Little Lord Fauntleroy

Two great 1930's child actors, Freddie Bartholomew and Mickey Rooney, play Little Lord Fauntleroy--Cedric Errol, and streetwise American friend Dick Tipton respectively. (Part British Ceddie fights the bullies--and Dick Tipton runs to help...they fight together. A preview of what a lot of Brits & Americans did in WWII a few years after this film!!!)

Also watch for Sir C. Aubrey Smith as the definitive hostile old Lord Dorincourt, who is charmed and warmed by his newly-met half American grandson's unconditional love. Character actor Guy Kibbee also seems made to play staunch anti-aristocrat American Silas Hobbs. If you read the book (free online), the movie fits it well!

Did you know the book LITTLE LORD FAUNTLEROY was an incredible late 19th century "hit"? Some statesmen actually credit this tale of reconciliation between an old Earl and his half American grandson with improving the then-strained 19th century British-American relationship.

Drew Barrymore's grandmother Dolores Costello Barrymore plays Cedric's charming American Mother.

While this film needs a sound and picture cleanup, it is still worth the watch!(TO YOU FILM PEOPLE--LOTS OF PEOPLE LIKE THIS OLD FILM. CAN'T SOMEONE CLEAN UP THE PICTURE & SOUND?)

They just don't make 'em like this anymore. You can take all your Culkins and Woods and Osments and roll them into one, and they still couldn't shine the shoes of Freddie Bartholemew (as Mickey Rooney does in this film). The difference, I believe, is that these contemporary performers think of themselves as CHILD actors, where Bartholemew and his contemporary Shirley Temple thought of themselves as ACTORS -- just as Rooney's character thought of himself as a BUSINESSMAN. The effect is palpable: you just can't fake being a real person. This of course is the familiar story of an American boy in the 1880's who learns he is the heir to an English earl and must go live with the old bloke, who parenthetically hates his mother, in an old castle. Needless to say, it is the earl who is transformed by the strength and purity of the boy's character, and not the intended reverse. Every scene and every line in this film is perfect, and if it is a "period piece," then I say we'd be so much better off if we could return to that "period."

The Earl of Dorincourt, lonely in his great castle, has grown old. Now, with the death of both of his sons, he sends for his only grandchild to be with him. This is an innocent boy living in New York City with his American mother. Sweet-tempered and beloved, the earnest young child knows nothing of the crusty, fierce old lord in England, or of the wonderful changes about to happen in his own life, now that he is LITTLE LORD FAUNTLEROY.

This is David O. Selznick's wonderful & lavish retelling of the classic children's story by Frances Hodgson Burnett. Much effort was put into getting the details just right. Sentimental? Yes, but honest sentiment, with emotions straight from the heart.

Freddie Bartholomew & marvelous Sir C. Aubrey Smith are picture perfect in their roles as young Fauntleroy & his grandfather. There may never be a finer male child actor than Master Bartholomew and Sir C. was the epitome of the English aristocratic tradition. Two champion scene-stealers, they work together beautifully.

The rest of the cast is both extensive & uniformly excellent: Dolores Costello Barrymore, Henry Stephenson, Guy Kibbee, Jessie Ralph, Una O'Connor, Constance Collier, E. E. Clive, Lionel Belmore, Eily Maylon & Mickey Rooney. Film mavens will spot uncredited appearances by Mary Gordon as a churchgoing villager & Leonard Kibrick as one of Fauntleroy's Brooklyn tormentors.

Sir Hugh Walpole, the celebrated English novelist, wrote the screen adaptation.

This "GEM" of a film should be digitally remastered to preserve its cinematic integrity. The audio seems a bit "washed" and scratchy and some video portions skip and flutter a bit. This is a shame considering the quality of this fine production. Freddie Bartholomew is precious in this role and was a fine actor in his own right. There is an immediate chemistry generated between him and C. Aubrey Smith. From the outset there was no clash of generations, in fact quite the contrary, they got along swimmingly! It's just too bad that the Earl shunned Dearest right off, but I guess living alone and being lonely would take its toll on anyone, especially since his son married against his wishes. In any event, there should be more movies with actors of this caliber, especially nowadays when the world could really use a great "G" rated film without all the animation and special effects. This should be required reading in schools, if for nothing else, for the lesson in humility. GREAT FILM!!!

1880 , Brooklyn , New York , a poor and fatherless boy (Freddie Bartholomew) is living with his mum (Dolores Costello). A sender (Henry Stephenson) communicate them which he turns out to be the only state heir to the earl of Dorincourt (Sir C. Aubrey Smith) . He then leaves his friends (Mickey Rooney and Guy Kibbee) and set out for England as the long-lost heir to his grandpa and a British dukedom . But the grandfather is a grumpy and crusty nobleman and the problems are always cropping up . Then , little Lord Fauntleroy must try to overcome the cold and grouchy lord .

Classic and the best version based on known novel by Frances Burnett with elitist and sincere interpretations from Bartholomew , Aubrey Smith , Rooney , enough to make the creaky ancient tale actually works . Freddie Bartholomew had starred ¨Anna Karenina¨ and ¨David Copperfield¨ but his greatest success resulted out to be this film . Dolores Costello , married to John Barrymore , plays the lovable mummy in an affected and forced acting . Sir C. Aubrey Smith is magnificent as the bitter-grumbler and unsentimental count . Una O'Connor , as always , plays a maid with her ordinary gestures and grimaces . For comic relief , as usual , appears Mickey Rooney giving a hilarious and sympathetic acting . This was originally made in black and white with an excellent cinematography by Charles Rosher but there is also available in computer-colorized version and the musical score was composed by the classical musician Max Steiner . Director John Cromwell worked a lot with the great and powerful producer David O. Selznick and seems largely to have been content to follow his instructions , though he was always loath to allow too much sentimentality as happens on the sometimes heavily relationship between mother-son and grandfather-grandson . Due to the demise of O.Selznick , this movie is now in the public domain . The picture was remade for television in 1980 by Jack Gold with Alec Guinness and Rick Schroder and in 1976 by Paul Annett and 1995 with George Baker . The motion picture was immensely successful in America and around the world , it is actually an authentic and charming classic movie .