Thicker Than Water

I won't wade into the same territory that others have. I think the dish washing scene was perhaps the most "Laurel and Hardy-esque" scene in the film, but the one in Helpmates was better.

Personally I felt that the banter about who gave the money to whom went on a bit longer than it needed to. I hope audiences in 1935 found it more engaging than I did.

The main reason I wanted to write a review is that I was impressed by the creative and clever way they handled scene changes from the Hardy house to other locations. Stanley grabs what might be some sort of pocket door or panel (if it were a real house) and pulls on its thick black border to walk it across the screen. The scene changes with it. In one of these clever "wipes" he accidentally lets go and it returns to the right side of the screen. So he grabs it again and walks it across the room. The scene change follows the movement of this panel. I haven't seen this trick done before. And being that this was decades before green screen, it must have been rather labor intensive to handle it in the cutting room. Bravo for this quirky little technique!

Thicker Than Water is another Laurel and Hardy short directed by James W. Horne, and while the actors and producers of these silent/early-talkie shorts get much more credit than the directors behind them, something must be said about Horne's involvement with the Laurel and Hardy shorts, predominately the ones in the late twenties and early-to-mid-thirties. For starters, Horne's shorts, speaking of this particular one and Big Business from 1929, have the narrative consistency of being manic and developing a one-thing-leads-to-another scenario, stockpiled with hilarious mixups and misunderstandings. Then there's the fact that both of these shorts have the ability to keep accelerating in their zaniness, in such a way that is hilarious to watch and never burdensome or overbearing.

Thicker Than Water concerns Stan and Ollie, who are just about to head to the local baseball game when Ollie's wife (Daphne Pollard) scolds Ollie for ditching her with all the dishes and forces both men to wash them before leaving. After a hilarious scene, exercising Horne's directorial formula of filming various things accelerate into complete chaos, a man shows up to collect payment for some furniture Ollie and his wife bought. Following a miscommunication in funds, Stan and Ollie must withdraw the couple's savings from the bank to buy the furniture.

The scene doesn't stop there, with a whole new set of craziness awaiting at a local auction house, followed by the inevitable scolding of Stan and Ollie by Mrs. Hardy when they arrive home. Thicker Than Water shows an exuberant amount of comedic energy on part of its performers, as almost every Laurel and Hardy short does in some way, and, thanks to the incredible situational and slapstick writing by Stan Laurel and Frank Tashlin, Thicker Than Water never becomes tired or redundant in its pursuit of laughs and potboiler comedy. As the final short that featured both men in starring roles, it may not be what everyone was expecting, but it certainly is a hilarious offering. If only maybe Laurel and Hardy knew their career together was over would they have tried to conclude their work with a bang.

Starring: Stan Laurel, Oliver Hardy, and Daphne Pollard. Directed by: James W. Horne.

Appearantly this was the last comical short which starred the two boys in the leading roles. Too bad they didn't ended it with a blast. But still, this movie is just as good as most of their other works of course and it has some good and entertaining moments in it.

The story is just above average. It's your typical Laurel & Hardy stuff in which the boys get into some serious and unlikely trouble again. It's nothing special but the story and the movie in general serves its purpose to entertain and amuse its viewers.

The movie begins good with some typical slapstick moments. This is Laurel & Hardy at their best. After that the boys get into some more trouble, which also involves of course once more one of their wives and luckily it also involves James Finlayson again. His role is quite small and not really that impressive but his presence alone is more than enough reason to consider this movie an entertaining and above average one. All of the comical moments are rather predictable but executed very well, due to some good timing and acting by especially Stan Laurel and Oliver Hardy. The ending of the movie might feel out of place but nevertheless it's pretty entertaining to watch Stan Laurel imitate Oliver Hardy and vice versa. They both did a good job at imitating each other there and it surely made me laugh.

All in all it's a well made, consistent comedy by James W. Horne, who probably was the best and most consistent director of Laurel & Hardy pictures. Not their best or most memorable work but nevertheless a worthy last comedy short by the famous comical duo.

7/10

http://bobafett1138.blogspot.com/

Another fabulous short from Stan and Ollie, this time finding Ollie with money troubles, drawing his (and his wifes) savings from the bank to pay off their furniture! One thing leads to another, but I won't spoil it if you haven't seen it! Brilliant, and some of the lines in this movie are classic! 7.5/10

Thicker Than Water is one of Laurel and Hardy's more consistently funny shorts. It sees Ollie being henpecked by his tiny wife (Daphne Pollard), but when Stan suggests that Ollie take charge, things go terribly wrong (how could taking advice from Laurel be anything but trouble?).

The film kicks off with an amusing washing up routine, Ollie cleaning the plates, with Stan drying them and then passing them back to Ollie to wash again. When Ollie sees what Stan has been doing he tells him to put the plates elsewhere, so Stan stacks them on a lit gas burner; Ollie picks them up to put them in the cupboard, burns his hands and drops all of the crockery. So far, so chucklesome.

A little later, Laurel and Hardy regular co-star James Finlayson arrives at the house to collect payment for the Hardy's furniture, which leads to a clever verbal exchange between all of the characters akin to Abbott and Costello's famous 'Who's on first?' routine. Following this, Stan tells Ollie that he should pay for the furniture outright with his savings, but Mrs. Hardy disagrees. Egged on by Stan, Ollie goes to the bank to withdraw the cash, but instead of paying for the furniture, he mistakenly spends the money on a grandfather clock in an auction (the price going sky high thanks to Stan). On their way home with their purchase, the clock is smashed to pieces by a lorry.

When Mrs. Hardy discovers what has happened, she loses her cool and hits her husband over the head with a frying pan (climbing on a chair to do so). In hospital, Ollie requires a blood transfusion, with Stan as the donor, and the results are unexpectedly bizarre.

Not only does this short deliver solid laughs at regular intervals, but it also features some wonderful transitions, Stan pulling the next scene from the side and dragging it across the screen. It's clever stuff for the time and really adds to the fun.