Charlie Chan at the Race Track

An interesting film with much in its favor, especially the team of Oland and Luke. I particularly like the scenes aboard ship en route from Honolulu to the mainland. Keye Luke has many funny scenes. A fair portion of the beginning of the film involves the other characters before Chan gets involved in the mystery. This makes it seem more like one of the Earl Derr Bigger's novels. This film makes a good double feature with the Marx Brothers' film, "A Day At The Races".

This is one of my favorites of the Chan series! Keye Luke as Lee Chan gave his funniest performance, in my opinion. His blabbering in Chinese when being led out of Charlie's stateroom; his antics while the fireworks are going off; notice how hard he hits one of the bad guys over the head with the bottle prop - really whacks him! Although I didn't care for the way the "Streamline" character was treated by some of the other cast members, this entry is entertaining! One of Charlie's great quotes - "Frequent spanking when young make rear view very familiar!"

... not that the other Charlie Chan films had simplistic plots, but this one was involved yet not confusing.

Charlie Chan gets word that an old friend of his, Major Kent, has been trampled to death by his horse Avalanche, onboard a ship bound for America, where Avalanche is to race at the Santa Anita racetrack. The fact that the major had sent Chan a wire about his suspicions about an illegal gambling ring, asking Chan to meet his boat when it docks in Honolulu to discuss the matter, makes Charlie initially suspicious. When he investigates the stall where the major was killed and notices that the blood spatter patterns do not match the story of how the major was killed, he becomes even more suspicious. So much so that he boards the boat to America so that he can further investigate.

This one has it all - a multitude of suspects, a very good plot, and plenty of Keye Luke as Charlie's oldest son, Lee. This time Lee is not just chasing girls. Instead he helps his dad quite a bit with the actual case. Of course, an involved plot requires involved investigation techniques by Chan, but his every move is explained to the audience as he is making them so that you can understand the approach taken. With Frankie Darro as an unfortunate jockey who gets in over his head, I'd recommend this one as the very best of the Warner Oland Charlie Chan films.

I always enjoy the byplay between Charlie Chan and his kids. Warner Oland was more loving to them in the early Chans while Sidney Toler was more insulting (but not in a mean-spirited way.)

In this episode, Oland lets Keye Luke get very involved in the case and Luke provides a number of laughs along the way.

This was an interesting script and had a decent number of action scenes along with it during the 70 minutes. There are some inventive twists to the story, regarding the crooks, too.

This is another Charlie Chan winner, and I am pleased to see it will be out on DVD in December.

Like a breath of fresh air, director H. Bruce Humberstone breathes new life into the Warner Oland Chan series. A good murder mystery, and one that the viewer might actually solve if s/he is very observant, we are treated to Chan and No. 1 son Lee crossing swords with a gambling syndicate and ultimately unmasking their leader. `No man is poor who have worthy son.' We know that a horse has been manipulated and abused by its trainer Bagley but we still do not know who is the brains and money behind it all even after the gang is arrested. Chan outsmarts and outwits the leader who is tricked into revelation. Although this final exposure is initially unseen by the audience, there is a major clue played out earlier that should lead the viewer to suspect the right person – if you are watching. And of course there are many misleading clues: `Roots of tree lead in many directions.' Chan and son escape assault and kidnapping and Lee again gets to demonstrate his ability at disguise – this time as a Chinese laundry man. Lee gets to drive the laundry truck much as we have seen in earlier Mack Sennett comedies. Like in many Chan movies, portrayal of black stable boy with monkey must have been more acceptable to audiences of the time but today should simply be cut. Similarly Chan says at end: `Good wife best household furniture' brought a remark from my wife. Perhaps that too should be cut for today's audience. Minor note is that the director appears as one of the gang. Much better than most of this series. Recommended.