The Wedding Night

Gary Cooper, in a thinly veiled characterization of F. Scott Fitzgerald, is a writer living with a socialite wife in New York City and doing quite well on the party circuit. But he's lost his muse and literally has to move back to his family's ancestral home in Connecticut where the rent is free.

While there he gets involved with some Polish immigrants who have bought a lot of acreage in the Nutmeg state for tobacco growing and farmer Jean Hersholt wants some of Cooper's land. Needing the cash, Cooper agrees. He finds the people there fascinating in an sociological sort of way. And he finds Hersholt's daughter Anna Sten far more intriguing.

The Wedding Night was supposed to be the launching of a new Sam Goldwyn discovery in Anna Sten. But for some reason she didn't catch on with the public though she does give a fine performance. There's a lengthy list of speculative reasons why she never caught on, some have been mentioned by other reviewers.

However the best performance in the film is Helen Vinson as Cooper's wife. She starts off giving the impression she's a flighty airhead, but actually that's not the case. Vinson usually was playing the other woman in her film career, here she reverses type as the wronged wife. You do feel sorry for her, she's done nothing to deserve Cooper's infidelity.

For those who are curious about Anna Sten as she's become something of a symbol as to how not to showcase a talent, The Wedding Night might be worth a look.

OK, you want to make Anna Sten a star like Garbo or Deitrich. What are the very worst things you could do? Cast her as a Polish immigrant farm woman. Dress her in frumpy clothes. Set the movie in cold weather, necessitating her wearing a hat or scarf much of the time. Cast the urbane Ralph Bellamy as her rough-hewn Polish fiancé.

Anna Sten had a lovely face and she wasn't a bad actress. But this vehicle could have sunk any unknown. On the other hand, it's not a bad movie. In some ways, it's memorable.

The male lead is Gary Cooper, in his early days when his lashes were long, his look lanky but gentle. He's very good as a writer who's hit a brick wall with his work. He and wife Helen Vinson are splitsville, or near it; so he goes to his family house in Connecticut. And there he meets Sten, who is delivering milk. (No comment.) I never got the whole big deal about Garbo. Sten is more emotive. But she's sunk in this movie.

Here is Gary Cooper in one of his more authentically romantic screen roles.

By romantic I do not mean the stale bourgeois antics of the matinee idol, but a figure that is, at once, poetic and transgressive. Cooper plays a married man who, during a stay in the country, falls in love with a farm girl. She belongs to a family of recent immigrants. They do not see her involvement with a married man not of their ethnic world at all positively. The ending is tragic, but the power of their transfiguring involvement is very convincingly portrayed, and the photography has real class. Cooper acts with an open intensity not often available to the clichéd strong-inarticulate American male. If you are bored by his "High Noon" persona, see this film.

In New York, the writer Tony Barrett (Gary Cooper) was successful in his first novel. Now he is alcoholic and his two next books were failures. His publisher refuses to publish his last novel and the totally broken Tony is forced to move with his wife Dora (Helen Vinson) to the countryside of Connecticut to his family farmhouse. On the arrival, his neighbors Mr. Jan Novak (Siegfried Rumann) and his daughter Manya (Anna Sten) offer five thousand dollars for his idle lands. Tony accepts the offer and Dora decides to return to New York. Tony stays with his servant Taka and has dinner with the Novak family to close the business. When Taka decides to return to New York, Manya helps Tony with the housekeeping. They become close to each other and soon they fall in love with each other. But Tony is a married man and Manya is engaged to Fredrik Sobieski (Ralph Bellamy) in an arranged marriage. What will happen to their love?

"The Wedding Night" is a sad and tragic romance directed by King Vidor, who was a specialist in melodramas. The timeless love story is believable and engaging and has a heartbreaking conclusion. Based on the number of voters (553) and reviews (20), "The Wedding Night" is an unknown romance and the User Rating (6.8) is underrated. My vote is eight.

Title (Brazil): "A Noite Nupcial" ("The Wedding Night")

Tony is a writer and can't get his latest book published in NYC so he and his wife go to a farmhouse he inherited in Connecticut where it'll be cheaper to live. While in Connecticut, he meets his Polish neighbors and their daughter, Manja. While Tony's wife is away and his cook has left him in the dead of winter, Manja helps Tony around the house and provides inspiration for his latest book. An attraction grows stronger, but Manja's hand in marriage is promised to a local farmer. Can two people promised to others and from very different worlds be happy? How will the book end? Film focuses strongly on Tony and Manja, but could have rounded out the wife's character a bit more - overall an enjoyable film but the ending's a bit melodramatic as most were for the time.