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The Affairs of Cellini

  • 1934
  • Approved
  • 1 घं 19 मि
IMDb रेटिंग
6.0/10
515
आपकी रेटिंग
Constance Bennett and Fredric March in The Affairs of Cellini (1934)
FarceComedyDramaHistoryMysteryRomance

अपनी भाषा में प्लॉट जोड़ेंThe 16th-century sculptor woos the Duchess of Florence despite the duke.The 16th-century sculptor woos the Duchess of Florence despite the duke.The 16th-century sculptor woos the Duchess of Florence despite the duke.

  • निर्देशक
    • Gregory La Cava
  • लेखक
    • Bess Meredyth
    • Edwin Justus Mayer
    • Frédérique De Grésac
  • स्टार
    • Constance Bennett
    • Fredric March
    • Frank Morgan
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    515
    आपकी रेटिंग
    • निर्देशक
      • Gregory La Cava
    • लेखक
      • Bess Meredyth
      • Edwin Justus Mayer
      • Frédérique De Grésac
    • स्टार
      • Constance Bennett
      • Fredric March
      • Frank Morgan
    • 13यूज़र समीक्षाएं
    • 10आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 4 ऑस्कर के लिए नामांकित
      • 2 जीत और कुल 4 नामांकन

    फ़ोटो38

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 31
    पोस्टर देखें

    टॉप कलाकार24

    बदलाव करें
    Constance Bennett
    Constance Bennett
    • Duchess of Florence
    Fredric March
    Fredric March
    • Benvenuto Cellini
    Frank Morgan
    Frank Morgan
    • Alessandro - Duke of Florence
    Fay Wray
    Fay Wray
    • Angela
    Vince Barnett
    Vince Barnett
    • Ascanio
    Jessie Ralph
    Jessie Ralph
    • Beatrice
    Louis Calhern
    Louis Calhern
    • Ottaviano
    Jay Eaton
    Jay Eaton
    • Polverino
    Paul Harvey
    Paul Harvey
    • Emissary
    Jack Rutherford
    Jack Rutherford
    • Captain of the Guards
    • (as John Rutherford)
    Irene Ware
    Irene Ware
    • Daughter of the Royal House of Bocci
    Lucille Ball
    Lucille Ball
    • Lady-in-Waiting
    • (बिना क्रेडिट के)
    Bonnie Bannon
    Bonnie Bannon
    • Girl
    • (बिना क्रेडिट के)
    Lionel Belmore
    Lionel Belmore
    • Court Member
    • (बिना क्रेडिट के)
    Ward Bond
    Ward Bond
    • Palace Guard Finding Cellini's Clothes
    • (बिना क्रेडिट के)
    Lane Chandler
    Lane Chandler
    • Jailer
    • (बिना क्रेडिट के)
    James Flavin
    James Flavin
    • Palace Guard
    • (बिना क्रेडिट के)
    Bess Flowers
    Bess Flowers
    • Lady-in-Waiting
    • (बिना क्रेडिट के)
    • निर्देशक
      • Gregory La Cava
    • लेखक
      • Bess Meredyth
      • Edwin Justus Mayer
      • Frédérique De Grésac
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं13

    6.0515
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    फ़ीचर्ड समीक्षाएं

    5HotToastyRag

    Frank Morgan gets an Oscar nod

    Fredric March stars as the notorious sculptor Cellini, who, as the title suggests, has many affairs in the 90-minute movie. It's a little bit silly when you watch it, almost as if the movie might be a spoof of itself, when Freddie repeatedly seduces his conquests. So, if you're the mood to laugh, you can rent it and treat it like a spoof, and if you're in the mood for a drama in the 1600s, you can take it seriously.

    Frank Morgan plays against type-and was rewarded by an Oscar nomination-in this movie, as a cruel duke who doesn't bat an eyelash at using torture as a punishment. Frank's wife is Constance Bennett, and when Freddie visits the palace, it isn't long before she falls under her spell. That might not be the smartest move, seeing how much of a bad guy her husband is. . .

    This movie won't hurt you if you decide to rent it, but it also won't end up being your favorite. It's not Freddie's best performance, and while Frank does do a good job, I prefer A Lost Lady which was released in 1934. Frank gets to play the romantic lead in that one; how rare is that!
    7Bunuel1976

    THE AFFAIRS OF CELLINI (Gregory LaCava, 1934) ***

    I had intended checking this out in conjunction with Riccardo Freda's THE MAGNIFICENT ADVENTURER (1963), involving the same historical figure, as part of a previous Easter marathon (it being the very first entry for the current year); actually, I now watched it on the birthday of director LaCava, but also as a supplement to my Oscar season viewing (the film was up for four Academy Awards)!

    I had been wary of getting to it during a period when I tend to watch large-scale movies due to its being labeled a bedroom romp, albeit in costume; as such, this factor was more than proved right – but, at least, a full-on sword-wielding brawl (apart from other swashbuckling feats that are mentioned but left to the viewer's imagination) does come into play in the first act! Anyway, the picture is stylish, witty and starrily cast: Fredric March (in one of his few efforts in this vein, but to which his intrinsically stagy acting is well suited) incarnates the philandering goldsmith Benvenuto Cellini, Constance Bennett (who has her eyes on the hero!) and Frank Morgan are the Duchess and (henpecked) Duke of Florence, Fay Wray the protagonist's latest conquest (whom Morgan also romantically pursues!) and Louis Calhern appears as the court's inevitably scheming adviser. Morgan, typically the befuddled supplier of comedy relief but giving an undeniably splendid performance, was one of the Oscar nominees here: however, since the Supporting Actor category had not yet been incorporated into the ceremony, his was considered a leading role…which ties in somewhat with the fact that, despite the title, it is Bennett who receives top billing here! The other nods were for Charles Rosher's cinematography, Richard Day's art direction and the sound recording.

    It was certainly interesting to watch a period rendition of a Lubitsch- type sophisticated comedy; yet, in this way, the end result falls rather between two stools: the pace is decidedly slow (despite its trim 79- minute duration) for what ordinarily would be played as breakneck farce, whereas it gives little insight into what ultimately made Cellini's name (choosing instead to depict him as a wily roguish sort in the Don Juan mould – pardon the pun)! The finale, though, is pure "Pre-Code" – with the Florentine rulers installing their respective lovers in different palaces they officially use for a particular time of year!
    bensonj

    A DISAPPOINTMENT FOR LA CAVA FANS

    Gregory La Cava is one of Hollywood's great directors, but this isn't up to his standard, despite a good cast. Though supposedly a comedy of manners, it's really a swashbuckler with hardly any swash. Morgan, a milquetoast king though he tries to act ferocious, overdoes his "well I don't...ahem...do you really...oh well, I..." routine. Fay Wray is best as an artist's model. She's sexy, yet so dumb she hasn't the imagination for romance. At one point, when the other characters are trying to get her to take part in an elaborate charade to make someone think that someone is not someone's lover, she says, "Oh, this is so silly." One of the few really funny lines, and, sadly, all too true.
    6Handlinghandel

    One of Bennett's Best

    Constance Bennett was born to play a Medici. Her combination of hauteur and ooh-la-la makes this role a perfect fit. Frank Morgan, as her dithering husband, is amusing but less plausible.

    Fredric March, as the title character, is good. He was always good. Possibly not the heartthrob he needs to be, he is nevertheless both cocky and handsome. Fay Wray is excellent as a commoner whose tastes are too prosaic for the dastardly lover Cellini. She looks beautiful (as does Bennett.) This is certainly atypical Gregory La Cava. It is probably not very accurate historically. But as costume pieces go, it's very compelling. A few years later, another studio made one that is more famous. That was "Marie Antoinette." It was better researched and is still somewhat well known. But it is really dull.

    The costumes here are gorgeous. Now and then the music is appropriate to the time. A theme that seems distinctly 19th Century Romantic runs through, though.

    The supporting cast is up to the task. It's hard to imagine what people sitting down in a theater in 1934 made of this. Bennett was still a big star so maybe they were happy to see her. It's an oddity, no doubt about it. But it's very good.
    7TheLittleSongbird

    Fun affair

    There for me is always at least one main reason for seeing any film. In the case of 'The Affairs of Cellini' it's the cast. Having enjoyed very much over the years the work of Fredric March, Constance Bennett and Frank Morgan. Gregory La Cava seemed a good choice for director and have liked some of his other work, big examples being 'My Man Godfrey' and 'Stage Door'. And of course there is my long term love for classic film, with an attempt to appreciate all genres and decades.

    1934's 'The Affairs of Cellini' is a good deal of fun and is worth watching. A great film it may not quite be, but there are many good things and the things the film was seen for in the first place are not wasted in any way at all. It is a strong representation of the cast members, it has enough to show why La Cava's work is worth checking out and anybody that loves classic film should see 'The Affairs of Cellini' once at least, even if it is just for classic film completest sake.

    A lot of good things are good here. The cast all perform very well to brilliantly, with the standout performances belonging to beguiling Bennett and especially the wonderfully jovial Morgan (who steals the film). It is beautifully designed, with sumptuous settings and costumes (Fay Wray looks ravishing) all complemented by the photography.

    It is a wittily scripted film, with the best moments bubbling like bubbles on top of a champagne glass. La Cava was clearly having fun with the material and clearly knew what to do with it, this was hardly a sign of a director who was out of his depth or over-taxing himself. It is mostly also very compelling story-wise.

    Having said all of those positive things, 'The Affairs of Cellini' can be a bit too on the slow side and stagy, which actually was not an uncommon problem for similar films from this era.

    Did also think that occasionally the farcical element has a try too hard feel.

    Overall, while not loving it there is a lot to praise about this film. 7/10.

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    कहानी

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    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The play, "The Firebrand of Florence," opened on Broadway in New York City, New York, USA on 15 October 1924 and closed in May 1925 after 261 performances. The opening night cast included Nana Bryant as the Duchess, Frank Morgan as Allessandro (same role as in the movie), Edward G. Robinson as Ottaviano and Joseph Schildkraut as Cellini.
    • भाव

      Duchess of Florence: Jelly - how like the men of our times.

    टॉप पसंद

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    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 अगस्त 1934 (यूनाइटेड स्टेट्स)
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      • 20th Century Pictures
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      1 घंटा 19 मिनट
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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Constance Bennett and Fredric March in The Affairs of Cellini (1934)
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    By what name was The Affairs of Cellini (1934) officially released in Canada in English?
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