The Country Cousin

In this rather dull 9-minute cartoon a hick mouse visits his well-to-do cousin in the big city where they get up to all the usual mousy hi-jinks. Although this predates the first Tom and Jerry short by a number of years the set-up and scenes will seem overly familiar to you.

Based on Aesop's fable "The Town Mouse and the Country Mouse", there's nothing particularly memorable about this cartoon. The mice peak out of holes, scurry across tables, help themselves to food, agitating the house cat etc. It's fairly standard stuff, ending in the hick mouse being frightened out of town and dashing back to the country along the railroad tracks. It's amazing that this managed to win an Academy Award, I can't imagine how dull the other nominees were that year.

Walt Disney's October 1936 "The Country Cousin" won the 9th Academy Awards Best Animated Short Film for the year. As part of Disney's 'Silly Symphony' series, the nine-minute film, directed by Wilfred Jackson, concerns the hick-from-the-sticks mouse Podunk, who pays a visit to his sophisticated cousin Abner living in the city. His lack of refinement is visible when Abner shows him a normal human food dining table display in the household he's living in. Like an uncivilized barbarian, Podunk attacks the food while finishing it off with Champagne. The mouse gets drunk and ends up in all sorts of trouble.

The entire narrative takes place without a word heard between the two mice. "The characters are developed through body language," notes film reviewer Dave Sindelar, "and with a bit of help from the musical score." Years later, Disneyland Records recreated an audio version of "The Country Cousins" with actor Sterling Holloway narrating a 30-minute story wrapped around the 1936 cartoon. The 1961 vinyl LP record was issued as part of a record label subsidiary Walt's older brother Roy convince him to establish in 1956.

A Walt Disney SILLY SYMPHONY Cartoon Short.

Mouse Abner, THE COUNTRY COUSIN from Podunk, arrives in the big city to taste some of the high life enjoyed by his sophisticated cousin, Monty. Enjoying the viands of a banquet table - most especially the champagne - Abner is soon to encounter his first big city cat...

With the delightful Abner the center of attention, this fun, fast-paced cartoon spoof of Aesop's Fable easily became the 1936 Academy Award recipient.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

In all honesty, I have seen better cartoons. The execution of the story while nicely paced is a little bland and occasionally goofy even and the climax has a chaotic and tacked on nature about it. However, while most of the gags are more amusing than hilarious, the sliced bread and Duck Soup-like mirror gags are very effective indeed. The animation is beautiful and fluid, with the character designs especially good, the music is energetic and action-enhancing as is typical of a lot of cartoons around that time and the characters are sweet and likable.

All in all, The Country Cousin is not an outstanding cartoon, but regardless it is still a nice watch. 7/10 Bethany Cox

This Disney short is well-executed visually (as you might expect from Disney in the 1930s) but isn't really all that memorable or impressive for all that. I'm frankly somewhat puzzled at its nomination for an Academy Award and more puzzled that it won. Perhaps it was more impressive in 1936 than it is today. It isn't a bad cartoon-there just isn't anything exceptional about it that struck me other than the visuals. It runs from time to time on the Ink and Paint Club.