The Mysterious Mr. Wong

It has some good sequences, but overall "The Mysterious Mr. Wong" doesn't really live up to its promise. With Bela Lugosi starring as a shadowy villain, a decent plot idea that involves artifacts from ancient history, and a couple of interesting-looking settings, it had the makings of a good B-feature, at least as long as you are willing to overlook some stereotypes and the like for the sake of entertainment.

Lugosi's character is interesting, as is his hideout, and Lugosi also gets the chance to play two different sides of his character. The script seems to miss a lot of opportunities, though, because the character really never comes to life as well as it could have. Wallace Ford actually gets the best opportunities, as the reporter who, along with Arline Judge, tries to contend with Wong's plots. Ford does pretty well in the role, and he has plenty of energy.

The story likewise holds some possibilities that are never realized. There are some fairly good sequences with the characters inside Wong's secret lair, but at other times the story doesn't always make a lot of sense, and the interesting ideas involved in Wong's quest for the coins are mostly mentioned only in passing. It's all right as light entertainment, but it could have been more.

Modern viewers must be forgiven if they're confused over the genre of this Bela Lugosi film. It's crime pulp, something hardly seen today except in Quentin Tarantino films. The focus is on the villain, in this case Lugosi as a Chinese(!) gangster tracking down the twelve coins of Confucius. The only mystery is how he will be stopped and whether or not he will escape to cause trouble another day.

Wallace Ford is fun as the wry reporter (reminding me a bit of Chevy Chase). And Arline Judge is as cute as a button as the switchboard operator he's trying to romance. It all takes place in Chinatown, for some reason, with plenty of casual bigotry, altho its sometimes turned around on the bigot for comic comeuppance (as when Ford talks pidgin to a Chinese girl only to be answered in fluent English).

If you like the era, this is a fun film and a good example of the genre. It's got the menacing thugs, mysterious murders, and secret passageways you expect and a bit of sassy dialog to boot.

This pulp crime fiction, based on a story by Harry Stephen Keeler, is zippy enough and atmospheric enough to make it an okay view. Modern viewers may wince at the level of political incorrectness on display, but sometimes the ignorant characters are properly made to feel embarrassed. Front and centre is horror star Bela Lugosi in the dual role of nefarious Fu Manchu style Chinese villain Fu Wong, and kindly shopkeeper Li See. He wants to obtain the "twelve coins of Confucius" in order to have ultimate power. Following a trail of dead bodies is obnoxious reporter Jay Barton (Wallace Ford), whose investigation leads him to the mysterious Mr. Wong.

Old time movies like this clearly were never meant to be great cinema, but just simple, straightforward, amusing programmers that typically clocked in at barely over an hour. And it IS pretty amusing, provided you know what to expect. Elements of intrigue and suspense are heavily contrasted against a lot of wise ass comedy. Ford, certainly, had put the patent on the sort of character that he plays here, and guys like Barton popped up time and again in such tales. The script is actually pretty funny at times, and with the amount of quips that he utters, it's true that a role like Barton would be a natural for a comedy actor like Chevy Chase.

Lugosi is great fun as always, no matter if his accent rarely sounds like anything other than Hungarian. Ford is a hoot, as is the pretty and tough talking Arline Judge. She plays Peg, his leading lady. E. Alyn Warren is good as a Chinese secret agent, Lotus Long is lovely as Wongs' niece "Moonflower", and Robert Emmett O'Connor is spot on in a deliberately stereotypical portrait of an old Irish beat cop.

Although ultimately forgettable, this offers enough laughs and irreverence to make it pretty easy to take.

Five out of 10.

One of the truly great "Cheap" Chinatown movies. From the "so bad that it is good school". The more you watch it, the more it grows on you. Spend a little extra and get the "Roan" version. The quality is much better than the less expensive "Alpha Video" release. A real gem from Monogram pictures.

This film is based on Harry Stephen Keeler's novel Sing Sing Nights. If you think the film is weird, read the book! It also inspired the movie "Sing Sing Nights." For more information on both films, see CULT MOVIES No. 26.