The Guv'nor

I recently saw this film on video and was pleasantly surprised. George Arliss was a real gem of the early cinema and this film continues to display his genius on screen. The film itself is the standard vehicle for Arliss, typically his character undermines some unscrupulous scheme whilst playing cupid to two young lovers. Even after several films this formula remained fresh due to Arliss' talent for reinventing characters. Its a great shame that more of his films aren't available, they have certainly endured more than many films half their age. The similarities with Trading Places are almost immediately obvious, the only difference is that this film is half a century older. A tramp (Arliss) is, through a series of plot twists, made a manager of a bank, in order to cover the unscrupulous dealings of two businessmen, who think him to be a simpleton. The businessmen find out to their cost as Arliss outsmarts and bankrupts them. The film also nicely parodies Arliss' early movie The House of Rothschild.

I recognized George Arliss from "Disraeli" (He starred in both the silent 1921 version and the talkie 1929, with his wife Florence, no less. Won an Oscar for the 1929 role.) "The Guvnor" opens with Barsac the banker (Frank Cellier) discussing a scheme that might help him get out of a mess, and make some quick money at the same time. Send in Arliss as the hobo. (They were willing to work for food back then...) The hobo, whose last name just happens to be "Rothschilde", befriends Madelaine, a young lady about to lose her home. The hobo manages to be in the right place at the right time, and ends up in a position where he can try to help out Madelaine and her family. Frank Cellier was the Sheriff in Hitchcock's "39 Steps". Also take note of Paul, the rep from the bank, Patric Knowles. Knowles was a little fish in some huge films in the 1930s and 1940s. Directed by Milton Rosmer, who seems to have done things in reverse - he stopped writing and directing in 1938, and acted until 1956. Made by Gaumont Studios, its not just a "quota film" from the Cinematography Act; its actually quite good, and 80 minutes long in the Turner Classics version. Acc to IMDb, the original was 88 minutes... wonder what was so horrible that eight minutes had to be chopped off. The film production code was just being phased in here in the US, but the rest of the film seems quite tame and innocent. Tramps toying with the rich were all the rage in the US in the 1930s (Merrily we Live, My Man Godfrey), and this is right up there with the best of them.

I just saw this movie n Netflix which for some reason has several 1930s British movies - and I am happily and slowly making my way through them. This movie is good but nowhere near as good as Arliss' very funny The Working Man (a movie I would much like to see again as it has been many years since I last saw it). The movie's title "The Guv'nor" sounds very British to me yet the story is set in France. I assume this was done solely for the purpose of using the name Rothchild for the hobo. The audience as well as Arliss and the producers must have chuckled over this play on one of Arliss' famous roles. Here we have a hobo mistaken for a member of the renown and wealthy Rothchild family who in an unlikely but fun scenario becomes a trustee of a bank. The banker, marvelously played by Frank Cellier is very devious and plans to use Arliss as a fall guy for his own corrupt dealings. Mister Hobo is not so naive as he may appear and shows the banker a thing or two. I bet Arliss had fun with this movie. And so will those who are lucky enough to see it.

The Guv'nor finds George Arliss not playing in one of his heroic biographical films for which his reputation has come down to the present day. Instead he's playing a gentleman tramp over in Paris who happens to have the famous name of Francois Rothschild. Ironic because one of Arliss's most famous biographical roles was that of Nathan Rothschild in House Of Rothschild.

Poor Arliss, all he wants to do is go south for the winter. But he becomes part of a scheme by banker Frank Cellier to fleece Viola Keats and her mother Henrietta Watson out of their iron ore works because of his name. But Arliss proves way too smart for all of them.

I'm really glad I discovered this film on TCM today. It was an absolutely charming portrayal by Arliss, very much in the same vein as Maurice Chevalier in Ma' Pomme and Cary Grant in Father Goose. Let's just say that Arliss plays his famous name for all that it's worth and he proves more than a match for those who want to use him.

Do not miss this one if it is broadcast again.

There's a definite Frank Capra feel about this making it one of the most enjoyable, entertaining feel-good movies from the whole 1930s. Apart from 'eye candy' this film's got everything. It's beautifully directed with perfect pace, acted by people you like and believe in and has the ideal blend of humour, drama and tension.

When Frank Capra told his boss Harry Cohen that the star of his 1933 picture would be a 75 year old, Cohen thought he was mad. Quite rightly Cohen knew that a pensioner's pulling power would be next to nothing. I must admit that I'd agree - unless it was something special I'd always go for Joan Blondell rather than someone who looked like her grandmother but Capra's LADY FOR A DAY was something special and so was Milton Rosmer's THE GUV'NOR - something very special. George Arliss is absolutely phenomenal in this. This proves you don't need cool or sexy stars to make something you'll batter down the doors to see.

It's a Gaumont-British remake of a French film made a year earlier so some credit needs to go to our talented cousins over the water but there's still tonnes of praise which needs to go to Arliss and the team at G-B. This is one of those brilliant surprise finds - one of the best films I've seen in ages. It makes it even better when you're not expecting much. I never knew Arliss could be this good. Despite its hopeless direction and abysmal acting, he was so endearing in THE WORKING MAN made a few years earlier that he single handedly rescued that, making it something quite entertaining.

If you only ever watch one George Arliss picture, watch this one. After you've watched this you'll be so impressed that you'll want to see his other works but you'll always remember this one. It's just such a nice warm picture and it's nice without being cute, sentimental or corny. It's got both edge and heart. It will make you angry, it will make you happy. If you're addicted to 1930s films and have realised that they're not all as good as LITTLE CAESAR or IT HAPPENED ONE NIGHT, do yourself a favour and give this a go.