Transatlantic Merry-Go-Round

... then it would be an even better film than it is. It is all about how the lives of several passengers intertwine on a transatlantic journey. Sally Marsh (Nancy Carroll) has gotten her old friend Chad Denby (Jack Benny) to hire her on to his entertainment troupe for the voyage so that she can get her brother Ned out of town in a hurry. Underworld kingpin Lee Lother (Sidney Blackmer) , his henchmen, and his girl are on the ship, and Lother has past ties to both Sally and Ned. Actually, Lother's best girl is actually married and thinks she has pulled a fast one on her husband with this cruise, when in fact he knows what is going on and is on the same ship with murderous intentions.

So the protagonist who weaves all of these people together? Grifter Jimmy Brett, played by top billed Gene Raymond. The problem is, Jimmy is a louse, and yet the film seems to be saying we should be rooting for him. But how could I? He makes his partner in crime (Sid Sliver) work his way across the Atlantic so Jimmy can stay in first class, he is willing to steal from anybody anywhere anytime, and just because he is getting romantic with Sally, a genuinely nice gal, I'm supposed to cut him a break? Well, I'll let you see how this all works out.

Don't expect cheapskate Jack Benny of 1940 and later. At this point he is still working on his radio persona after only two years of transitioning from film to radio and doing the occasional film. Also Patsy Kelly, part of Benny's entertainment troupe, is practically background noise she is so restrained compared to her usually noisy assertive character.

Keep an eye out for the Busby Berkeley type dance number in the film, because like Berkeley's filmed dance numbers over at Warner's, the audience couldn't possibly appreciate it unless they were hanging from the ceiling, and this is not the Poseidon Adventure.

I's a Grand-Hotel-on-Water movie in which crook Gene Raymond falls in love with entertainer Nancy Carroll, and has to save her from the coils of gangster Sidney Blackmer, while dodging card sharks and a detective. Jack Benny is also on hand to front the liner's acts and try to get his troupe out of scrapes.

It's a pleasant enough movie, but at 90 minutes, it seems to go on a bit long, what with occasional breaks for singing and sketches by Benny's troupe. It's an early, ambitious movie for producer Edward Small for United Artists, and seems to have done well with its combination of up-and-coming talent and paycheck-on-the-way down veterans. The music by Richard Whiting is not particularly distinguished, but it does hold the record for introducing the phrase "Rock and Roll" to the movies, as the title of a song performed by the Boswell Sisters.

"Transatlantic Merry-Go-Round" is a Gene Raymond film with Jack Benny on hand for comic relief. Sadly, however, despite Benny as well as Patsy Kelly in the film, it's not humorous at all. In fact, it's a rather dull film filled with weird production numbers and a difficult to like leading man.

The story is set aboard an ocean liner. One of the passengers, Jimmy Brett (Gene Raymond) is a crook....and he spends much of the film trying to get the better of a gang of crooks. During the course of the film, there is also a lot of entertainment emceed by Benny....and most of it is downright silly. After all, no ship would have had such elaborate and over-the-top musical numbers...complete with camera tricks to make things appear...which makes no sense for a live show. Eventually something happens...a man is murdered and late in the movie it becomes a murder mystery...an overly wrought and silly one at that.

None of this is particularly entertaining nor interesting...and apparently Raymond's character is supposed to be a hero, but being a crook is hardly heroic. Overall, a film which looked like a comedy but ended up being a very dull movie. Not much to recommend this one.

For the most part, Benjamin Stoloff's "Transatlantic Merry-Go-Round" is a typical 1930s musical. There's nothing particularly special about it.

Except for something that I found out while reading about the cast members. I already knew about Sidney Blackmer (Lee Lothar). But while reading about Patsy Kelly (Patsy), I saw that, yes, she also appeared in Roman Polanski's adaptation of Ira Levin's novel.* Patsy Kelly was also one of the few openly LGBT performers of that era; I wonder how many bigots watched this movie back in the day and didn't know that they were watching a movie starring a lesbian.

Yeah, how many people would even think to mention all those things? Anyway, the movie is what it is. A lot of attractive women, but nothing that I would call art.

*Yet another person who appeared in "Rosemary's Baby" was Emmaline Henry, who played Amanda Bellows on "I Dream of Jeannie". Talk about a weird link between two eras!

Gene Raymond and Nancy Carroll lead a large cast in this entertaining but sometimes confounding ocean liner mystery. There's a lot going on:

Con man Gene Raymond boards the ship and immediately sets his sights on Nancy Carroll as a likely target; predictably, their relationship grows into something more complicated than he planned. Gangster Sidney Blackmer is also aboard, blackmailing and threatening right and left. Police inspector Robert Elliot is on a holiday but finds himself quickly pressed back into service when a man is murdered two days into the voyage.

Jack Benny plays a radio personality in charge of entertainment on the ship; his little troupe puts on a show that offers an interesting glimpse of Benny early in his radio career (but distracts from the film's plot, such as it is)—a skit, a song or two, and a big dance production, Busby Berkeley style, that looks great.

Another subplot involves cranky old Ralph Morgan and his runaway wife Shirley Grey….everything kinds of ties together by the end, but I have to say that with all of the musical and comic interludes it's a bit hard to follow.

Very enjoyable and certainly not boring—but it kind of left me scratching my head.