Calm Yourself

This movie is carried on Robert Young's charm and youthful optimism that it will get him out of any jam, and into the land of milk and honey. Don't let the fact that the plot hinges on Young's character getting a millionaire's baby who just happened to be handed over by the baby's nurse, who looks more like street person than the nurse of a milionaire. The baby is given to his would be rival to Young's first girl friend, who happens to be the daughter of his boss. Young gets the baby because his fledgling business - Calm Yourself; takes on clients with such problems. Like what to do with a baby. If this sounds crazy, watch the movie. Its one of those movies that somehow can take the edge off a blustery day and bring in a little black and white sunshine.

The title "Calm Yourself" is so generic, even for 1935, that I always have to look it up on IMDb to make sure I get the right movie. Otherwise, this is a fairly good film that fills its 70 minute format with ease. It sort of runs as a TV sitcom before there were TV sitcoms. Part of this is due to the fine cast that includes Robert Young before he became typecast as either the perfect father, Jim Anderson, or the perfect family doctor, Dr. Marcus Welby; Betty Furness before she became a refrigerator; Madge Evans, somewhat of a silent child star who developed into a talented actress yet never received stardom as an adult; and a covey of skillful character actors including Nat Pendleton, cowboy regulars Raymond Hatton and Ward Bond, and Paul Hurst.

The story is an amusing one, if a bit confusing, involving Pat Patton (Robert Young) who tries to impress his girlfriend, whose father has just fired him, by opening a confidential agency. His new career gets him involved with a new girlfriend while the old one is still around plus an assignment that turns into an unintentional kidnapping. There is also a temperamental dog that keeps nipping at his backside. Beware that there is a bit of unnecessary Hollywood racism thrown in near the end which was not uncommon for that time period.

Of interest is Pat Patton's agency which seemed unusual until a new movie just out at theaters, "Inside Man," presents a new version of a confidential agency with Jodie Foster at its head. Many viewers, myself included, were at first unsure just what Jodie Foster's job entailed. This old Hollywood flick helps to explain it.

It's not terrible. It actually gets better as it goes along. But emblematic of the frantic efforts for a laugh is the shoe-eating dog: Robert Young, who has set himself up as someone who can resolve sticky situations for pay, finds himself saddled with a huge dog. The dog is ill behaved in the extreme and neither cute nor likable. When things seem to have slowed down, the dog is, no pun intended, trotted out again to give proceedings a hectic flavor.

Madge Evans, the daughter of client Ralph Morgan, is appealing. Betty Furness is fine as the girl Young is after when we meet him. Nat Pendleton is always good for a smile when he shows up, as he does so often in movies of this decade.

There are far worse movies. But this one can get on one's nerves in its attempts at being funny every second.

When the story begins, Pat (Robert Young) is fired from his job by making time with the boss' daughter. Suddenly Pat gets an idea...to open up a company to do dirty jobs...things folks don't want to do themselves. The idea is not as sure as Pat thinks...and his new company struggles. Ultimately, however, he ends up taking a job in keeping a lady away from her father's house, caring for a scary dog AND watching a baby...which turns out to be a kidnapping! How can Pat extricate himself from this mess? And, what of the lady, as she and Pat have started to fall in love.

The idea started off pretty well. However, as the story progressed, it became more kooky and ridiculous. Additionally, since you never really like Pat very much, it also becomes tedious. Not terrible...just not very good despite coming from MGM. And, I agree with one of the other reviewers who felt the whole thing came off as forced...and loud at the end.

This programmer's plot doesn't always make sense, but it is nonetheless an amusing way to spend an hour and 10 minutes. Young is appealing as always, but quite a bit scrappier than in his later, long-running TV roles as Jim Anderson and Marcus Welby. Evans also is very likable. With a supporting cast including such dependable 1930s performers as Nat Pendleton and Claude Gillingwater and future 'Today' regular Betty Furness, this breezy comedy is well worth a look.