The Secret Bride

Having big-name stars front this B-movie from Warner Brothers adds interest, but unfortunately it plays straightforwardly without any dimension to the characters. So we have a typical Depression-era feature to while away an hour on a double-bill, instantly forgettable.

Based on a play, the movie relies upon details that conveniently propel the story with little credibility. Issue of a case of bribery in exchange for a pardon from the governor is still topical 90 years later, but it has zero impact here. Directed breezily by William Dieterle, it was made around the time he shot "Fog Over Frisco", a minor classic that is often cited, with good reason, to be among the fastest-paced and most concise movie of all time.

Watching the team of Stanwyck and Warren William is fun, but their character react automatically to the flow of events -strictly stock characters.

This is a pretty standard Warner's Who Done It, one that gives up the goods about 2/3rds of the way through. What puts this Stanwyck vehicle a notch or two above average is the fluid camera work employed--- Dieterle isn't afraid to employ some unusual overhead camera angles (or was Busby Berkeley hanging around the set?) and tracking shots. It's also obvious that Warner's wasn't afraid to spend more on their productions in 1934 than just a year or two before. The production values show where it counts, right down to the Orry-Kelly gowns on Ms. Stanwyck--- one in particular looked like it wiped out half the fox population in Depression-era California. Some of the motivations in the plot are fuzzy: Glenda Farrell's relationship with her boyfriend (is it just me or does Douglass Dumbrille look like he and Lionel Atwill were separated at birth?) is about as unclear as her reaction to his... errh, that'd give away too much. I give this a 10 for production values and a 4 for plot.

Secret Bride, The (1934)

*** (out of 4)

The governor's daughter (Barbara Stanwyck) secretly weds the D.A. (Warren William) but hours after the wedding he receives information that the governor has been taking bribes for paroles. This is your typical, fast paced drama from Warner that has a decent story but works mainly to the star power. William was born to play these types of roles and he steals the film delivering a very strong performance. William has such a calm, cool and collective way to deliver these types of performances and most of them are always worth watching. Stanwyck is also very good, although she delivers a few truly campy moments including one scene where she gets upset and punches a table. You'll know the scene when it happens. The two of them work well together and really carry the story which isn't the strongest in the world but it makes for a fun 64-minutes.

This sounds like a weepie but isn't. I wonder how many people were misled by the title when it was first on screens.

The two leads are good, as always. Grant Mitchell, though, is especially compelling.

It's a political suspense movie. There were many in this time, many not up to the consistent entertainment value of "The Secret Bride."

"The Secret Bride" is a quintessential early 1930's Warner Brothers film. It starts quickly, and never slows a step. Not a second is wasted, as the plot relentlessly pushes forward, never pausing to take a breath. Though Barbara Stanwyck is the nominal star, the lines are spread out quite nicely, giving many other actors quite a lot of screen time and dialogue.

Warren William is one of my favorite actors from this era. Tall and darkly handsome, he seems to be permanently smarmy and manipulative. In fact, in the movies I have seen him in, his characters are so deliciously sleazy and disingenuous that it took me a while to accept the idea that he is a genuine good guy here.

Douglas Dumbrille has a meaty role also as Warren's assistant in the Attorney General's office. He too is often corrupt and sleazy (one of my favorite movie scenes ever is the climax of "Mr. Deeds Goes to Town", when Gary Cooper punches him and good). And was Grant Mitchell born looking old? He never appears young in any film ever (and with good reason - he was born in 1874 - and was 58 when his film career took off!)

One really funny moment occurs when Barbara Stanwyck goes to Mitchell's offices to find him. After being told he is not there, Stanwyck asks the receptionist for his home address - which she joyfully gives him without a thought - street address and apartment number! Things sure have changed.

I also enjoy how these early films never actually mention what state the movie takes place in, even though the governor plays a large role in the story; nor are specific political parties ever mentioned - a nice approach.

Don't start watching this unless you are prepared to sit for the whole 64 minutes - with your seatbelt on. A quick, fun ride indeed.