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Hat, Coat, and Glove

  • 1934
  • Approved
  • 1 घं 5 मि
IMDb रेटिंग
5.7/10
187
आपकी रेटिंग
Ricardo Cortez in Hat, Coat, and Glove (1934)
अपराधड्रामा

अपनी भाषा में प्लॉट जोड़ेंAn artist on trial for homicide has his lover's husband for an attorney.An artist on trial for homicide has his lover's husband for an attorney.An artist on trial for homicide has his lover's husband for an attorney.

  • निर्देशक
    • Worthington Miner
  • लेखक
    • Wilhelm Speyer
    • Francis Edward Faragoh
    • William Absalom Drake
  • स्टार
    • Ricardo Cortez
    • Barbara Robbins
    • John Beal
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.7/10
    187
    आपकी रेटिंग
    • निर्देशक
      • Worthington Miner
    • लेखक
      • Wilhelm Speyer
      • Francis Edward Faragoh
      • William Absalom Drake
    • स्टार
      • Ricardo Cortez
      • Barbara Robbins
      • John Beal
    • 12यूज़र समीक्षाएं
    • 3आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    फ़ोटो18

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 12
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Ricardo Cortez
    Ricardo Cortez
    • Robert Mitchell
    Barbara Robbins
    Barbara Robbins
    • Dorothea Mitchell
    John Beal
    John Beal
    • Jerry Hutchins
    Dorothy Burgess
    Dorothy Burgess
    • Ann Brewster
    Paul Harvey
    Paul Harvey
    • The Prosecuting Attorney
    Sara Haden
    Sara Haden
    • The Secretary
    Margaret Hamilton
    Margaret Hamilton
    • Madame Du Barry
    David Durand
    David Durand
    • Thomas Sullivan
    Murray Kinnell
    Murray Kinnell
    • The Judge
    Frederick Sullivan
    Frederick Sullivan
    • The Court Clerk
    Gayle Evers
    • The Saleslady
    Joseph Anthony
    • Minor Role
    • (बिना क्रेडिट के)
    Irving Bacon
    Irving Bacon
    • Coat Salesman
    • (बिना क्रेडिट के)
    Tom Brower
    Tom Brower
    • Reporter
    • (बिना क्रेडिट के)
    Marcelle Corday
    Marcelle Corday
    • Hat Saleslady
    • (बिना क्रेडिट के)
    Jay Eaton
    Jay Eaton
    • Elevator Passenger
    • (बिना क्रेडिट के)
    William Gould
    William Gould
    • Assistant Prosecutor
    • (बिना क्रेडिट के)
    George Guhl
    George Guhl
    • Burt Hamlin
    • (बिना क्रेडिट के)
    • निर्देशक
      • Worthington Miner
    • लेखक
      • Wilhelm Speyer
      • Francis Edward Faragoh
      • William Absalom Drake
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं12

    5.7187
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    10

    फ़ीचर्ड समीक्षाएं

    7westerfield

    Many surprises in this interesting film

    I've always been a Ricardo Cortez fan. He rarely gets a chance to stretch his acting wings but he does so here. Cortez is exceptional in playing older men. In Torrent (1926) you'd swear he actually aged. In Hat, Coat and Glove he plays age, hopelessness and loneliness quite well. It is unfortunate that the effect is damaged by shoddy makeup. His graying hair varies between scenes and virtually disappears in some. Dorothy Burgess was never better. The wife and her lover are somewhat weak. Frankly, I didn't see what the husband or lover saw in her. But it didn't matter; this is Cortez's film. The twists and turns of the plot are anything but conventional. For all it's absurdities this is a quality programmer that will hold your interest.
    5planktonrules

    It the glove don't fit, you must acquit!

    "Hat, Coat and Glove" is a film that really strains credibility--so much so that the only way to enjoy it is to turn off your brain and not question things that seem too coincidental to be believable. However, despite this, IF you can put aside your brain for a few minutes, the film is rather entertaining.

    Ricardo Cortez plays a very erudite lawyer--but one whose marriage is all but over. In fact, he and his wife haven't lived together for some time and she's already got a new boyfriend. However, and here where it gets goofy, when Cortez goes to have it out with this boyfriend (because he still wants a reconciliation with his wife), he isn't home but a crazy lady is there. This unstable woman has a history of suicide attempts and when she is talking to Cortez, she starts behaving irrationally and ends up getting shot when Cortez was pulling the gun away from her. But, Cortez doesn't call the police--and soon they arrest the boyfriend and think he murdered the woman. Cortez knows it was NOT murder but decides to exploit the situation. He agrees to defend the boyfriend IF his wife agrees to return! However, through the course of the trial, the wife starts to notice that some of the evidence seems to point to her husband! How all this ended, though, really confused me--especially what the wife did when she realized the truth. Baffling to say the least.

    None of this is particularly believable....none. But, Cortez was enjoyable to watch and the film was enjoyable. HOWEVER, my favorite part involved seeing if a glove found at the site belonged to the boyfriend--and a Johnny Cochran moment at the OJ trial came to mind. It was, in so many ways, like the script that Cochran used! Pretty funny...
    tmpj

    Well.... I almost saw all of it!

    This is an interesting film, somewhat of a departure for Ricardo Cortez from the dapper ladies man he generally portrayed in films of this period. He is a dreamer, a man who has been in love, is divorced, but is still in love with his wife. He also has to endure the reality of his 'ex' and a younger man who are now doing 'light housekeeping'. The script's OK, not great, but economical and to the point. Cortez is a lawyer who must defend his ex-wife's present lover on a murder rap, and does so against his better wishes. But he knows a lot more about the murder charge than he lets on. This flick came on late at night in the city, and the station cut the tail end of the flick so I couldn't comment on the end...because I ain't seen it. They gave the film short shrift, which is a drag. However, knowing the Hayes code of the period, I am almost certain that I could write the ending without having seen it, and it wouldn't be too terribly far removed from the ending that I did not see, thanks to the neglect of the local TV station. Be that as it may, the part I saw was slightly above average for 'B' film fare of the period.
    7bkoganbing

    Wardrobe case

    Hat, Coat, And Glove finds criminal lawyer Ricardo Cortez and artist John Beal having a lot in common including the women they see. Which includes the very unstable Dorothy Burgess who commits suicide while in Cortez's company.

    But it's Beal that is arrested for her murder and put on trial. Barbara Robbins exacts a promise from Cortez to not get her involved and he agrees to defend Beal.

    Every actor loves a courtroom film and this one gives Cortez a chance to shine. He gives a smooth polished performance as a smooth polished lawyer. In fact as per the title wardrobe plays a great part in the outcome of the trial.

    Margaret Hamilton who is a milliner and just happens to be in court when an expert on lady's hats is needed gives a really great performance when Cortez questions here. She really stands out in this film.

    One of Ricardo Cortez's best talkie films without a doubt.
    7AlsExGal

    great even if ridiculous fun

    You know that a film is going to be a camp precode treat when it begins with the protagonist, attorney Robert Mitchell (Ricardo Cortez), waxing poetic about mannequins, to the point that even the department store sales staff is giving him odd looks.

    Robert is separated from his wife, Dorothea, because she wants it that way, not him. She is in love with Jerry Hutchins (John Beal). Unfortunately for Jerry, he had a brief affair with what today we would call a stalker, Ann Brewster (Dorothy Burgess). Nobody could play the precode crazy woman like Dorothy Burgess.

    Ann shows up in Jerry's apartment one night, in his bed, in a negligee, demanding he love her back. He leaves and goes to see Dorothea. Robert goes to have a man to man with Jerry and winds up trapped with crazy Ann, who, for some strange reason, knows Jerry has a gun and where he keeps it. She decides to kill herself, she calls what she thinks is Dorothea's number but misdials, Robert struggles to get the gun from her but it goes off, and Ann falls dead.

    The next day this woman with one deadly bullet in her is mentioned as "the bullet riddled body" in all of the newspapers and Jerry is blamed for the crime. His alibi, though, was that he spent the night with Dorothea, and he doesn't want to create a scandal and use that alibi. But he wouldn't have this problem if Robert had just called the police and said what happened. He didn't have any past relationship with Ann and she did have a history of suicide attempts. Instead Robert just left the scene, stealthily.

    So Dorothea appeals to her estranged husband to save her lover by defending him in court. He agrees, as long as she agrees to come back to him. Was this his plan all along or did he just panic the night before? The trial is a riot with lots of nuttiness that only one person sees through. And then the highlight of the film is Margaret Hamilton as a milliner with a "stage name" of Madame Du Barry. That's first name "Du", last name "Barry". This great character actress steals the entire film out from under the script, cast, and director.

    Lots of people pan this film, but for ridiculous dialogue and a ludicrous plot full of precode naughtiness that was actually released after the code, this one fits the bill.

    इस तरह के और

    A Night of Adventure
    6.2
    A Night of Adventure
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    6.8
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    6.0
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    7.3
    Lou Grant
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    7.0
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    गॉन विथ द विंड
    8.2
    गॉन विथ द विंड

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This was originally intended to be a John Barrymore vehicle. However Barrymore's alcoholism was catching up with him and his memory repeatedly failed. After three days of production with virtually nothing shot, the producers were forced to replace him with Ricardo Cortez.
    • गूफ़
      Robert Mitchell's hair is graying on the sides, but when he goes to Jerry's apartment to confront him, and finds Ann instead, his hair is jet black for a few minutes, then goes back to gray.
    • कनेक्शन
      Remade as A Night of Adventure (1944)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 27 अगस्त 1934 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Por la vida de su rival
    • फ़िल्माने की जगहें
      • RKO Studios - 780 N. Gower Street, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • RKO Radio Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 5 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Ricardo Cortez in Hat, Coat, and Glove (1934)
    टॉप गैप
    By what name was Hat, Coat, and Glove (1934) officially released in Canada in English?
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