Romance in Manhattan

Francis Lederer spent years of work to come up with the $50 he has to have to enter the United States as an immigrant. He even built up an $8 reserve on top of that. When the authorities at Ellis Island tell him it's been raised to $200, he's disconsolate. He jumps out of the porthole and swims, exhausted to land.... and discovers he has lost his $58. He wanders the street and sneaks into the back of a burlesque house, where Ginger Rogers stakes him to a couple of doughnuts and a couch in the room she share with her brother, Jimmy Butler.

It's a very sweet movie, with the men who administer the laws not cruel, not impatient, just doing their jobs. Certainly how you read that depends a lot on how you feel about immigration, but to me that makes it worse; Lederer is so anxious to be an American, that only the cruelest person could deny him that boon; fortunately for these uncaring bureaucrats, it's not them, it's rules. Under the Production Code, there was no way they could be villains. The fact they were sending him back to a Europe that in four years would be at war would not occur to them, and if it did, what could they do about it? At least in the movie, it turns out well for Lederer.

With J. Farrell MacDonald, Helen Ware, Donald Meek, Sidney Toler and Oscar Apfel.

I have seen over 2,000 classic films in the last 6 years, and somehow I let this one slip by me. It is rare that I uncover a new classic film favorite, but I did with this film.

"Romance in Manhattan" works so well thanks to the wonderful performances by Ginger Rogers and especially Francis Lederer. I would have loved to see him hit stardom, but he had a long career and lived 100 years despite not becoming a household name. Lederer is so charismatic and handsome in this film with such an exuberant spirit. A young Ginger Rogers is lovely, has great chemistry with Lederer, and is a loving sister.

There are two subplots, but this is mostly about a man coming to America to live the "American Dream" which he does while finding romance along with it. If that appeals to you, then I highly recommend this delightful little gem.

Wonderful heartfelt and humane, this superb RKO programmer from 1935 shows just how far America and its political friends have strayed from what it fair and decent. Probably a B+ feature in its day (I personally hope it was more) ROMANCE IN MANHATTAN as made by what possibly was craftsman Euro escapees keen to work in the US film industry, clearly shows that with a reasonable RKO budget, anyone deserves a break and a true chance at love in a new country. A lovely mature film with great ideals and kindness with excellent production values and genuine affection for one man's plight, this truly great (small) film has its heart exactly right and is a mini major on the RKO schedule that might have affected the senses of millions in its day. A depression romance with a good mind to show the masses what is genuinely 'right' ROMANCE IN MANHATTAN shows what good manners and commonsense can prove, simply. The RKO cinema chain of its day with 3000 seat movie palaces across the USA and elsewhere would have allowed this simple but effective genuine film to reach it's intended good mannered suburban and country audiences, thus genuinely allowing the very Man this film is about to be a contributing cog in the great wheel of American capitalism and success so fouled today. In Australia where I live, we now have a nationwide TV channel that shows these RKO films in pristine DVD clarity...in every meaning of that statement. This is a good film: in every imaginable way. This film is actually about how real people feel. A real find and unjustly neglected...except in Australia!

Ginger Rogers and Francis Lederer have "Romance in Manhattan" in this 1935 film directed by Stephen Roberts. The movie also features Jimmy Butler, Sidney Toler, and Donald Meek.

The handsome Lederer plays Karel Novak, an immigrant to the U.S. who is sent back as soon as he arrives because he doesn't have the required $200. He thought he only needed $50. On the return ship to his native Czechoslovakia, he jumps ship, but loses his wallet in the process. Fortunately he meets a chorus girl, Sylvia, when he's trying to steal food. He winds up sleeping on the roof of the apartment building where Sylvia lives with her brother Frankie (Butler). Frankie helps Karel get a job delivering newspapers. Later on, Karel becomes a cab driver, all with the goal of earning the necessary $200 so he can stay in America.

What a wonderful movie, very heartwarming, with fine performances, especially by Lederer. Irving Thalberg intended to make Lederer a huge star in the U.S., but he died, and it didn't happen. Nevertheless, the European star made some fine films both in Europe and here, moved into television, started an acting school, and taught acting until he died at age 100. When he worked with Louise Brooks in Die Büchse der Pandora in 1929, he knew no English, and Brooks knew no German. Here he gives a witty, charming and sincere performance as Karel.

Ginger Rogers looks beautiful as Sylvia - she was 24 - and gives an excellent performance, sharing good chemistry with both Lederer and Butler.

Very sweet film, well directed, not cloying or overly sentimental. Loved it.

Honestly, I never really cared for the roles Francis Lederer played, until I watched this film. He is just perfect as the optimistic Czech immigrant, Karel Novak, who is so glad to be landing in America. The Great Depression doesn't scare him, he's willing to do anything and figures he can triumph over any adversity. Fate is about to hand him that chance as he faces just about every adversity an immigrant can face. First he arrives in New York with less than the money required to get in - he thought it was fifty dollars, instead it is two hundred. Instead of being deported, he jumps out of the window of the cabin he is confined in and gets ashore before he can be discovered missing.

Hungry and broke, Karel is befriended by chorine Sylvia (Ginger Rogers), when she spots him chowing down on the donuts and coffee that she and the other girls in the show were breakfasting on. Although not dismal, Sylvia is realistic about how hard times are. An orphan and only 19 herself, Sylvia is taking care of a younger brother, Frank, who is going to be put in an orphanage if he skips school again. Frank is not skipping school to hang out with some local gang though, he just wants to work selling more papers to help out his big sister whom he can see is working so hard to support them both. Karel helps Sylvia see life a bit differently, through the eyes of an immigrant who is so happy to be in bustling New York where he believes anybody can become a millionaire.

So Frank, Sylvia, and Karel become a real threesome. Karel sells papers during the day, then gets a job as a taxi driver, and things are looking up. He's hoping to get the two hundred dollars together to give the immigration people before they catch up to him, and his bank balance is rising. But then everything begins to go wrong. There is a taxi strike and Karel is forced off the job with no pay while the strike drags on. The show Sylvia was dancing in closes, and Karel offers to help out and plunders his entire bank account covering living costs. Finally, Frank skips school AGAIN to sell papers and help out, but this time he is going to be sent to the orphanage. Worst of all a crooked lawyer plays on Karel's lack of knowledge of the law and sells out Karel to the immigration people, so he is facing deportation again.

So how is this not the most depressing film ever? Because it is a love story - that of two people trying to make it in New York in slim times - Karel and Sylvia - slowly and convincingly falling in love and having great chemistry together. It's also the story of an unconventional family unit of three - Karel, Sylvia, and Frank - who would do anything for one another. I'll let you watch and see how this all works out.

It's a heartwarming tale of a different New York from decades ago - one full of boarding houses, cops on the beat who knew everyone in the neighborhood, when donuts and coffee were considered a hearty breakfast, and people largely had good intentions. It's one of my sentimental favorites.