager who was shot by the prince before he took his own life. Her four-year film career to this point resulted in only small parts, but "Mayerling" brought her international fame. Receiving a number of offers from Hollywood, Darrieux and Litvak traveled together to explore their opportunities in Tinseltown. Whereas the film director remained in California where he excelled in directing several highly-regarded films, Darrieux was in only one Universal Pictures film, 1938 'The Rage of Paris,' before returning to Europe. Darrieux eventually became one of France's most popular movie actresses with a career spanning eight decades, lasting until 2010.

    Boyer, who had earlier spent a short time in Hollywood, returned to California to enjoy a very rewarding life in films. The book the film's plot was based on, Claude Anet's 'Idyll's End,' served as the basis for Litvak revisiting the tragic tale in his 1957 'Mayerling' with Mel Ferrer and Audrey Hepburn. MGM pounced on the bandwagon in 1968 in its version of "Mayerling" with Omar Sharif, Catherine Deneuve, James Mason and Ava Gardner.

    It's ironic Boyer played a character who kills himself over a woman. The actor met and married British actress Pat Paterson just before making "Mayerling," a marriage that lasted 44 years. He was so distraught over her death in August 1978, that he took his own life with an overdose of Seconal two days after she passed away. As for the real Crown Prince Rudolf, his death left his father, Franz Joseph, to seek an alternative when he had no other sons to give the title. The emperor's heir apparent to the Austria-Hungry throne turned out to be his nephew, Archduke Franz Ferdinand, who, in 1914 was shot and killed in Sarajevo, setting off World War One.
    8patherto

    A beautiful film lost in a `beater' print

    Film lovers of a certain age will remember the cine-clubs and cinema societies where we cut our teeth on so many of the great classics. And, in this age of digital restoration and director's cuts, they will remember with ghastly fondness the `beater print'-a worn 16mm reel with hard-to-read subtitles, muddy greys, and blown-out whites. Well, here we have it. `Mayerling' is a beautiful film. Boyer (someone I'm not a fan of) is perfect as the impetuous, passionate prince. Darrieux has less to do but is so adorable you don't mind. Litvak's direction is superb, flitting in amongst the Viennese crowds to find the isolated lovers, the courtly grandeur of a 500-year-old empire, and the little touches that turn a good film great. But `Mayerling' is only available from Timeless Video of North Hollywood, CA. And it's an awful video. Half of the subtitles are below the screen, the scenes are mud, and the sound is so distorted you'd think you were watching a 1929 film. What to do? First off, don't buy *anything* from Timeless Video. Then wait for someone to realize a truly beautiful DVD of this great movie. Watching it in its current shape would merely spoil it for you.
    10Atiliano

    Enchanting !!!

    I first saw this movie about 20 years ago in SBS Channel in Sydney, Australia. The movie was in the French language so I had to read the subtitles. It is a very old movie in B&W but it was a very enchanting movie. Danielle Darrieux was perfect for the role of the beautiful Anna Vetsera. Her acting was also perfect (for an innocent girl madly in-love with her prince). Whether the real Anna Vetsera was as innocent is beside the point. The movie was based on the true story of the love affair between the Archduke Rudolf (heir to the throne of Austria- Hungary) and his young mistress Baroness Anna Vetsera. They committed a suicide (or murder-suicide?) in 1889 in the Archduke's hunting lodge in Mayerling. Afterwards the title of Archduke passed on to the emperor's nephew, Franz Ferdinand (who became heir). Franz Ferdinand was assassinated in July 1914 in Sarajevo in Bosnia-Herzegovina which sparked the First World War. This movie has a very sad ending, with both lovers dying in the end. But the implications for the real world in that era was most terrible. It is a great wonder today whether there would have been war in 1914 had Rudolf lived and remained heir.

    Recently, I was able to obtain a copy of the this movie and saw it again after 20 years. The movie did not disappoint and I can say that it is one of the best movies ever. It must have been such a sensation when first released in 1936.
    8Lejink

    Two Death Do They Part

    The story of the perceived (other conspiracy theories are available!) double-suicide of Archduke Rudolph of Austria and his teenage lover Baroness Marie Vetsera at Mayerling in 1889 is one of the great royal dynastic tragedies of the 19th Century and has even been named a contributory factor in the outbreak of the First World War some 25 years later.

    In this French-language version by Ukranian director Anatole Litvak, we get a highly-romanticised version of the story with Charles Boyer and Danielle Darrieux as the star-crossed but ill-fated lovers.

    The direction throughout is stylish and tasteful, Litvak impressing in his recreation of the Viennese Court with its surface splendour barely concealing the jostling for position and rumour-mongering beneath the facade. Boyer and Darrieux are excellent in their lead roles, his character the reforming, rebellious heir to the throne, unhappy in his arranged marriage and she the youthful, highly-impressionable innocent caught up in the first great passion of her life.

    The concluding climax is sensitively and humanely depicted too with my only major criticisms of the film being an over-reliance on the use of the no-doubt in-vogue montage sequences and a tendency to slightly overstay the camera's welcome in certain scenes.

    Nevertheless, this was a fine retelling of the notorious scandal and it's no surprise that its artistic and commercial success lured director Litvak to Hollywood where he enjoyed a distinguished career for many years.
    7dbdumonteil

    Mayerling revised and updated by the seventh art.

    In my reviews of the 1968 Terence Young version,I've already told my thoughts on the historical facts.There's no need to get back on it:suffice to say the true story was not as romantic as sensitive people still thinks so today.

    Anatole Litvak does not pass over in silence Rudolph's dissoluteness, as two orgy scenes testify.Besides,Charles Boyer is a much better archduke than Omar Shariff.Ditto Danielle Darrieux who was about 20 (whereas Catherine Deneuve was nearing 25 when she played Mary),thus a more credible baroness Vetsera .Both versions,it's important to notice ,are from Claude Anet's NOVEL.It's not a historian's work and it should be not looked upon so.

    However,Litvak is a better director than Terence Young.With a much smaller budget,and of course without the 1968 technical aids ,he works wonders :the tiny church where Rudolph meets Mary in half-light creates a mystical and heathen atmosphere at once.The night at the opera house is dazzling.To conclude the scene of the ball at the German embassy ,the artist uses a stunning tracking out which leaves the swirling twirling dancers,then stops on a glass door adorned with the Habsburg emblem.Rudolphe ,firing at his reflection in a mirror is an adequate metaphor.

    A minor flaw:Gabrielle Dorziat is completely miscast as Sissi ,Rudolph's mother:she was one of the most beautiful women of her time (we can see the magnificent Winterhalter portraits at the beginning of the movie).At fifty,when the Mayerling tragedy occurred,her beauty was still incomparable.She had nothing to do with the aging dowager we see on the screen (in Young 's version,it's Ava Gardner!)

    And hats off to Danielle Darrieux who ,sixty-four years after "Mayerling" ,recently triumphed in "8 femmes",a blockbuster in France.Any advance?

    इस तरह के और

    They Won't Forget
    7.2
    They Won't Forget
    Le jour se lève
    7.7
    Le jour se lève
    Les liaisons dangereuses
    6.8
    Les liaisons dangereuses
    The Stars Look Down
    7.0
    The Stars Look Down
    Mayerling
    6.1
    Mayerling
    Le crime de Monsieur Lange
    7.3
    Le crime de Monsieur Lange
    Die Angst des Tormanns beim Elfmeter
    6.5
    Die Angst des Tormanns beim Elfmeter
    Man Hunt
    7.2
    Man Hunt
    You Only Live Once
    7.2
    You Only Live Once
    The Men
    7.1
    The Men
    Midnight
    7.8
    Midnight
    La Marseillaise
    7.0
    La Marseillaise

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      One of the first foreign films with sound to become a hit in the United States. It made an international star out of Charles Boyer.
    • कनेक्शन
      Featured in Scissors (1991)
    • साउंडट्रैक
      G'schichten aus dem Wienerwald
      (uncredited)

      Composed by Johann Strauss

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 31 जनवरी 1936 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Majerling
    • फ़िल्माने की जगहें
      • Studios Pathé-Cinema, Joinville-le-pont, Val-de-Marne, फ़्रांस
    • उत्पादन कंपनी
      • Nero Films
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $2,40,000
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 36 मि(96 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.33 : 1

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