Desire

Marlene Dietrich and Gary Cooper show an unexpected flair for romantic comedy that goes into high gear during DESIRE. They are surrounded by some expert supporting players, including Alan Mobray as a doctor who is "taken" by Marlene's sly and crafty jewel thief.

The plot is thin but pleasant and moves at a fast clip with ample chemistry between Dietrich and Cooper more than making up for the slight story. When Dietrich accidentally lets Cooper get away with the pearl necklace she has stolen, she has to follow him and lure him back with some fancy scheming. John Halliday has fun with his role as her consort in crime but it is Alan Mobray who has the plum supporting role as the doctor she so charmingly deceives.

Diverting entertainment with Dietrich expert as the exotic jewel thief under Frank Borzage's direction. The whole picture has such a light touch you'd think it was directed by Ernst Lubitsch.

The DESIRE for a fabulous string of pearls has unexpected results for the beautiful thief.

Bearing the unmistakable impress of its legendary producer, Ernst Lubitsch, here is a stylish concoction of witty dialogue & sophisticated romance sure to please the most discriminating palate. It is a shame that the film is so badly neglected, as it is a joy from start to finish. With impeccable production values, the film is also a study in handsome sets & costumes.

Gorgeous Marlene Dietrich ravishes the eye with her sheer physical presence, but her beauty should not detract from her acting ability, which is considerable. She presents us with a woman of mystery & slowly, deliberately, allows us to acquaint ourselves with her character. She imbues it all with a real sense of humor, which makes her first scenes, in which she pulls off a classic jewel robbery, all that more delightful.

Rawboned & enthusiastic, there is very little mystery swirling about Gary Cooper, playing an American auto engineer working in Paris. Embracing all life might bring him in his first trip to Spain, he is wide open and ready for passionate romance when Dietrich blows into his life. Their screen time together is charged with sensual electricity which no Production Code could disguise.

Deftly underplaying the menace of his role, John Halliday is dangerously suave as a thieving ‘prince' who manages to keep one step ahead of the law. Ernest Cossart & Alan Mowbray are wonderful as Parisian gentlemen who fall victim to Dietrich's schemes (one has his pearls purloined, the other gets his dignity damaged).

Elderly English actress Zeffie Tilbury is given an unusually choice role, playing the matriarch of the gang of thieves. Arriving late in the proceedings, with only a few scenes she is able to make us wish we knew a lot more about her character.

In much smaller roles, William Frawley as Cooper's boss & Akim Tamiroff, as a Spanish police official blinded by Dietrich's beauty, do well with their few minutes on the screen.

Directed by Frank Borzage and produced by Ernest Lubitch, that alone is a guarantee of something very special. On top of that, Gary Cooper and Marlene Dietrich in a fast, furious, magical duet. He is a charming Forrest Gump on vacation, she is a born seductress, a jewel thief, a woman on the verge of being beyond redemption. The dialog could have been written today even their talk about war. The camera had a real love affair with Cooper and Dietrich. Their feelings so visible. He in love like a school boy and she discovering him and herself, bit by bit. There are moments of Dietrich staring at Cooper that are a masterpiece on their own right. She is seeing something she has never seen before - innocence at its purest state. Don't miss it.

if you liked Lubitsch's Trouble in Paradise, this is a lesser but still quite enjoyable version. Directed by Borzage and produced by Lubitsch, it is difficult to find but features a marvelous Dietrich and adorable Coop. The opening scenes quickly show you why Paris by Paramount was often considered better than Paris as itself. Charming lines like 'I'm going to put my hand in your pocket' were clever ways to overcome the Hays era constraints. The elegance of the era is well presented here combined with the straight up-ness of the 'good American' culture. There are also poignant references to the oncoming WWII through lines like 'Don't underestimate America, it's a big country', quite prescient since this was still 1936. If you like American Romantic Comedy of the 30's, you will enjoy this film...a shame they don't make 'em like this anymore.

First, I give kudos to both the camera man as well as the makeup artists. They did an exceptional job in presenting Ms. Dietrich--she's as pretty as I've ever seen her in a film. While I have never been a fan of her work and never found her particularly attractive, they make the absolute most of what she's got in this film. She did appear appropriately tantalizing and her acting was excellent. Maybe I need to see a few more of her films so I might re-appraise her work.

The plot is very hard to believe--not so much as having Dietrich play a jewel thief, but that she would steal and destroy Gary Cooper's car and he wouldn't be a lot more angry about it! In fact, soon they are both head-over-heels in love!! I remember the last time some lady hit my car (she didn't even steal it)--I was much more likely to punch the lady in the nose than fall her her! Oh well, that's Hollywood of the 1930s. If you suspend disbelief about this, the rest of the film is a very entertaining romance. Plus, the end of the film will surely satisfy everyone. It's a very good effort only hampered by a few difficult to swallow story devices.