Wings in the Dark

It's always a treat to find an early Cary Grant movie. In this case it was a double treat since Myrna Loy played his love interest. Wings in the Dark (1935) showcases the talents of its two stars, despite the rather unbelievable plot of a recently blinded pilot (Cary Grant) who flies a plane configured with special navigating equipment he has created. While the movie ends on a typical melodramatic, if not predicable note, the movie is still one to catch. Cary Grant pulls together an admirable performance of an independent man who is suddenly blinded and goes through a myriad of emotions that come with the convalescence. This movie shows that Grant had depth as a serious actor. Catch him with two other movies with Myrna Loy, The Bachelor and the Bobby Soxer, and Mr. Blandings Builds His Dream House.

Wings in the Dark is a pretty remarkable movie for its day. Yes, when you watch it now, it's almost laughable and the ending is so far-fetched it makes you anxious to leave when the credits roll. But back in 1935, it was rare for a story to be produced about a blind man. City Lights featured a damsel in distress who literally sold flowers on the street, but in this movie, the young and virile Cary Grant is blinded. His former profession was an acrobatic pilot, so you can imagine how depressed he gets when he can no longer see.

Myrna Loy loves Cary and believes in him, no matter what his condition or handicaps. When Cary tries to get a new lease on life by becoming a writer, Myrna shows her great love: she tells him he's a success and provides the royalties herself. She was also a stunt pilot before his accident, and to make money, she performs terrifying stunts that endanger her life. What a gal! I would recommend watching this old flick if the story interests you. Just keep in mind that they did have to sugar coat some aspects of being blind; it was 1935 and audiences didn't want Cary Grant to be too forlorn. I found it very interesting to watch Cary's seeing eye dog teach him how to survive.

Cary Grant and Myrna Loy star in "Wings in the Dark," a 1935 film. It's obvious with films like Christopher Strong and others that with Lindbergh and Amelia Earhart around, aviation was a huge topic. In this film, Grant and Loy play aviators Ken Gordon and Sheila Mason - she does the stunt circuit. After Gordon is wounded in an accident in his workshop, he goes blind, and Sheila is there to help him. Gordon wants to continue his work, and is interested in perfecting the plane instruments so that even a blind man could fly a plane, that is, fly in terrible fog or other weather conditions.

Gordon doesn't realize it, but Sheila is funding his work by telling him that articles he's written have been sold. When his plane is taken away due to lack of payments, she agrees to fly a plane from New York to Moscow so she can collect $25,000. It isn't the smooth flight she anticipated.

This is a pretty good film with both actors turning in good performances. Grant gets to show his dramatic flair - the man could really do anything. Now that I've seen so many of his early films, I'm convinced he had a nose job - his nose is definitely longer early on. Nevertheless he was always extremely handsome.

Loy and Grant went on to make other films together, and this early one isn't mentioned much. It doesn't compare to Mr. Blandings or the Bachelor and the Bobby Soxer, but the stars raise it up a level.

A surprisingly little-known gem from the '30s. Sure, there's a lot of hokum in the story. But Myrna Loy as a daring aviatrix and Cary Grant as an inventive young pilot make it believable and compelling. Grant is working on new technology to enable pilots to fly and land "blind"-- using only the controls in the cockpit and communication with the ground -- when his eyes are seared by an exploding stove. Loy's growing affection for him runs into a cold, bitter barrier. But when she accepts a dangerous challenge, he literally rises to the occasion and becomes her eyes in the sky. Even some seemingly minor scenes -- like one in which Grant reacts badly to the gift of a guide dog -- have real emotional impact. And the stuntwork, involving open single-engine planes of the past, ranges from exciting to spectacular.

Wings in the Dark (1935)

You have to remember what a total thrill it was to fly a single engine plane back in the early 1930s, and even to see airplanes buzzing about in the sky. Of course we still love small airplanes and bushpilots, what we see of them. And we have a fuzzy feeling for that specialty pilot who paints messages in the sky with smoke. The message that starts the movie in the deep blue? "Smoke Flips" including the dot on the I.

Some things have changed, indeed.

This movie has several amazing things going for it, and two of them have names: Myrna Loy and Cary Grant. Myrna is the pilot Sheila Mason who writes the opening cigarette ad overhead, and she's like a small town Amelia Earhart--charming, daring, and a woman in a man's world. Grant plays Ken Gordon, another pilot and an instrument pioneer. Gordon's current trick is to fly "blind" meaning by feel and by instruments, hence the title of the movie--at first. And he wants to fly to Paris. The movie was shot 7 years after Lindbergh's solo flight to Paris, and two years before Earhart's disappearance.

The director is little known James Flood, and he is helped a lot by both the beautiful actors (and their acting) and some really good photography under William Mellor, an unsung mainstay of Golden Age Hollywood. There are lots of strong close ups and good strong graphic designs, including some nice angled shots from high up, as well as some fast moving camera to follow the action. It's a an uncluttered affair, and this draws attention to the acting, which is good. Loy by this point was an established star (she had been in some 80 films by this point). Grant was newish (less than 20, all in three years), and as charming and cute as can be, but playing a more regular guy than usual--not playing "Cary Grant" quite yet.

The movie takes its dramatic turns when Mason (Loy) and Gordon (Grant) interact one on one. First there is a tragedy, then an opportunity. There are some seemingly necessary functional moments in the film, a process of getting through the crisis, but then the movie kicks in again. It's all pretty wild and exciting, actually, if not deep or original. It's got its formula underpinning, but it makes it all fast and emotionally moving, at least for a sucker like me. This is just after the Code kicked in and there is no suggestive or racy behavior, just the new clean romantic drama between two stars who are bound, we hope, to get together by the end.