Beloved Enemy

I haven't seen this film myself but I've just come across a comment on it by my father, after seeing it in 1938:

I did not enjoy it as much as I might have had I not been studying the actual facts and happenings of that particular year (1921). After what I had read and pondered so much to retain in my memory I could hardly even endure to look at the picture at all, it was so different from what was in my mind. The human touch in it was the only thing that appealed to me, otherwise the picture was empty. Probably I would have thought it a great picture had I not read so much about that particular period, recently.

This is a fine film depicting the fictitious love affair between an English Lady and an Irish rebel leader in the 1920s. Merle Oberon gives an endearing performance as Lady Helen, who coincidentally meets Dennis Riordan (played by Brian Aherne) under false pretenses. They should have been enemies. She represented everything their respective sides were fighting against. But her charms beguiled him and when they each realize they are falling in love with the enemy, it is too late.

This is a story of star-crossed lovers, each having to decide between their moral convictions and a true love that may never come again. Brian Aherne is charismatic as the clever rebel leader. Henry Stephenson is perfect as Lord Athleigh, Helen's tough but wise father, sent to Dublin to settle the Irish uprising one way or another. David Niven is splendid in a supporting role as Gerald Preston, assistant to Lord Athleigh, only a year before he is to wow audiences as Captain von Tarlenheim in "The Prisoner of Zenda".

Although this is a love story, there is plenty of action and intrigue involving the hunt for Riordan and the rebels by the English.

If you like Merle Oberon, don't miss her in "The Divorce of Lady X" or "Wuthering Heights", both with Sir Laurence Olivier.

Leave it to Sam Goldlwyn (and associates) to turn the Troubles of 1920 into a typical Hollywood melodrama and soapy love story. This is truly a curiosity, right up there with John Howard Lawson's BLOCKADE—the one about the Spanish Civil War. Whenever Hollywood touched controversial political subjects like this one there was always a chance that one side or other of the box-office might be offended. Therefore, we are never quite certain what the Irish want, other than Brian Aherne wanting Merle Oberon (and who can blame him), but somehow the message is clear that if an Irish rebel Romeo and an English lady Juliet had managed to wiggle themselves into a peace conference things might have worked out better for both sides. This is a lavish production, lit glamorously by the great Greg Toland with lots of moody sets build on the Goldwyn Formosa Street lot, and the usual collection of expatriated English and Irish character actors. The great Irish actor and Abbey Theater member, Dennis O'Dea, has a small part as one of the rebels. He was later to seen in a similar role in ODD MAN OUT. All-American Jerome Cowan, best remembered as a wise-cracking best friend or reporter, makes his screen appearance here wearing a cap cocked on his head as he uses an odd Irish accent.

In the "love-against-the-backdrop-of" genre, BELOVED ENEMY occupies a rather high position because of the intelligence with which an extremely unlikely romantic relationship is handled. Merle Oberon, the daughter of a British bigwig (Henry Stephenson), falls in love with an Irish rebel leader (Brian Aherne). But not only does her love for him not turn her against her own people, she even rats on him to the British military, only to be hugely relieved when he escapes from their ambush. Then she has the gall to visit him and admit her betrayal! This is truly a case of love conquers all. On one level this film is a plea for peace from a woman's point of view. Movies with pleas for peace were not uncommon in the mid- to-late Thirties. Needless to say, this production is a pure Hollywood gloss on the realities of the 1921 Irish Civil War, but at least the opening credits admit clearly that the story is "legend based on fact" with fictitious characters. When the going gets a bit heavy, we have those stunning physical specimens of Oberon and Aherne (their surnames even sound like poetry together) to feast our eyes upon. In close-up profile they both look exquisite. Oberon was a fine actress, much underrated. She had her limitations, but here, as in many other films, not only turned in a creditable and convincing performance but was a pleasure to watch as she did so. Aherne, as finely carved a block of wood that ever took human form, never quite comes to life. He is somehow not all there.

"Lady Helen" (Merle Oberon) arrives in Dublin with her father "Lord Athleigh" (Henry Stephenson) who is charged with trying to bring peace to the increasingly unruly city. The night they arrive, an ambush is thwarted and that serves to introduce her to the dapper stranger "Dennis" (Brian Aherne) whom we soon find out is not quite what he appears. What now ensues is a rather unlikely romance between the two that culminates in a police chase, some high-level negotiations, betrayals galore and a bit of tragedy. There is a surprisingly strong supporting cast to this rather lacklustre historical drama. David Niven and Donald Crisp add a wee bit of depth to the story, but essentially this is just a far-fetched romance that uses the guise of the early Irish troubles as a conduit to allow Oberon to glow and for the fairly unremarkable Aherne to try to keep up. It's quite wordy and has too much score, but easily passes ninety minutes if you just want to let it wash over you and not get too hung up on the politics of the thing.