Twice Two

I think this film has some amazing acting. As others have noted, Laurel plays himself and also his own sister. Hardy does the same. But - the women characters they portray are different to the male Laurel and Hardy. The women characters are not Laurel and Hardy "in drag". They really are playing 4 different people.

The dubbing of the women's voices is perfect, in my opinion. The women who dubbed the voices really capture the feeling of Laurel and Hardy. They are great. The syncronicity of the dubbing is awesome.

I also think the photography - scenes when the four characters are having dinner together - is great. They really create the illusion of four separate people talking and bickering.

I don't want to risk spoiling anything for anyone and so I will not describe any of the truly funny scenes featuring each of these characters.

Suffice it to say that the film is very funny.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Twice Two' quite one of their very best, but it to me still very good.

Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow. The dubbing has also been criticised by a few for understandable reasons, it jars a bit.

Despite that, 'Twice Two' is great fun while also having a definite degree of substance, never less than very amusing and the best moments, like with the ice cream and the phone calls, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. Seeing the two in drag is great fun and nowhere near as tiresome as it sounds, while Laurel and the ice cream is even funnier. A lot happens yet it doesn't ever feel rushed or over-stuffed.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Twice Two' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel as Hardy's wife.

'Twice Two' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static.

Concluding, very good. 8/10 Bethany Cox

Stan Laurel and Oliver Hardy reached their creative best with Twice Two where they their usual selves and female counterparts. It seems as though Stan and Ollie have married each other's sister and both think it was a great idea as it cements the relationship of the two.

They might have to rethink the notion as a family dinner at the Laurels proves a disaster. The female Ollie falls into a cake during the preparation. There's also a great gag with simply Stan using Ollie's key to open the front door. I won't say more but I think it's a tribute to both of them, especially Stan the creative one that they could get so many laughs with a simple act all of us but shut-ins do nearly every day.

Of course with the female personas half the credit should go to the actresses who provided the voices for the characters. May Wallace for Stan and Carol Tevis for Ollie perfectly match those familiar bodies in drag.

Offspring from these unions would be called double cousins. Just think what those kids might be like.

It has been a year since Laurel and Hardy married each other's sisters. They stay at home for a nice quiet meal, but the tensions between this close knit family bubble up as things go wrong during the meal.

At the start of the film I felt that the duo dressed in drag would be a gimmick that wasn't used well, happily I was wrong and they use it well. It isn't just them mugging in girl's clothes, it is more a chance for them to play the same characters twice as, essentially, their sisters are them same as them! This works well and the dynamics between the two sisters are the same as between the two men.

The comedy is given a fresh feel by this mix, which is good because it is lacking in other areas. The banter is not at it's best and the physical work is not as imaginative as at their best. In their dual roles both Laurel and Hardy are good – the badly dubbed women's voices take a little getting used to but don't detract too much.

Overall this is an amusing short. Not their funniest short, but the twist of them playing each other's sisters helps freshen it all up a little bit.

A LAUREL & HARDY Comedy Short. The Boys have each married the other's twin sister - both of whom have the same personality as her brother. A simple dinner party to celebrate their one year wedding anniversaries turns into a cat fight between the girls - which only proves that you can get double the chaos when it's TWICE TWO.

This is a hilarious little film, one of Stan & Ollie's best. They are perfect playing their female counterparts. Carol Tevis dubs the voice of Mrs. Hardy; Mae Wallace that of Mrs. Laurel.