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Wild Boys of the Road

  • 1933
  • Approved
  • 1 घं 8 मि
IMDb रेटिंग
7.5/10
2.5 हज़ार
आपकी रेटिंग
Wild Boys of the Road (1933)
Official Trailer
trailer प्ले करें2:16
1 वीडियो
15 फ़ोटो
Coming-of-AgeRoad TripTeen AdventureTeen DramaTragedyAdventureDrama

अपनी भाषा में प्लॉट जोड़ेंIn the depths of the Depression, two teenage boys strike out on their own in order to help their struggling parents and find life on the road tougher than expected.In the depths of the Depression, two teenage boys strike out on their own in order to help their struggling parents and find life on the road tougher than expected.In the depths of the Depression, two teenage boys strike out on their own in order to help their struggling parents and find life on the road tougher than expected.

  • निर्देशक
    • William A. Wellman
  • लेखक
    • Earl Baldwin
    • Daniel Ahern
    • Robert Presnell Sr.
  • स्टार
    • Frankie Darro
    • Rochelle Hudson
    • Edwin Phillips
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.5/10
    2.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • William A. Wellman
    • लेखक
      • Earl Baldwin
      • Daniel Ahern
      • Robert Presnell Sr.
    • स्टार
      • Frankie Darro
      • Rochelle Hudson
      • Edwin Phillips
    • 54यूज़र समीक्षाएं
    • 45आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो1

    Wild Boys of the Road
    Trailer 2:16
    Wild Boys of the Road

    फ़ोटो15

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 9
    पोस्टर देखें

    टॉप कलाकार33

    बदलाव करें
    Frankie Darro
    Frankie Darro
    • Eddie
    Rochelle Hudson
    Rochelle Hudson
    • Grace
    Edwin Phillips
    • Tommy
    Dorothy Coonan Wellman
    Dorothy Coonan Wellman
    • Sally
    • (as Dorothy Coonan)
    Sterling Holloway
    Sterling Holloway
    • Ollie
    Arthur Hohl
    Arthur Hohl
    • Dr. Heckel
    Ann Hovey
    Ann Hovey
    • Lola
    Minna Gombell
    Minna Gombell
    • Aunt Carrie
    Grant Mitchell
    Grant Mitchell
    • James Smith
    Claire McDowell
    Claire McDowell
    • Mrs. Smith
    Robert Barrat
    Robert Barrat
    • Judge R.H. White
    Willard Robertson
    Willard Robertson
    • Captain of Detectives
    Beaudine Anderson
    • Boy
    • (बिना क्रेडिट के)
    William Augustin
    William Augustin
    • Police Sergeant
    • (बिना क्रेडिट के)
    Ward Bond
    Ward Bond
    • Red
    • (बिना क्रेडिट के)
    Wade Boteler
    Wade Boteler
    • Policeman in Court
    • (बिना क्रेडिट के)
    Eddy Chandler
    Eddy Chandler
    • Brakeman Throwing Stones
    • (बिना क्रेडिट के)
    John R. Coonan
    • Youth in Line-up
    • (बिना क्रेडिट के)
    • निर्देशक
      • William A. Wellman
    • लेखक
      • Earl Baldwin
      • Daniel Ahern
      • Robert Presnell Sr.
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं54

    7.52.5K
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    फ़ीचर्ड समीक्षाएं

    9sdave7596

    Riveting Depression-era social drama

    "Wild Boys of the Road" released by First National/Warner Brothers Pictures in 1933, is a harrowing story of a group of teens who hit the road in Depression-ridden America. It is 1933, and the whole country is mired in poverty, with millions losing their jobs. There was no social safety net just yet -- no unemployment insurance, no food stamps, etc. When you lost your job, you had nothing. Actors Frankie Darro and Edwin Phillips shine in this story of two teens who are forced to hit the road when both their families lose their jobs. They feel with one less mouth to feed, their families will be better off. Both of them hop the railroad cars, seemingly to nowhere, and soon are joined by many others doing the same thing. There is a charming girl (Dorothy Coonan) disguising herself as a boy. She is tough because she has to be to survive. Soon they are joined by hundreds of others. They live in squalid camps, fight the police, and scrounge daily just to feed themselves. All of the actors are good ones, and the living conditions are not prettied up. This is where Warner Brothers as a studio showed realism where other studios felt most Americans just wanted glamor to escape their troubles. The ending of the film is a bit unrealistic, as a sympathetic judge decides not to incarcerate the teens after they ran from the police and racked up charges (not likely!). But, this is still a gem of a film, and it never really seemed to get the recognition it deserved. William A. Wellman, the master director, gave us this and many other wonderful films.
    Michael_Elliott

    Strong Stuff

    Wild Boys of the Road (1933)

    *** 1/2 (out of 4)

    William A. Wellman directs this Depression era drama about two boys (Frankie Darro, Edwin Phillips) who run away from home and jump on the railroad route in hopes of finding a job so that they can help their families back home. Once again there must have been something inside of Wellman because there's a lot of passion in this film aimed at the poor who must do what they can to try and survive. This is a very hard hitting film that looks at this kids in a very serious light and it makes for a terrific little gem that deserves more attention than it's gotten within film history. Both Darro and Phillips are terrific in their roles and the chemistry they offer is great. Wellman's future wife, Dorothy Coonan, is also very good in her role as the boys buddy. The first twenty-minutes of the film shows the boys as normal teenagers but then we see their parents lose their jobs and thus forcing them to hit the road. This set up really sells the rest of the film and it also helps us see the suffering they're going to go through for the rest of the film. Wellman does a great job with the tender side of the story as well as a couple great fight sequences where they boys attack some railroad police as well as a rapist. Darro has a bit of Cagney in him and his performance here seems to have had a major influence on what we'd eventually see from The Dead End Kids.
    dougdoepke

    Kids Also Suffer

    Mention the Great Depression and most folks draw a blank or nod off. After all, who wants to be reminded of soup kitchens, dour old men, and dust bowls. Seventy years later and it's a closed book, forgotten and unlamented. Now and again, however, that dusty book needs re-opening. Because, in spite of the best efforts of the best of us, the past is not alway past. This edgy little Warner Bros. production provides a brief picture of the youth of that day, a harrowing story of survival amidst economic collapse.

    The movie wouldn't work so well without the contrast the first half-hour provides. Darro and friends are typical middle-class teens, fun-loving and care-free. It's a world of proms, necking parties, and harmless pranks. Then without warning things change. Why they change is never really explained which is the way it should be. For most kids knew nothing of stock markets and dis-investment. They only knew that suddenly Dad doesn't go to work anymore and mom cries a lot, bills pile up, and no one gets a job, anywhere. Middle-class privilege plunges into no-income poverty, and Darro and his buddy do like millions of others. They hop a freight, hoping the next town, the next state, the next someplace, will give them a chance to make a living. What they get instead are private armies, battalions of cops, and a forest of billy clubs. They're driven on to the next jurisdiction and the next welcoming committee. Nobody wants the footloose unemployed adding to their own local problems. Maybe the attitude's not charitable, but it makes practical sense.

    The battles atop freight cars and in hobo jungles are expertly filmed and dynamically staged, a stark panorama of social desperation. These scenes make up the movie's centerpiece. If anything they're mildly presented compared to the actual blood-letting that surrounded the desperate and up-rooted. Union organizing was especially bloody and bitterly fought-- an explosive topic Hollywood has only timidly touched on over the years. Nonetheless, the nail-biting episode on the train track stands-in for at least some of the actual pain and suffering caused by those crisis years.

    Darro may be small, but he's energetic, something of a younger Cagney. His determined spirit to keep going no matter what is convincing, and helps drive the others on. I expect it also had that effect on audiences of the day. I like the way director Wellman suggests the kids can set up their own constructive community, if given half-a-chance. Some reviewers complain about the final scene with the understanding judge. Yes, it is pretty contrived, but it wasn't unrealistic given the package of New Deal reforms then in the works. If those measures didn't exactly solve the economic crisis (only WWII did that), they at least offered hope that the problems would no longer be kicked down the road to the next jurisdiction.

    Wild Boys may not be the most honest or best movie on those tumultuous years. Still, it does furnish a provocative and entertaining glimpse. In any event, some books should not remain closed. After all, who knows when the unfortunate history of that era may again repeat itself.
    10whpratt1

    This is a REALISTIC FILM!

    This is truly a very great Classic Film about how living conditions were for the very young and old. It clearly shows how the Depression Years effected everyone in America and were very bad times for people of all races. Mothers and Fathers were unable to support their families and children had to go on their own, or run away and find some sort of child labor. Frankie Darro,"Saratoga",'37 and Dorothy Coonan Wellman,(Sally). gave great performances eating sandwiches on a flatbed railroad car and headed to Chicago. Sally had an aunt who lived in Chicago and when she arrived, she was greeted with a huge cake to share with her friends. However, her aunt seemed very successful and greeted her with open arms, but her apartment was soon raided, as she was a HOOKER! This is a sad film, but tells the truth about the growing pains in America!
    Doylenf

    Vivid social drama from Warner Bros...fine performances...

    FRANKIE DARRO and EDWIN PHILLIPS play depression-era buddies with great chemistry and natural vigor and charm. They are the key ingredients in keeping the story firmly in the realm of believability throughout. An intriguing slice of life for depression weary audiences--one has to wonder what the initial effect was upon release in 1933.

    Whatever, it all plays out extremely well except for what appears to be a tacked on ending that gives a positive spin to the tale.

    Grant Mitchell does fine work as Darro's depressed out-of-work father who shows his love and respect for his son when Darro sells his jalopy (for a mere $22!!) to help out the family. Interesting to note Ward Bond in an unsavory role as a railroad official who is brutally punished after taking advantage of a stowaway girl.

    All of the vivid railroad scenes have been expertly photographed and the incident involving the unfortunate Phillips and his leg accident is powerfully depicted. William Wellman's direction keeps things moving swiftly and satisfactorily for a tense and gripping little social drama told in little more than an hour.

    Highly recommended, especially because it's a product of its time and reveals all of the societal ills rampant in the early '30s.

    इस तरह के और

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    7.1
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The movie shown in the movie theater scene (about an hour into the film) is another Warner Bros. release, Footlight Parade (1933).
    • गूफ़
      Sally's piece of cake jumps from the plate into her hands between shots.
    • भाव

      Eddie: [to the judge] I knew all that stuff about you helping us was baloney. I'll tell you why we can't go home: because our folks are poor. They can't get jobs and there isn't enough to eat. What good will it do you to send us home to starve? You say you've got to send us to jail to keep us off the streets. Well, that's a lie. You're sending us to jail because you don't want to see us. You want to forget us. But you can't do it because I'm not the only one. There's thousands just like me, and there's more hitting the road every day.

      Tommy: [also to the judge] You read in the papers about giving people help. The banks get it. The soldiers get it. The breweries get it. And they're always yelling about giving it to the farmers. What about us? We're kids!

    • कनेक्शन
      Featured in Alibi Mark (1937)
    • साउंडट्रैक
      The Gold Diggers' Song (We're in the Money)
      (uncredited)

      Music by Harry Warren

      [Played after the kids leave the dance; also whistled by Eddie (Frankie Darro)]

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Wild Boys of the Road?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 7 अक्टूबर 1933 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Junaci Pavlove ulice
    • फ़िल्माने की जगहें
      • Southern Pacific Taylor Yard, ग्लेनडेल, कैलिफोर्निया, संयुक्त राज्य अमेरिका(train yard sequence)
    • उत्पादन कंपनी
      • First National Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 8 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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    Wild Boys of the Road (1933)
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    By what name was Wild Boys of the Road (1933) officially released in India in English?
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