IMDb रेटिंग
6.4/10
1.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.Dill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.Dill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.
- पुरस्कार
- कुल 1 नामांकन
Ernie Alexander
- Telegram Messenger
- (बिना क्रेडिट के)
Sidney Bracey
- Paula's Chauffeur
- (बिना क्रेडिट के)
Oliver Cross
- Party Guest
- (बिना क्रेडिट के)
Jan Duggan
- Mrs. Cobal - Customer
- (बिना क्रेडिट के)
Jay Eaton
- Party Guest
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This is one of more than a dozen 1930's films which were blockbusters for Crawford. She is nothing less than hilarious in this film and it paved the way for I Live My Life and Susan and God. She and Gable had major chemistry, although her acting skills made his look inferior, which of course they were. Rosalind Russell and Crawford work very well together.
I have to imagine that in order for MGM to justify using two of their top leading men with Joan Crawford, their parts in Forsaking All Others would have to have been built up considerably. The original Broadway production of this comedy that ran 110 performances in 1933 starred Tallulah Bankhead and it was strictly her show. As if it would have been any other way.
I have to give Joan Crawford credit on this one. Unlike her later film Susan and God where she tries to imitate Gertrude Lawrence with accent and all, she wisely does not try to do a Tallulah impersonation. She creates her own character here and it's a good one. She's got both Robert Montgomery and Clark Gable after her, but she chooses early on and in the end she finds out she chooses wrong. In fact the only impersonation Crawford does is one of her Grand Hotel co-star Greta Garbo.
Both Clark Gable and Robert Montgomery settle into familiar stereotypes for them. Gable is another reporter character like he is It Happened One Night and Montgomery is an irresponsible playboy like he was in a gazillion films.
Montgomery and Crawford are set to be married, but Montgomery leaves her at the altar and runs off with his demanding mistress Frances Drake. But Crawford has Gable's shoulder to cry on for most of the rest of the film. By the way, Drake gives a performance that's a case study in canine feminus. She makes Joan Collins in Dynasty look like Maria Von Trapp. Drake dominates in whatever scene she's in. No way that Tallulah Bankhead would have let that happen on stage.
Charles Butterworth and Billie Burke are also on hand and young Rosalind Russell on her way up has a small part as one of Crawford's friends. Nothing new in Forsaking All Others, but the ground is familiar enough.
I have to give Joan Crawford credit on this one. Unlike her later film Susan and God where she tries to imitate Gertrude Lawrence with accent and all, she wisely does not try to do a Tallulah impersonation. She creates her own character here and it's a good one. She's got both Robert Montgomery and Clark Gable after her, but she chooses early on and in the end she finds out she chooses wrong. In fact the only impersonation Crawford does is one of her Grand Hotel co-star Greta Garbo.
Both Clark Gable and Robert Montgomery settle into familiar stereotypes for them. Gable is another reporter character like he is It Happened One Night and Montgomery is an irresponsible playboy like he was in a gazillion films.
Montgomery and Crawford are set to be married, but Montgomery leaves her at the altar and runs off with his demanding mistress Frances Drake. But Crawford has Gable's shoulder to cry on for most of the rest of the film. By the way, Drake gives a performance that's a case study in canine feminus. She makes Joan Collins in Dynasty look like Maria Von Trapp. Drake dominates in whatever scene she's in. No way that Tallulah Bankhead would have let that happen on stage.
Charles Butterworth and Billie Burke are also on hand and young Rosalind Russell on her way up has a small part as one of Crawford's friends. Nothing new in Forsaking All Others, but the ground is familiar enough.
A witty film that benefits mostly from the pairing of Clark Gable and Joan Crawford. After a brisk and entertaining first half, things start to drag a bit when Gable is absent from the screen for a protracted period. Nevertheless, its well worth seeing.
An ideal vehicle for Joan Crawford, and a role to which she applies herself consummately! The chemistry between Ms. Crawford and Clark Gable is palpable and registers like a blister. The ever-clever and witty Robert Montgomery is in fine form as the character of "Dill", and an apt foil for the combine of Ms. Crawford and Mr. Gable. I particularly enjoyed Frances Drake's portrayal of Connie, as her elegant piquancy in this characterization is right on the nose.
Clark Gable, Joan Crawford, and Robert Montgomery are childhood friends who are in not only a love triangle but a love quadrangle in "Forsaking All Others," from 1934.
Crawford is Mary Clay, who is about to be married to Dill (Montgomery). Gable is Jeff Williams, who returns from Spain with the intention of proposing to Mary. When he walks in, there's a party going on celebrating the upcoming wedding. Jeff puts on a brave face as Dill and Mary are two of his closest friends. Dill, however, has some old business, and that's his ex-girlfriend Connie (Frances Drake). Turns out Connie's business isn't as old as Mary and Dill thought because, as Mary prepares to walk down the aisle, Jeff gets a telegram saying that Connie and Dill are married.
This is an entertaining comedy, with the three stars in top form. Montgomery is a riot, and Gable - what can I say. I always liked him, but let's face it, at this point in the 1930s the man was irresistible! That smile! That dimple! And that dynamite screen presence - he's wonderful. And he injects the film with warmth. Though comedy was never Crawford's forte, she actually plays this straight and is very good.
Billie Burke costars and Rosalind Russell has a small role. Good fun.
Crawford is Mary Clay, who is about to be married to Dill (Montgomery). Gable is Jeff Williams, who returns from Spain with the intention of proposing to Mary. When he walks in, there's a party going on celebrating the upcoming wedding. Jeff puts on a brave face as Dill and Mary are two of his closest friends. Dill, however, has some old business, and that's his ex-girlfriend Connie (Frances Drake). Turns out Connie's business isn't as old as Mary and Dill thought because, as Mary prepares to walk down the aisle, Jeff gets a telegram saying that Connie and Dill are married.
This is an entertaining comedy, with the three stars in top form. Montgomery is a riot, and Gable - what can I say. I always liked him, but let's face it, at this point in the 1930s the man was irresistible! That smile! That dimple! And that dynamite screen presence - he's wonderful. And he injects the film with warmth. Though comedy was never Crawford's forte, she actually plays this straight and is very good.
Billie Burke costars and Rosalind Russell has a small role. Good fun.
क्या आपको पता है
- ट्रिवियाThe screenplay was written for Loretta Young, George Brent, and Joel McCrea but later was given to Clark Gable, Joan Crawford, and Robert Montgomery.
- गूफ़As Mary and Aunt Paula exit the room after telling Jeff that Mary is to be married, he takes out his cigarette case and opens it. The scene cuts to Shep coming in and back to Jeff who suddenly doesn't have the case out and is leaning against a table.
- भाव
Mary Clay: Jeff, has it ever occurred to you that this is none of your business?
Jeffrey 'Jeff': It's none of my business when I see a dog being whipped, but I'll stop it every time.
- क्रेज़ी क्रेडिटIn the opening credits the three stars of the film, Joan Crawford, Clark Gable, and Robert Montgomery are seen walking hand in hand.
- इसके अलावा अन्य वर्जनThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LA DONNA È MOBILE - Widescreen Edition" (in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- कनेक्शनFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- साउंडट्रैकForsaking All Others
(1934) (uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
Written for the movie and possibly played as background music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Forsaking All Others?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Baskın
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,20,069(अनुमानित)
- चलने की अवधि1 घंटा 23 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें