The Lucky Texan

This film opens with young man Jerry Mason reuniting with Jake Benson, a friend of his late father, who he hasn't seen since he was a child. Jake tells how he is no longer ranching due to rustlers but is thinking of opening a blacksmiths. Soon they are working at it together. When they re-shoe a horse they find a stone in its hoof that contains gold; from what the rider said they establish which creek it was in. They find plenty of gold there and take it to local assay office... not realising the man running it was responsible for stealing his cattle and now plans to take Benson's ranch and gold strike... first he needs to find where the gold is. Around the same time Benson's granddaughter returns to live with him.

Despite a somewhat weak opening and pantomime villain this film turned out really well. The plot is basic but provides an excuse for some good stunts. As well as the expected fisticuffs and horse chases there are some fairly original stunts; the most obvious being as Jerry rides down a fast flowing sluice to catch a bad guy and a final chase that features Jerry on a horse and Jake in a car chasing the villains who are aboard a small, powered railway workers vehicle. Most of these feature regular stuntman Yakima Cannut who as was often the case also plays a henchman. John Wayne is solid as Jerry but it is George 'Gabby' Hayes who steals the show as Jake; especially in an hilarious courtroom scene where he turns up in drag! Barbara Sheldon okay as Betty Benson but isn't really used enough to justify her second billing. Overall I'd say this is well worth watching if you are a fan of early westerns.

John Wayne and Gabby Hayes strike it rich with a gold mine. Inevitably some villains want to take it from them. This is one of the most interesting of the many B westerns Duke made in the '30s. For one thing, there are surprisingly few gunshots fired in this one. Everyone seems to settle their problems by fisticuffs or by chasing one another. There's a lot of chasing in this one. This leads to some good Yakima Canutt stunts, though.

Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. In this one we not only have the usual background stuff but we have a Keystone Kops-style climax that features Gabby Hayes driving a car after the bad guys! This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it.

John Wayne made 16 Westerns for Lone Star productions between 1933 and 1936. Many of them starred some of the same actors, (Wayne, Geo.(Gabby)Hayes, Yakima Canutt, Earl Dwyer etc.). The Lucky Texan is one of the best I've seen and I've seen nearly all of them. Sure the production techniques are primitive ( lots of jump cuts and zips, poor audio and editing) but these are marks of Bradbury's earlier films and only make these early films more interesting for me. Gabby Hayes is a laugh riot in drag in the courtroom scene and Canutt's "injun Joe" escape (through the open window of the courthouse) had me rolling. I loved this film. I'm glad I bought it.

Unlike with most major film stars, John Wayne spent such a long apprenticeship in B westerns that you can't really put his pre-Stagecoach work with Stagecoach and beyond. It's like two different players altogether.

Bearing in mind that you can't apply the same standards of Lucky Texan with that of The Searchers, Lucky Texan was good Saturday afternoon matinée fair for the kiddies of 1934.

John Wayne and Gabby Hayes are partners in a blacksmith shop and they discover gold. Panning for it turns out to be quite profitable and they follow the advice of Walter Huston in Treasure of the Sierra Madre about not filing any claims. At least not too soon.

But the bad guys want to get their hands on the gold source and they dry gulch Gabby and they think they've killed him.

Unbeknownst to them, Gabby back in the day was an actor and did a turn in Charley's Aunt. Wayne and Gabby devise a plan to expose the villains and save the day.

Bear in mind that it was the lead in Charley's Aunt that Gabby played and you'll understand what Gabby does.

That bit put Lucky Texan a cut above the usual stuff John Wayne was doing before Stagecoach. It's still pretty amusing.

My title is meant to emphasize the silent era-like features of this and many other early sound westerns. If you are used to silent films, this shouldn't bother you that much. The villains often have the exaggerated look of many silent film counterparts. The brawls, horse chases and stunts also often have the exaggerated and amateurish look of many silent films. The filming technique also often looks relatively crude, like the cheaper silent films. People apparently shot dead often conveniently resurrect later with just a head graze(The 2 apparent murders in this film turn out this way). All those highly unlikely coincidences that make the story turn out right have a silent era feel to them. Thus, some of the scenes could almost be pulled from a silent era film. This includes Wayne's(actually stunt man Yakima Canutt's) long skid sitting on a convenient tree limb, through a long large sluice tunnel. This tunnel just happened to begin where he tumbled down a long hill after missing on an attempted rider tackle, and just happened to end up where he could make another tackle attempt from a tree. We can imagine Charlie Chhaplin or Buster Keaton doing the same thing in a slightly different context. Another comedic scene was the chase via Model T and horse of the badies escaping on a motorized rail utility car. The model T and railcar finally collide after a passed up opportunity.. In the finale, the frustrated photographer stalks off, stepping high in Charlie Chaplin style. The courtroom scene with George Hayes disguised as a female relative, followed by the villains smashing through the window, could almost have been pulled off in a silent western, with a few quote cards.

Aside from the comedic and stunt aspects, this film features a fairly complicated, if predictable, plot, with the operators of the mineral assay office running a general crime operation(somewhat like Soapy Smith), including rustling, claim and property swindling, gold weighing shaving and murder. They try to swindle Hayes out of his ranch and gold mine claims and put him 6 feet under. The sheriff's son is an independent badman. Both Wayne and Hayes spend a short time in jail as the chief suspect in murders. Each figures out how to get the other out legitimately and catch the real badmen. Barbara Sheldon, a curvaceous young blond, just happens to move in with grandpa Hayes shortly after Wayne does. She immediately takes to the Duke and he doesn't make any attempt to resist. All in all, its a better than average entertaining early sound western, and I'm glad I saw it.