अपनी भाषा में प्लॉट जोड़ेंTony Seymour and his partner Gaby Ramarios are a dance team who perform an Apache specialty number, which ends with Tony, via a steel waistcoat with a scabbard arrangement, getting a knife p... सभी पढ़ेंTony Seymour and his partner Gaby Ramarios are a dance team who perform an Apache specialty number, which ends with Tony, via a steel waistcoat with a scabbard arrangement, getting a knife plunged into his back, but he is unharmed since Gaby is an expert knife thrower. They are a... सभी पढ़ेंTony Seymour and his partner Gaby Ramarios are a dance team who perform an Apache specialty number, which ends with Tony, via a steel waistcoat with a scabbard arrangement, getting a knife plunged into his back, but he is unharmed since Gaby is an expert knife thrower. They are auditioning for parts in "La Nouvelle Revue" which is to open in three weeks at the Alhambr... सभी पढ़ें
- Gaby Seymour
- (as Dolores del Rio)
- President of Court
- (as John Roberts)
- Dubec
- (as George Moore Marriott)
फ़ीचर्ड समीक्षाएं
They are auditioning for parts in "La Nouvelle Revue" which is to open in three weeks at the Alhambra of Paris. The star is Yvette Delange (Florence Desmond), described as "a beautiful woman who could not hide with the most perfect makeup the ravages of time." She also does not like rehearsals, but perks up at the sight of Tony, and tells him she thought his dance was ripping. Alphonse de la Riviere (Edward Rigby), once a great star but now just an assistant to the producer, Morel (Esme Percy), winces when he hears this. (Don't let his wince influence decisions regarding later developments as it may just be a red herring.) Later, Yvette sends Alphonse to fetch Tony to her dressing room for dancing compliments. Tony says "Ripping" and he'll be right along as soon as he can find and fetch Gaby. Alphonse winces some more and informs Tony that he is the chosen target for Yvette's compliments and Gaby is not invited. Tony, always open to receiving compliments and willing to overlook the ravages of time, hustles off for some tea and compliments.
Gaby is not amused. In fact, she is plumb put out. She isn't one to put up with her dance partner receiving compliments behind a closed dressing-room door.
Yes, of course, Yvette, the beautiful but time-ravaged ,trouble-making star of the show is soon found quite dead, and the reason she is dead is because she has been stabbed with a knife belonging to Gaby. And before one can spell Gaol, that's where she is, charged with murder.
Tony's mission now is to clear Gaby and find the real killer, although he is the only one who doesn't think Gaby did the deed. Well, one other knows also who did the deed, but isn't talking. So Tony has to sift through the usual suspects. The latter include Morel, Alphonse, Dubec the concierge (George Moore Marriott)and possibly Ninette Duval (Googie Withers), a member of the chorus who is often thirsty but can't afford to buy her own drinks, and also thinks Tony is 'ripping." She is also the only one who knows that Tony and Gaby are married.
The film takes place in France. Del Rio plays Gaby Seymour, a dancer, who is her husband Tony's (Fairbanks) partner in a show where they do an Apache dance act in a show. At the end of their piece, she stabs him. He is wearing a steel waistcoat, so he is not hurt.
Despite her beauty, Gaby is insecure about Tony's love for her, and she's also jealous. The lead in the show, Yvette (Florence Desmond) is attracted to Tony and invites him to her dressing room. He goes only to keep the job he and Gaby worked so hard for, but he makes it clear that he is not interested.
When Yvette is found dead, stabbed with Gaby's knife, Gaby is arrested and goes on trial. Tony knows she didn't do it, and in fact, saw a man hovering around the theater that same day. He knows that if he can find him, he can save Gaby.
The story was made compelling by the two leads. Fairbanks was an interesting actor. Even though he had an overblown monologue toward the end of the film, he makes it believable rather than melodramatic. His acting styles comes off as modern today.
Del Rio, what can I say - you can't help but pull for her. I would only say she's miscast because I don't understand how she could be jealous of anyone - she could not have had any competition!
The first half of this movie is pretty good, with a typically over-the-top British production number and a gypsy/Apache dance faked by Fairbanks and Del Rio. It was produced in England, with a large American component; not just the leads, but director Thorton Freeland, who was spending a few years directing in Blighty, and the script is co-written by Zoe Akins. Although the performances are fine, liberties are taken with French jurisprudence, and there are the usual startling coincidences and uncaring flics. However, the fine performances makes this watchable, if not terribly good by the final clinch.
Unfortunately the star of the revue Florence Desmond takes a dislike to Del Rio and develops a yen for Fairbanks. They get canned and Del Rio confronts Desmond and finds her dead, stabbed with a knife that is part of the Fairbanks/Del Rio act.
The first half of Accused is backstage drama. The other half is a courtroom drama with Fairbanks as a self appointed detective trying to locate a witness who can clear his partner. When he's located we learn something about Del Rio and of course who the real guilty party is. If it wasn't Del Rio there was a long list of suspects as Desmond was someone, everyone wanted to kill.
Some nice musical numbers in the first half. Fairbanks is graceful though no threat to Fred Astaire. In the courtroom part, Basil Sydney as Del Rio's defense attorney wins acting honors for the film.
OK entertainment, but Accused will never make the top 10 for Fairbanks or Del Rio.
क्या आपको पता है
- ट्रिवियाThe earliest documented telecast of this film in New York City occurred Saturday 8 February 1947 on WNBT (Channel 4); on the West Coast it first aired in Los Angeles Wednesday 7 December 1949 on KTSL (Channel 2) and on the East Coast in Boston Sunday 26 March 1950 on WBZ (Channel 4); for some later telecasts, such as Sunday 28 August 1950 on WPIX (Channel 11), the title was changed to 'Don't Say Die' in order to avoid confusion with the recent theatrical release The Accused (1949).
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