Ruggles of Red Gap

Ruggles of Red Gap is the warm and tender story of Charles Laughton, gentlemen's gentlemen to Lord Roland Young who loses his services in a poker game to American western tourist Charlie Ruggles and his wife Mary Boland. Ruggles has some ideas about class distinction and one's proper place in society and he's in for quite a culture shock when he's brought back to the western town of Red Gap in Washington State.

In a way Ruggles of Red Gap is the polar opposite of The Earl of Chicago where an American gangster Robert Montgomery inherits an English title and experiences a reverse culture shock. In that film Montgomery has an English valet in Edmund Gwenn who indoctrinates him in reverse of what Laughton experiences. Of course things turn out a whole lot better for Marmaduke Ruggles than for the Earl of Kinmont.

In a way Ruggles of Red Gap may have been Charles Laughton's most personal film. In his life he became an American citizen because he preferred the American view of no titles of nobility and that one had better opportunities here than in Europe. It caused a certain amount of friction between Laughton and some other British players.

Laughton up to then had played a whole lot of bigger than life parts like Nero, Henry VIII, Captain Bligh, Edward Moulton Barrett, parts that called for a lot of swagger. Marmaduke Ruggles is a different kind of man. Self contained, shy, and unsure of himself in new surroundings. But Laughton pulls it off beautifully. It's almost Quasimodo without the grotesque make up. Also very much like the school teacher in This Land is Mine.

Charlie Ruggles and Mary Boland never fail to entertain, they worked beautifully together in a number of films in the early Thirties. They always were a married couple, Boland a very haughty woman with some exaggerated ideas of her own importance and her ever patient and somewhat henpecked husband Charlie. In Ruggles of Red Gap, Charlie Ruggles is a little less henpecked.

My guess is that Zasu Pitts played the role she did because Elsa Lanchester might have been busy elsewhere. I believe she was making the Bride of Frankenstein around this time. Pitts's scenes with Laughton resonate the same way as some of Charles Laughton's best work with his wife.

The highlight of Ruggles of Red Gap has always been Laughton's recital of The Gettysburg Address. In a scene in a saloon where none of the American born people can remember anything of Lincoln's Gettysburg Address, Laughton the immigrant recited it from memory. It was a harbinger of some of Laughton's later recitals which I remember as a kid on the Ed Sullivan show. The scene is a tribute to all the immigrants who come here because of the ideals this country is supposed to represent. Sometimes our immigrants have taken it more seriously than those who were born here. Immigrants like Charles Laughton.

Marmaduke Ruggles travels to Red Gap, Washington (circa 1908) after the Floud family wins him in a poker game. Ruggles, afraid he will not adjust to wild western life, has his fears come true. When he arrives in town, the citizens think he is a retired British Army officer, and Ruggles has to go on pretending to be something he is not. Originally believing that all he can ever be is a valet, he gets the idea of opening the town's first restaurant with the help of the widow Judson. However, the return of Ruggles' former employer (the Earl of Burnstead) may make Ruggles think of going back into servitude, making think of what Lincoln said is true about all men being equal. While what I wrote seems to play like a drama, don't be fooled it is quite a witty comedy with Laughton giving one of his most best (and surprisingly) best performances actually doing much of it with facial expressions & body language. Everyone else in the cast gives great stereotypical acting jobs, and the script gives plenty of chances for everyone, especially thanks to McCarey's lively direction. Best scene is obviously Ruggles reciting the Gettysburg address in the saloon, another driving point in the film's theme of all men being created equal. Rating, 9.

It's my favorite movie. I love it beyond all reason. I have it on VHS (need DVD NOW!) as well as a still reproduction of Charles Laughton in the title role. I named one of my cats Ruggles. In other words, my recommendation is high! That said, I don't want to oversell it. While it contains some admirable themes about throwing off tradition and becoming your own person, it's above all a charming character comedy distinguished by Leo McCarey's signature style of improvisatory naturalism (particularly in comparison to the usual run of mainstream fare). Jean Renoir's famous quote about McCarey being one of the few directors who understood human beings (or words to that effect) is made clear here.

While there's plenty of broad humor, my favorite scenes involve smaller, character-centered moments, such as the sly little courtship scene in which a piano-playing Leila Hyams coaches a smitten Roland Young as he attempts to accompany her on drums.

It's full of colorful characters, priceless dialogue and emotionally involving story arcs. Seek it out -- if you like it one-tenth as much as I do, you'll consider your time well spent.

Director Leo McCarey, in his heyday a famous director and rival of Frank Capra's, and now largely forgotten, made one of his best films, Ruggles Of Red Gap, adapted from Harry Leon Wilson's novel, in 1935. It tells the story of a meek English butler named Ruggles, who is "lost" in a poker game by his boss, an English earl. Living out west, in Washington state, he is gradually assimilated into American life, makes himself somewhat of a local celebrity, and falls in love along the way. That's about all there is to the story, and it's more than enough in director McCarey's capable hands.

As Ruggles, Charles Laughton is more restrained than he's ever been, and gives a fine comedic performance of rare delicacy. There's none of the usual hamming one expects of him. As his new "bosses", Egbert and Effie Floud, Charlie Ruggles and Mary Boland are wonderful as middle-aged denizens of the Pacific northwest. As Ruggles' girl, Prunella, Zasu Pitts is at her dithering best; while Roland Young is sly and stylish as the earl. The actors interact with exquisite timing, with no one missing a beat, as was nearly always the case with McCarey, who had a rare feeling for the way people actually behave,--as opposed to the way movie people do--which makes his films, when good, a special treat.

This movie is a classic, if a quiet one, and used to be far better known than it is today, which is a pity. Capra's films are shown all the time, while McCarey', aside from his two "Catholic" films of the mid-forties, Going My Way and Bells Of St. Mary's, tend by be neglected. There are no "big scenes" in this one, but an awful lot of brilliant little ones, as when Roland Young learns how to play the drums; or when Charle Laughton recites the Gettysburg Address, the latter the high point of the film, and its most famous moment. One can't help but think, after seeing this movie, that all's right with the world. It isn't, of course, and never has been, but it's awfully nice to feel that way without having to resort to drugs or alcohol. For that one can think Mr. McCarey.

I thought I saw everything until I saw Charles Laughton do comedy. His range is phenomenal. In one film he is playing Captain Bligh, and here he plays a shy, insecure British butler who ends up out west. Some scenes, although subtle, are hilarious. Laughton, besides being an actor, gave performances in oral reading and recital. Here he does a recital of the Gettysburg Address that is just fantastic. I mean, who would think something every grade school kid had to memorize could be moving. But it is. This movie is for anyone who really appreciates a truly gifted actor.