Now and Forever

This movie is well worth viewing, if only to see Gary Cooper and Carole Lombard in relatively early roles and to see Shirley Temple in an unusual part before she really peaked in popularity (here she is an incredible SIX years old). This is not a typical Temple film, in that she sings only one song (expertly), but you do get to see her act in a thoroughly convincing way. The supporting players are excellent as well.

This is a rather odd movie that can't quite make up its mind what to be...a decidedly downbeat ending that is actually starker than it's presented in some reviews here and a series of rather improbable con jobs that are not dramatically convincing. However, it's a treat to see the incredibly talented Temple, the skillful Carole Lombard, and the totally charming Gary Cooper (who, by the way, sports a very impressive wardrobe throughout, as does Lombard).

I watched the colorized version--better than I expected--but would have preferred black and white. See this movie with a "willing suspension of disbelief" and you'll enjoy it as a blast from the long-ago past.

If you're looking for a Shirley Temple vehicle, Now and Forever isn't it. She's very young and hardly in the movie. She isn't her singing, tap-dancing persona in this movie. This is a Gary Cooper, Carole Lombard drama that happens to have a little girl in the story. Shirley does sing one song, though, but she's not the lead.

Gary is a small-time crook with no plans to go straight. He hasn't seen his daughter in a long time, and his wife Carole has never met her. While he initially plans to unload Shirley's custody onto someone else, when the father and daughter are reunited, the little curly top melts his heart. Carole adores her, too, and soon Gary vows to clean up his act. But will it stick? Will his vow of "honor bright" to Shirley see him through?

If you're a fan of the cast, you'll want to check out this early '30s picture. Shirley isn't the focal point, but if you love her, you're going to want to watch all of her movies, right?

This is a pretty bad movie directed by Henry Hathaway and starring Gary Cooper, Carole Lombard and Shirley Temple. Cooper plays a thief who is married to Lombard and they are not getting on that well. Cooper finds out he has a daughter, played by Temple, and he winds up keeping her over his relatives objections. Cooper tries to quit being a thief and be a good father but he's in debt and it's the only way he can get the money. Guy Standing offers him one last job but Lombard wants him to quit and Cooper doesn't want Temple to find out. Shirley Temple only sings one song here and it's pretty short and it's hard to see why Cooper or Lombard would want to do this movie.

As other reviewers to date note, "Now and Forever" is an unusual Shirley Temple movie, with a quite different ending. But for who Temple was as a child star of the day, such an ending would not be uncommon or bad for people in similar situations. The bottom line being the welfare and future of the child. The film is definitely drama with some music, where most of Shirley's childhood films are comedies with music, and usually some drama.

Gary Cooper and Carole Lombard do quite well in this film against Temple's Penelope Day. Cooper's Jerry Day, struggles with conscience because of his daughter, while he continues to thrive on scams that make enough to carry him from one to the next. The film is based on a story, "Honor Bright," by Jack Kirkland. That is a phrase picked up and used by various authors in the 19th century, that had come to mean to tell the truth, or Scout's honor.

Here are some favorite lines from this film.

Toni Carstairs Day, "Well, what happens now?" Jerry Day, "What do you mean, dear - what happens now?" Toni, "I mean, what happens now?" Jerry, "Oh, you mean, what happens?" Toni, "Yes. What happens?" Jerry, "Why, nothing. I, I mean..." Toni, "You mean, nothing." Jerry, "No, I don't mean that at all."

Jerry Day, "Lookie here, Toni. I know what's eating you. You think I haven't any business with that kind. Well, you're wrong. Dead wrong."

Jerry Day, "You are a rat, Uncle Felix." Felix Evans, "Yes, I know."

Gary Cooper stars as Jerry Day, a con man who roams the luxury spots of the world with his girlfriend Toni (Carole Lombard), staying one step ahead of the law and bill collectors. He learns that he has a 6-year old daughter named Penny (Shirley Temple) from a previous relationship. It seems the child's mother has died, but since she was wealthy, Jerry sees a potential payday, so he takes charge of the young girl. However, the child's infectious charm causes Jerry to reassess his lifestyle and change his ways, a decision that may be easier said than done.

I'm not normally a fan of Temple's films, but this outing, in which she's supporting, is much easier to take, even if it is more than a little saccharine. Cooper is good as the morally compromised man trying to change his ways. He's especially effective in the rather dark final act. Temple is Temple, while Lombard doesn't have much to do. Charlotte Granville is enjoyable as a rich old widow who wants to adopt Temple. While the money may be nice, I'm not sure how many years old Charlotte has left in her to be raising a 6-year-old to maturity. I liked this more than expected, and would recommend it to those who have perhaps avoided it due to Temple's presence and a dislike of child centered production code era films.