अपनी भाषा में प्लॉट जोड़ेंAn elderly detective sets out to find who murdered a stage actor.An elderly detective sets out to find who murdered a stage actor.An elderly detective sets out to find who murdered a stage actor.
- निर्देशक
- लेखक
- स्टार
- Alma Jenkins Thornton
- (as Natalie Moorehead)
- 'Lovely' Holmes
- (बिना क्रेडिट के)
- Sam - Producer
- (बिना क्रेडिट के)
- Silent Detective
- (बिना क्रेडिट के)
- Mr. Alison - Actor in Play
- (बिना क्रेडिट के)
- Actress in Play
- (बिना क्रेडिट के)
- Morgan - Actor in Play
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Hanvey was created by prolific short-story writer Roy Octavus Cohen, and he later appeared in several mysteries in which Guy Kibbee took on the role. I really like the way Smith plays the role. I'm so used to seeing him as the elderly, gruff but ultimately kindhearted avatar of the British Empire, that when I see him playing far afield his usual casting, he's a constant surprise. Here, he's doddering, unsure of himself, methodical constantly muttering, seedy, and three steps ahead of Hardy.
In the end, it's not much of a mystery. Director E. Mason Hopper tells the audience who did it even before the murder takes place. Still, Smith keeps things interesting throughout.
Dorothy Mackaill is good as Lola, sister to Anice, one of Wylie's discarded romances; from our first meeting with Lola, we see she is angry with Wylie and frustrated in her attempts to make contact with him.
Natalie Moorhead has only one full scene as Alma Thornton, the wife—but it's a goodie. Alma, too, is fed up with Wylie. She shows up in his room and answers the phone as his "secretary"; she mocks the way he speaks to his female phone callers ("Bye-ee!"); and she speaks to Wylie frankly and with a bite: "Your lips fairly brew honey when they want to. That's how you got me." (His reply: "I wish some of the same could get rid of you.")
Doris Manning (Ruthelma Stevens) is Wylie's new co-star; she's a rich girl and neither her father nor her fiancé have any intention of allowing her to travel to New York with a married actor (of all things!) and will do whatever it takes to prevent her. –All in all, in the best murder mystery tradition, there is no shortage of characters who have it in for the cad, Wylie Thornton.
Top-billed C. Aubrey Smith enters the picture around the midway point; he and Sam Hardy are a sort of smart cop/dumb cop pair. (Hardy does all the talking, Smith all the real detecting.) The chimp who lets himself in and out of his cage and has been known to swipe a handgun from the prop room is also a key player in this picture.
A fair amount of comic relief keeps the action relatively light; the murder scene (on a stage darkened except for a candle-lighted birthday cake) is somewhat unique; and the plot's eventual resolution is a bit out of the ordinary, as well. Overall, although the exposition of the first half hour is a bit dense, once this story gets rolling it's a fast-paced show that's very easy to take.
When a two-timing actor is murdered, there are two obvious suspects. But, when one turns up dying, it looks really bad for the other suspect. It MUST be him, or so the dopey policeman thinks. But they realize that a chimp (mistakenly called a monkey throughout the film) might actually be the shooter...maybe. So who did it? And, more importantly, is there enough to separate this from the pack of films in the genre? Well, the answer is not a lot. It's very typical in most every way. The differences were the hero (Smith) and the very end when he learns who the real killer is. It's worth seeing if you like these sort of films but for most, it's quite skippable.
For it's type, a 1930's independent studio release, it is quite good. An actor with many enemies is bumped off during a party at a theatre. The actor was a true rogue making it tough for the detectives probing the case. C. Aubrey Smith plays Hanvey, a cagey, methodical sleuth. While, Sam Hardy, plays Gallagher, a dim-witted police captain, played mostly for laughs. One of the running gags throughout the film is Gallagher arresting whomever is the top suspect at a certain time.
Did I mention the monkey? Groan if you want to, that's what I did when I saw him. Yes, monkeys were certainly popular in films during the late 1920's and early 1930's and yes the monkey is a suspect in the case. Although the monkey is not really annoying, far too much screen time is wasted on him, especially when considering the talented actors on hand for this minor B picture. C. Aubrey Smith is always welcomed. Ruthelma Stevens was a treat whenever she made a rare appearance. Same for Paul Cavanagh and Hale Hamilton, all excellent performers.
The finale is unique, in that Smith, like Sherlock Holmes was to do upon occasion, solves the mystery, but then lets the killer go free, feeling justice had been served. For collectors of rare films and the people like myself who enjoy the poverty row studios, warts and all.
The plot of this film is interesting, and is what kept me watching. But a number of disconnects makes it difficult to follow at times. It jumps around between abrupt scene breaks and suffers from lack of cohesion. Again, that may be the editing. The ending is rather abrupt as well. And though it leaves us with a sense of justice having been achieved, it also reinforces doubt about the police work. And, the character of the police. The production quality is very poor, and even a digital remastering of this film couldn't improve it enough to make it a good movie to recommend.
One other reviewer noted the retort by the reporter, Terry Mooney (played by Russell Hopton), to a boastful comment by Gallagher. "Says Hitler!?" surely says a lot about the times. Hitler had only just risen to power in Germany the previous year. The press on him was obviously good enough that the folks in Hollywood already perceived him as a liar and untrustworthy. But then, we should remember that a number of entertainers, writers and other artists were among the early people to flee the Nazis, in the early 1930s.
क्या आपको पता है
- ट्रिवियाThe earliest documented telecasts of this film took place on the East Coast in New York City Thursday 26 August 1948 on WCBS (Channel 2) and on the West Coast in Los Angeles Thursday 23 November 1950 on KTLA (Channel 5).
- भाव
Alma Jenkins Thornton: A wife has some rights, particularly an undivorced wife.
Wylie Thornton - Actor: If Doris Manning smelled a rat, she'd back out like that
[he snaps his fingers]
Alma Jenkins Thornton: And we can't afford to lose the Manning millions, can we, Dear?
Wylie Thornton - Actor: Keep on, keep on, you'll throw a monkey wrench into the whole works.
Alma Jenkins Thornton: Oh, you'd find words to soothe the troubled waters. Your lips fairly drool honey when they want to. That's how you got me.
Wylie Thornton - Actor: I wish some of the same could get rid of you.
Alma Jenkins Thornton: [mockingly] Ah, what is life without you, my Sweet? Each hour away from you is a nightmare, torn with despair. Each day a Purgatory of waiting, waiting for night and the sweet caress of your tender lips. You cackling boudoir rooster!
Alma Jenkins Thornton: [she resumes mocking him] I was the only woman in your life. The glorious sunburst on the dark horizon of your lonely days. And the very night you married me, you had dates with two of your ex-sweeties!
Alma Jenkins Thornton: [still mocking him] Oh, but Darling, don't you understand, these other women, they mean nothing to me. They're just stepping stones on the pathway to our happiness. And I fell for it. I believed you, you bedroom Ananias. I loved you. I laugh myself sick when I think about it now. But I used to sit in my room and cry over you. Till I got next to him and me. You big Baboon! But you're going to pay for every bit of unhappiness you caused me and you're going to pay for it the only way it hurts you - through your pocketbook.
Wylie Thornton - Actor: Alright, alright. You're getting yours, aren't you?
Alma Jenkins Thornton: You've held out on my cut for the last four weeks. And unless you kick in, I'm going to move in and stay in. Now what about my dough, Big Boy, what about it?
Wylie Thornton - Actor: I had to pay...
Alma Jenkins Thornton: Oh, don't lie to me. You gambled it away. I know when, how and with whom. You've lost three salary cheques, one after another. And last night, you gave a certain well-known gentleman a cheque that'll still be bouncing when Gabriel toots his horn!
Wylie Thornton - Actor: Listen, Alma...
Alma Jenkins Thornton: I'll do the talking, you flannel-mouthed Romeo. Wylie Thornton, matinee idol, pride of every kitchen mechanic and points south. Why you worn out Adonis, pull any fast stuff on me and I'll lay you out among the lilies - and little Alma Thornton is the one that can do it!
- कनेक्शनFollowed by Jim Hanvey, Detective (1937)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Backstage Mystery
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 8 मि(68 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1