The Bride Walks Out

This is a very dated story about two people in love, Barbara Stanwyck and Gene Raymond, and their marital problems. Stanwyck plays a model who came from a poor home, and she doesn't want to give up her $50 a week job and live on only Raymond's $35/week salary. He talks her into it anyway, though she screams all the way down the aisle. Soon she finds herself in money trouble and gets involved with a playboy, Robert Young. To ease her financial problems, she works on the sly.

The performances are delightful, but it's a slim story and then there's the business of this guy not wanting his wife to work. I normally don't have a problem watching films in the context of their times, but in this case, the husband seemed unreasonable to me. Ned Sparks and Helen Broderick are hilarious. Stanwyck is always fresh and sincere. Gene Raymond is attractive, but I've always failed to see why he was so important to MGM that Mayer forced Jeannette Macdonald to marry him. The film didn't really hold my interest, but Stanwyck is always worth seeing.

If you can get passed the far-outdated trappings (newlyweds in separate beds, and a wife who is forced to give up her well-paying job to live on her husband's measly salary), there are some laughs to be had in this charming romantic comedy from RKO. Screenwriters P.J. Wolfson and Philip G. Epstein, working from a story by Howard Emmett Rogers, manage to throw in some funny, sneaky little laugh lines, and the supporting characters add a great deal of bounce, including sidekick Ned Sparks (who talks like a Myna Bird) and Hattie McDaniel(s) as a sassy cook. The bride (Barbara Stanwyck, who never disappoints) does indeed walk out--into the arms of a millionaire!--and the way the plot is resolved is amusing and clever. **1/2 from ****

Bride Walks Out, The (1936)

** (out of 4)

Disappointing film from RKO has Barbara Stanwyck playing fashion model Carolyn who is courted by a blue collar working man (Gene Raymond). The two are married and he forces her to quit her job as he thinks they can survive on his $35-a-week paycheck but soon she goes to work behind his back and is courted by a rich man (Robert Young) who is in love with her. THE BRIDE WALKS OUT starts off pretty flat and just continues to go downhill from there. Despite the good cast there's really no life in this comedy-drama for a number of reasons but the biggest has to be the lack of chemistry between Stanwyck and Raymond. Not for a second did they feel like a real married couple and throughout the movie I had a hard time believing these two people would ever actually be together. Another problem is the screenplay, which for some reason makes the husband out to be the dumbest man I've seen from any Hollywood film of the 1930s. I watch dozens, if not hundreds, of films from this era and for the life of me I was struggling to come up with a dumber male character. The film has a very sexist attitude about it, which goes against many of the roles Stanwyck played throughout the decade but there are several bits of dialogue where it's said that for a man to be "manly" that he should hit a woman. Add on more sexist stuff including the fact that he doesn't believe women should work and that he's constantly doing and saying one dumb thing after another, the viewer really can't help but hate the guy and want to see Stanwyck get away from him. The one good thing in the film is the chemistry between Stanwyck and Young but you'll be disappointed in how the screenplay plays this off in the end but what's an even bigger head-scratcher is that it's never really explained why Young becomes such a vital part in her life. Ned Sparks tries to add some comic relief and fails and film buffs will also enjoy seeing Hattie McDaniel and Billy Gilbert in small roles. You can also quickly see Willie Best at a court sequence but he's not given a single line of dialogue. This attractive cast might make fans tune in when the film is shown on TCM but you're bound to be disappointed.

Pure romantic comedy that doesn't hit every mark, but is well worth it. If you loved Palm Beach Story, you'll at least like this.

Story of fashion-model married to $35/week surveyor, failing to make ends meet. He won't let her work, but she does anyway. She's tempted by rich playboy Robert Young. He's egged on by wife-hating Ned Sparks. Sparks, who delivers every line around a cigar stub, and Billy Gilbert, the repo man, steal every scene they are in.

Husband's refusal to see wife's point of view makes him look stupid, which was not the intent. Guess how it turns out? True lovers of this period have to learn to overlook this kind of sexism, I'm afraid.

Comparing this film to THE PALM BEACH STORY is an exercise in ignorance. It's OK, but lacking in wit and spark. If anything, it's yet another example of how films of this era shot down women who had hopes of making something of their lives. For that, it is perhaps worth seeing. If you're looking for a sparkling, witty comedy, move on. Fans of Stanwyck will find her at her best, as always...but Gene Reynolds, as always, brings things to a crashing halt. Helen Broderick is at her wise-cracking best, but it's not really good enough to save what is basically a formulaic, Depression-era comedy...one with an all-too-familiar ending. Ho-hum, and all that.