The Rainmakers

The farming community of Lima Junction, California, is in big trouble. A devastating drought is threatening to destroy the livelihood of many of the local small farmers. A crooked landowner schemes to find a way to profit from the others' misery, but before he can implement his nefarious schemes, an honest banker sends for THE RAINMAKERS...

This is a very enjoyable comedy from the always reliable team of Wheeler & Woolsey (Bert Wheeler is the little curly-headed one; Robert Woolsey is the guy with the cigar & spectacles.) The Boys are at the top of their form here; it's a shame that these very funny fellows are almost forgotten today.

Berton Churchill makes a fine, blustery villain - from his first encounter with the Boys he begins to get exactly the comeuppance he deserves. Kewpie-doll-cute Dorothy Lee, a frequent co-star of W & W, teams with Wheeler in one of their most whimsical duets - `Isn't Love The Grandest Thing?'

Movie mavens will recognize old Clarence Wilson, in an uncredited role, as the railroad manager. The climax, featuring two runaway, dynamite-laden trains, is very comical.

The Rainmakers have Wheeler&Woolsey in the title roles of this film. They've got a Rube Goldberg like contraption that actually works with a magnet. They conduct a successful indoor experiment with their machine.

There's been a drought in this area of southern California and these two have been hired to make it rain. One guy is opposed to it and that's skinflint Berton Churchill who actually has an irrigation project in mind, but also wants to pick up a lot of cheap real estate.

There's one long extended gag at the end as the boys get one each on a pair of locomotives which are to crash and provide a show for the locals. Of course much goes wrong with the idea. Most likely inspired by Buster Keaton's classic The General.

The indoor shower is pretty funny as well and Berton Churchill is at his pompous best. All in all a good Wheeler&Woolsey film.

If you've not seen a picture with Bert Wheeler and Robert Woolsey, this is as good a place to start as any. They were Broadway stars who moved to the Big Screen at a time when people would go to the movies to be entertained, not to take a flimsy message from simpleton screenwriters. What I mean, I missed this era, but it's available to me and to you on DVD or TCM or anywhere you can find it.

Yes, it's worth a look, I think. In the Rainmakers (1935), Wheeler and Woolsey... well, they save the day despite the best efforts of the Bad Guy Who Owns the Town. And it's nice to see Bert romantically paired with Dorothy Lee, as she plays a delightfully unconstrained character in these films, and she does it so well.

The musical number was a bit long for my wife's taste, and I thought the train scene at the end could have been pared down a little, but this was a fun movie!

Another chapter in the Wheeler and Woolsey collection of oldie but goody comedies. The local farmers are standing around wondering what to do about the lack of rain for their crops. Of course, if that many people are going to suffer, there might be someone who will GAIN from the lack of water. There's usually a pretty strong, coherent story under all the vaudeville gags we get from them, and this one is no different. (My favorite is Peach O Reno! ) Lots of visual, slapstick gags, as well as clever one, two, and three liners. Of course, Rainmakers has the required runaway train. With a love story thrown in too. Costars Berton Churchill and George Meeker. It's also interesting, in that it works in the history of the dry, dustbowl years, where there was just no water for the farmers. A fun 78 minutes, if you're watching the Turner Classics version. Directed by Fred Guiol, who had directed a whole bunch of the Wheeler & Woolsey films.

This film, coming late in the Wheeler and Woolsey cycle, is often dismissed as poorly written and executed, although it is actually very enjoyable, fast-paced, memorably written, and sees the two boys on good form as ever.

Dorothy Lee (in her last appearance with the team I think) is as sweet as ever, in her usual role as ingénue and love interest for Bert Wheeler. They have a song, as ever, this time set around an orange tree which drops its fruit whenever someone tells a lie. Lee said it was her favourite of their numbers, and it is certainly one of the best.

A long set-piece with out of control locomotives seems a bit misplaced in the second half of the film, but is still funny. The double entendres and quips of earlier films in the series have been irradicated by the Hays code and the move towards family decency, but this film remains sharp and funny.