Annie Oakley

Fictionalized biography of real-life sharpshooter Annie Oakley. As with all Hollywood biopics, past and present, it plays fast & loose with the facts. These things usually don't bother me, as long as the movie is entertaining. This one is pretty good, with a great performance from Barbara Stanwyck. Also good work from Preston Foster, Moroni Olsen, Melvyn Douglas, and a quality supporting cast. Loved Chief Thunderbird as Sitting Bull and Iron Eyes Cody as his translator. The highlight of the movie is the footage from the wild west show.

As with the later Annie Get Your Gun, this features the scene where Annie throws a shooting contest so her man won't look bad. The real-life Annie actually beat her guy, Frank Butler, and later married him. He was happy for her to have the spotlight. So a guy in the late 19th century was more secure with himself than the men involved with making these stories in the 20th century.

Barbara Stanwyck, as I have mentioned in other reviews, was a tough woman but a likable one, at least with me. I don't normally go for those tough dames but her voice and personality she brought to a lot of roles always attracted me. A case in point was this movie. I doubt if another actress would have made this a better-than-average film, which Stanwyck did.

Preston Foster's character in here, meanwhile, undergoes one of the fastest transformations I've ever seen on film, from arrogant pig to very likable good guy in no time at all. In fact, he turned out to be such a good guy that parts of this film, where "Toby Walker" was wronged, are difficult to watch.

There's a little humor also thrown in this western, mainly involving "Sitting Bull." It's been a long time since I've seen this film but I would definitely watch it again if it came out on DVD.

A decent Thirties era melodrama loosely based on the life of Annie Oakley. I looked into Oakley a bit after seeing this film, and her life has been highly fictionalized. Oakley was a bit of a feminist for her day, and that did come through a little bit in the film. (Rational feminism, not the semi-nutty political feminism of recent decades) Barbara Stanwyck did a jam-up job playing the backwoods girl, and looked awesome doing it. (of course) Oakley, for all her talent, was a bit deficient in the hotness factor. But, hey this is a movie.

The film heavily featured Buffalo Bill's Wild West Show, and I wonder a bit how close they were to accuracy on that. After all the show was still in living memory when this movie was filmed. No buffalo were shown, although they were alluded to once. I suppose they were very scarce in those days.

Anyway, I liked the film more than I expected to. Check it out.

This film is listed under the "western" genre, but it is not a western, unless you consider Cincinnati part of the wild west. Also it is listed as a drama, which is true, but it also contains comedic elements, often attributable to the Sitting Bull character.

People write about how fictionalized the story is, but actually many of the main elements of the story are true.

In the film, Toby Walker (Preston Foster) is a sharpshooter from New York who visits Cincinnati for an exhibition. There he signs a contract to perform in Buffalo Bill Cody's Wild West Show. Most of that is true, though his real name was Frank Butler and he was from Ireland.

While in Cincinnati, he makes a wager with a local inn owner that he can beat any challenger. The innkeeper calls on Annie Oakley (Barbara Stanwyck) to do the shooting. In real life, the name "Annie Oakley" came shortly afterward and Annie wins the contest, unlike in the film where she loses intentionally because she feels sorry for Toby.

Annie also signs up with Buffalo Bill and the story follows both trick shooters on the tour. I will not detail the remaining storyline, but it bears a resemblance to "A Star is Born".

As depicted, Annie really was from Ohio--a small hamlet named North Star. She was born in a log cabin and actually had a very hard childhood.

Toby Walker is portrayed as a rather nasty guy, at least at first. The same approach was later used in "Annie Get Your Gun" on stage and screen. But the film has a great Hollywood ending.

The depiction of the Wild West Shows is abbreviated but accurate. It is almost like viewing a piece of history. When the film starts, the year is approximately 1875. The Battle of Little Bighorn took place in 1876, so tales of "dangerous" Indians were current. Sitting Bull really did join the show for about four months, though it was later, approximately 1884. He and Annie did develop a special bond.

My point in mentioning this bit of history is to explain that the timing in the film may not have been totally accurate, but the appearance of Sitting Bull in the Wild West Show was a remarkable thing, so it is understandable that the script writers wanted to include him in the story.

The film does a good job of portraying Annie as the nearly mythical person she actually was. I like Barbara Stanwyck's portrayal. Though Ms. Stanwyck might be more of a looker than Annie, the real Frank Butler did marry her and was dedicated to her throughout his lifetime.

George Stevens directs this biography on the early career of sharp-shooter Annie Oakley as if it were a star-crossed lovers' tale, replete with heartache and self-sacrifice. Backwoods girl from Ohio in the 1890s enters a shooting contest against world's champion Toby Walker and nearly beats him; this leads to a co-starring spot in Buffalo Bill's traveling western show, where the primrose gal becomes a star and falls in love with competitor Walker. Barbara Stanwyck was born to play Annie Oakley, yet her performance isn't the raucous hoot one might expect (this is director Stevens' fault, who lingers on Annie's sympathy and compassion for others so long, it makes her seem like a bleeding-heart). Still, Stanwyck is the reason to watch, and she's best in the film's first-half--when Annie still has a little gumshun in her and playful self-assurance. Stevens seems more interested in the budding love story between Oakley and Walker than in creating an actual document of Oakley's colorful life (which we are told at the start was stranger than any fiction). Certainly a good try, with funny bits of business happening along the sidelines and plenty of blustery character actors in support. **1/2 from ****