Monte Carlo Nights

Larry and Mary, young stars of high society, eye each other from their respective boxes at the race track. Mary's aunt warns her that Larry is "notorious"; Mary coolly replies that he's awfully good looking. Larry rides his own horse in the steeplechase—and is thrown off. Faking injury, he catches a ride to the hospital with his head on Mary's shoulder…and the two are quickly engaged. From there the plot takes a while to develop, but eventually….

Larry is (mistakenly) convicted of killing a gambling hall owner, escapes from the train on the way to prison, and somehow makes his way to….Monte Carlo! where he suspects the real killer has fled. In Monte Carlo, he befriends a young French woman who becomes devoted to him, and pursues his only clue: the killer always plays numbers 7, 14, 28 and 29 on the roulette table.

John Darrow and Mary Brian do well as Larry and Mary; both develop interesting and distinctive characters that viewers can root for. To the newspapers, Mary is "Little Mary of the Vernon Millions," but she quickly establishes an independent streak that worries her protective aunt. Larry has "a reputation" but he's charming and dashing and—it turns out—tough and resourceful.

George Hayes plays the other major character, a police detective named Gunby—yes, a detective in a coat and tie. He watches with narrowed eyes, asks questions and adds up details, concludes that Larry is indeed innocent…and also sets out for Monte Carlo to hunt for the real killer.

Astrid Allwyn is excellent as a dangerous blonde who tries to pull a fast one on Larry and Gunby. An actress named Yola d'Avril is sad but loyal as Larry's Monte Carlo assistant.

There's no shortage of plot in this 62-minute adventure. And it keeps the viewer guessing—the suspense is not exactly unbearable, but it does build nicely to a well done climactic scene.

Fans of Monogram's 1930s westerns will enjoy not only George Hayes but a quick glimpse of the great Yakima Canutt phoning the police—in a tuxedo!

This movie is not that bad, a decent time waster if you don't mind watching old black and white movies. I think most of the negative comments are coming from people who just don't like old black and white movies or they are expecting them all to be as good as Hitchcock, to that reviewer I say you are right it's not as good as any Hitchcock film but it is still a decent enough way to spend a couple hours.

It's a mystery film noir type movie where the main character is accused of murder but escapes and strives to hunt down the real killer on his own to get revenge but also obviously to prove that he is innocent of the crime he has been accused of. The actor playing the main character gives a good performance and so does the actress in the main female role.

Well! I like this film and here's why: it is very well made, it has two excellent good looking stars in beautiful Mary Bryant and handsome John Darrow, it is MODERN as a 1934 pic can be, it is actually interesting, a lot of care is evident s the casting and costumes... and the art direction, set design and budget is clearly on show on screen. Best of all for me is that it is a 1934 Monogram Picture and this little film company started in 1931 as a very low rung indie was really getting up into big theatrical bookings and excellent box office success. This is a good small film with very strong screen cred. It comes from a small pulp fiction dime novel whodunit by schlockmeister E Phillips Oppenheim who possible ground out dozens of mystery thrillers in the 20s. Like KING KELLY OF THE USA made the same year at Monogram, it is a calling card to big chain theaters: this little film company was striving to please; and this film does in the ways described above. And at 60 minutes or so, it would have been booked everywhere and very profitable.... as I said on the KELLY comments... no wonder big bad wolf Herbert J Yates was waiting to gobble them up into Republic Pictures the next year, as he did, until Monogram wriggled free in 1937 and rattled on until 1988 (as Allied Artists). This is antique talkie fun... and very well made.

For an hour-long programmer, the flick's not bad. The plot's pretty familiar. A guy gets accused of a murder he didn't commit and now has to track down the real killer, using a roulette-wheel combination as a clue. Good thing others want to help.

For former Saturday matinee kids, like this now geezer, the real magnet is Gabby Hayes with his teeth in and no whiskers and playing a big-time cop, no less. I was fascinated, to say the least, after so many years laughing at his goofy sidekick to Roy Rogers, Hopalong Cassidy, et al. Here, he shows a versatility I would never have expected. Also, it's an excellent cast for a cheapo, with a bevy of lovely ladies, along with a leading man, Darrow, who bears a strong facial resemblance to Marlon Brando - see what you think.

All in all, the minor flick holds interest though doesn't generate much suspense, the identity of the real killer being a rather minor point. At the same time, actress Bryan does make the romantic angle work pretty well. And catch those head-hugging cloche hats fashionable ladies wore at the time. I'd like to see them make a comeback. Anyway, give the flick a try. It's a good way to pass a leisurely hour.

If someone like Tyrone Power was in the lead I could understand why such women as Mary Brian, Billie Van Every and Yola D'Avril were vying for him i'd understand. But as the playboy hero of Monte Carlo Nights, John Darrow is as charismatic as dishwater left in the sink for a week.

The story originally has Darrow staling heiress Mary Brian and alienating Billie Van Every. But the romance part abruptly stops as he's accused of murder and s arrested. A daring escape from the train that was taking him to prison then sends Darrow off to Monte Carlo in pursuit of the real murderer.

Western fans will be interested to see gabby Hayes clean shaven and playing it straight as a detective who believes in Darrow's innocence. And Astrid Allwyn best known as Claude Rains's daughter in Mr. Smith Goes To Washington gives the best performance as the villain's moll.

Still a weak lead cripples this film.