Dodsworth

It is astonishing to think that this Sinclar Lewis film adaptation was made in 1936! Walter Huston is sensational as the retiring tycoon. He is married to Fran, played deliciously by Ruth Chatterton (a character who seems an early version of Meryl Streep's in "Death Becomes Her") Her fear of aging is beautifully drawn and embarrassing to witness. The rich American hicks in Europe are described with humor and compassion but above all with an uncanny understanding of the subject. I loved the structure of the phone calls from Vienna to Naples at a crucial moment in the protagonists future lives. Mary Astor is another standout in a performance of such modernity that one has to remind oneself that this was in fact shot in 1936. The director, William Wyler, was yet to give us some other milestones from "Jezabel" and "The Littlle Foxes" to "Roman Holiday", "Funny Girl" and "Ben Hur" For film lovers this is a must!

Some years ago, I read a short piece in TV Guide by the critic and screenwriter Jay Cocks, in which he listed ten 'great, underrated films'. One which I had never heard of before was Dodsworth.I trust Jays taste in films, so i decided to take a lot at it. I promptly saw it on Video and was enthralled.Once more, William Wyler reveals why he has to be ranked among the great Hollywood directors. Dodsworth is that rarity, a film for adult people. In addition, it boasts a literate script, fine acting by an superb cast, and an very fine design. One of the favorite themes of the fiction of Henry James,. the conflict between American innocence and European sophistication, is here explored with a concision and an empathy James only occasionally managed. In addition, the film is a profoundly moving love story. One can only wonder why this exquisite movie was not even nominated for the AFI list of great American films.

If you're tired of the actual Hollywood teenager productions, you have a chance to see some maturity watching "Dodsworth". The relationship of the Dodsworths are amazingly realistic, and the wonderful performances by Walter Huston and Ruth Chatterton only improve the reality of the situation. He is amazing as a retired middle-aged industrialist and she is faultless as his futile, snob and frustrated wife. This film also got me some extra points because of Mary Astor, at the highest point of her beauty. It's masterly directed by William Wyler, and the cinematography is wonderful. One of the greatest films from the first decade of the sounded films.

The experience of watching movies has got to be one of the great original adventures of the 20th century. What luck when we come across a movie that we may have only slightly heard of, if at all, and then happen to bump into one evening - which changes your perspective on life or adds just that little bit more of enjoyment into a life spent thinking one has seen everything!

Such was my experience tonight with DODSWORTH. What an innocuous, if not, nondescript title for a movie which held so many delights within the walls of its celluloid chamber!

How could I have known that this silly title would open up new vistas for me? I am not saying this movie changed my life. But how unexpected to have found ONE MORE GEM amongst the thousands of movies that I have already known and loved! Walter Huston was a major surprise for me. I had seen him before. But never like this.

The same with Ruth Chatterton. The scenes with Mary Astor near the end are almost priceless. Talking about those scenes...one can only wonder how such simple dialog could elicit so many feelings from us? I say that Sinclair Lewis had something to do with its success.

But let's not leave out the master - William Wyler!

Dodsworth is one of the best dramas of the 1930s. Walter Huston stars as Dodsworth, a middle-aged auto tycoon who looks forward to retirement. His wife--Ruth Chatterton--is not quite ready for the rocking chair. They embark on a grad tour of Europe. From the start Chatterton falls for the cosmopolitan airs of Europe and the attentions of the debonair men. More and more she leaves Dodsaworth alone as she flits among the cafe society. By accident he runs into a lonely American widow (Mary Astor) living in Italy. As the husband and wife drift farther apart, he moves closer to Astor. Yes it sounds like soap opera, but the acting is so good and the characters so real you forget the plot mechanics.

Huston has one of his very best film roles as the floundering Dodsworth who needs an anchor. Chatterton is excellent as the foolish wife (this was her last film), and Astor is a wonder as the American widow. The three stars turn in towering performances.

The rest of the cast includes Maria Ouspenskaya and the old countess, Spring Byington and Harlan Briggs as the best friends, John Payne as the son in law, David Niven as a gigolo, Gregory Gaye as the suitor, Paul Lukas as Arnold, and Odette Myrtil as the social leach.

There was talk in the mid-90s that Harrison Ford would star in a new version of Dodsworth but he never followed through because he wanted to continue his "action" roles. Too bad. Ford has certain qualities that would have made him (or Warren Beatty) ideal for the part. But Ford and Beatty are too old now. Oddly only Huston and Ouspenskaya earned Oscar nominations. Hard to see how Chatterton and Astor got bypassed.

This is a great American film.