The Cookie Carnival

Oh this Silly Symphony is just precious, it's a confectionery Cinderella story that could be the most visually appealing and adorable one of them all! As a Silly Symphony I think The Cookie Carnival has something of an advantage because most people love cute old-fashioned cartoons, and everyone loves candy! The only other thing that I've ever seen quite like it is the Simpsons episode where Homer daydreams about the Land of Chocolate. Why does candy always look so good in cartoons? I don't know what it is, I love watching things that have that particular effect on the viewer, that make you hungry while you're watching them. My favourite edible feature was the sweet roll red carpet. Its just maybe a little too sickly-sweet for some and some of the singing was on the shrill side, but I just mainly love it for the impressive visual candyland appeal. Everything except for the quick naughty joke with the éclair.. All of the characters in the Cookie Carnival are, well, cookies. And after undergoing a cakeover, one of them goes from being all flat with corners in her limbs to human-looking in one sugah powdered second, which at the time was apparently considered Disney's first fully feminine character, with the artist later going on to animate Snow White, and you can see faint similarities between the two. I love how the passion of the two lucky cookies melts the lollipop they hide behind to steal a kiss at the end, it's surely the Sweetest love story ever! This cartoon is probably not to everyone's tastes, but for me the novel hook and sheer eye catching cuteness make it very memorable and endearing indeed. A sweet sweet super lovely little animated gem of the series - Bon appetite! 🍪 💖

I Have Reviewed OVER 500 "Christmas Films and Specials". Please BEWARE Of films and specials with just one review! For instance When "It's a POSITIVE" chances are that the reviewer was involved with the production. "If its Negative" then they may have a grudge against the film for whatever reason. I am fare about these films.

A fun little short, Not exactly a Christmas Cartoon but there is candy cane's so its a pass. In this story the cookie queen needs a king but she cries to a stranger about having nothing to wear. So the stranger makes her a dress for the party and its off to the carnival.

This imaginative and absolutely delightful silly symphony indeed leaves you craving for cookies and sweets. The animation is beautiful, with stunning backgrounds and fine character animation. When I saw those cakes my mouth was watering, and I was literally like, "gimme, gimme!" There is also some wonderful music; almost the whole silly symphony is told in song, but you don't really care because this is just a sheer delight. The lead characters are great, the scene when the gingerbread boy transforms the girl was such a creative moment. The girl very sweet, and the gingerbread boy(voiced by the wonderful Pinto Colvig) is so likable, that I think he wholly deserved his award at the end of the short. Overall, just delightful! 10/10 Bethany Cox

A Walt Disney SILLY SYMPHONY Cartoon Short.

A hobo gingerbread man helps a sweet young thing become queen of THE COOKIE CARNIVAL. Varied male desserts now vie for her attention, but who will she select to be her king?

An excellent example of the wealth of imagination Disney was developing. Cookie & dessert motifs abound throughout this cartoon. That's Pinto Colvig, normally heard as Goofy, who voices the gingerbread man. And who wouldn't love to see more of Miss Jello?

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

A bunch of living deserts and various candies and sweets parade down a candyland main street. A candy girl is upset because she has nothing to wear until some gingerbread dude slathers her in frosting so she can join the parade. The story somewhat lost me after that but I was still pleasantly distracted by the deserts on show. It's hardly a Cinderella story.

The world created in the cartoon is certainly vivid and imaginative. The colors are bright and appealing, and might leave you craving candy afterwords. It kind of reminds me of the third level in James Pond II: RoboCod, or Watson's drug-induced nightmare in Young Sherlock Holmes.

A rare silly symphony that manages to still work in the 21st century.