The Case of the Black Cat

Personally, I am not fond of this film, although Cortez is fine as Mason. The 1930s hosted a brief Warner Brothers series, with three different men in the lead. This is the only movie I have seen from the period.

The plot is convoluted, with a few too many characters. I am assuming that all were in the original story - I would love to see the Burr television take that was apparently shot over twenty years later. Speaking of which, I am one of those who grew up on Burr's Mason, so it is strange to experience another actor in the role.

This film wastes Della and Drake, in my opinion.

Harry Davenport provides his usual supporting role professionalism, albeit in a B movie a few notches below what he was probably accustomed to.

Definitely worth a viewing.

Very entertaining entry in the Perry Mason series. This is due mainly to the appearance of Ricardo Cortez who brings a whole new persona to the role. Affable and good-natured and with a ready smile, Cortez makes Mason seem easy-going and not dependent on alcohol as was the Warren William interpretation. William almost seemed embarrassed but Cortez is like an old shoe, comfortable in the role. Time and again he manages to come off as sympathetic in thankless roles.

"The Case Of The Black Cat" also has a very imaginative script in its favor, so much so that you won't guess the surprise twist ending. Once you see it you might feel the movie doesn't play fair by introducing hitherto undivulged information, but you will agree it is extremely clever. The cast is comprised of some Hollywood backbenchers but they are a very capable group. This picture is as good as "The Case Of The Howling Dog" which starred Warren William, which I thought was the best of the series. So you could make a pun about cats and dogs - if only I could think of one.

This movie is called "The Case of the Black Cat" because horror films were popular money-makers at the time of its release and the use of "black cat" in the title made it sound more ominous. An alternate moniker was "The Curse of the Black Cat." Apparently the producers thought that title was too misleading. The Erle Stanley Gardner Perry Mason story on which it is based was labeled, "The Case of the Caretaker's Cat," which was the title of the TV version when it played on the old Raymond Burr series. The cat and its caretaker owner are at the center of the plot; so that title makes more sense. Why not use a black cat in the 1936 film version? When the movie was being made, the "black cat" reference in the title had not been proposed; that the cat in the story was gray and white spotted determined the kind of cat to use in the picture.

To most fans of the Erle Stanley Gardner character, the definitive Perry Mason will always be Raymond Burr. The first big screen Perry Mason was Warren William and he made a dandy. His "The Case of the Howling Dog" is one of the very best in the William series. Unfortunately, the three follow-ups in which William played, while entertaining, were not up to the standards of the premiere feature. Ricardo Cortez, said to be a difficult actor with whom to work, does very well with the Perry Mason character, making "The Case of the Black Cat" one of the best translations of Perry Mason from book to screen.

The initial screen perception of Perry Mason was one of a debonair, skilled, yet at times unscrupulous, counselor-at-law who would use almost any trick to win a case. His courtroom shenanigans were part of the show. Even Raymond Burr began his TV program in that vein, becoming more law respecting and less law bending as the series progressed. Ricardo Cortez assays the role more along the lines of the later Raymond Burr personification of Perry Mason, though still willing to bend the law a bit when it helps his client, in this case a gray and white-spotted cat.

That the Perry Mason mysteries were not one-dimensional but at times highly complex was one reason for their popularity with amateur armchair sleuths. "The Case of the Black Cat" is no exception. A rich invalid, Peter Laxter, hires Mason to help him rewrite his will. Not long after the will has been changed, Laxter's mansion burns to the ground with Laxter in it. Perry convinces District Attorney Hamilton Burger (Guy Usher) to conduct an investigation. The findings show that Laxter had been dead for some time before the house burned. His heirs become the prime suspects, including Wilma Laxter (Jane Bryan) who runs a waffle house, since she had been disinherited by the new will.

Another prime suspect is heir Sam Laxter (Gordon Elliott aka Wild Bill Elliott). The caretaker, Charles Ashton (George Rosener), has a cat, Clinker, who meows at the moon so much it keeps Sam Laxter awake. He throws items at the cat, threatening to poison it if the mewing doesn't stop. The caretaker appeals to Mason for help after receiving yet another threat from Sam Laxter, this time in the form of a note. Thus Perry takes the cat as a client and the fun begins.

I like Ricardo Cortez in everything I've seen him do. He was an excellent actor who never really became a major star. Here, he is a fine Perry Mason. His Mason has a sense of humor. He's stylish. And he's not entirely admirable, which seems to me just right.

I also like Jane Bryan, who is most appealing as the female member of a troubled household. The other performers are fine, though not memorable.

It's hard not to wonder why Warner Brothers used a gray and white cat for the title character. Surely it would have been easy to find a cat that would have been both black and well behaved on the set.

There are a few other inconsistencies. One I noted is that Mason calls the caretaker of this wealthy family at their home. Is it, was it ever, standard to call servants at their employers' primary number? (Sure, my cleaning guy, who's here for two hours every two weeks, gets a call now and then; but he is a painter and this is far from a mansion.)

It should come as no surprise that Erle Stanley Gardner, the author of the Perry Mason series, hated the way his hero was portrayed in the movies. Consider this: When he saw Raymond Burr walk in to audition for the part of Hamilton Burger, he told the casting people, "That's Perry Mason." One can just imagine, then, how fond he was of Warren William, Donald Woods and Ricardo Cortez.

It's not so much the actors, of course, as the emphasis of the films -Warren William, whom I like a lot more than one of the posters on this site, always had a little too much fun, and his character was loosely modeled on Nick in "The Thin Man." Woods was very lawyer-like but lacked spark; Cortez had spark but was more on the smooth, streetwise side than the actual Perry of the books, who was a very intense young man, given to big speeches.

In this film, Perry is asked to act as attorney for a caretaker's cat named Clicker who isn't black. That's because the title was decided upon after the film was made. The actual Gardner story is "The Case of the Caretaker's Cat," but black cats were hot in movie titles in the '30s. Peter Laxter's will states that the caretaker has his job for life, but one of the heirs wants the cat gone and is threatening to poison it. Laxter has died in a fire, but Perry soon surmises that he was murdered first and has the body exhumed. He also learns that Laxter cashed out a million dollars worth of stock and that a famous set of diamonds are missing. Two more murders follow. Clicker unknowingly provides an important clue to whodunit. The last few minutes of the film are done in flashback so that we can see how Perry put it all together.

Not bad, but none of these men will ever be Perry Mason after Burr did the role so long on television. It's best to just look at these films as mystery stories and ignore the old, unattractive Paul Drake and the pronunciation of Hamilton Burger as Hamilton Berjer (in the Woods version). And that's the way Erle Stanley Gardner would have wanted it.