Tarzan the Fearless

Tarzan The Fearless has swimming icon Buster Crabbe in the role of Edgar Rice Burroughs noble savage of the African jungle. What I'm reviewing is a condensed version of a Tarzan serial which this film was.

Condensed when referring to serials is never good. I'm not a big fan of serials in general, but editing them down to feature film you lose a whole lot of continuity. I have to confess I gave up trying to follow the plot.

Crabbe though was one magnificent specimen. We have a blond 'Jane' played by Julie Bishop who with her fiancé Edward Woods is on an expedition to find her scientist father E. Alyn Warren. Bishop and Woods have a pair of treacherous guides in Philo McCullough and Matthew Betz who've got an agenda of their own which is to locate a fortune in emeralds from the lost people of Zar whom Warren is trying to locate and study.

Crabbe even in the condensed version is wrestling with lions and crocodiles and the people of Zar bailing these intruders out of trouble. All in all viewed today it's pretty silly.

TARZAN THE FEARLESS (Sol Lesser Principal Productions, 1933), directed by Robert F. Hill, stars Larry Crabbe, better known as Buster Crabbe, Olympic swimming champion, to the role of Edgar Rice Burrough's creative jungle hero, Tarzan. A year after the highly successful TATZAN THE APE MAN (Metro-Goldwyn-Mayer, 1932), which introduced Johnny Weissmuller, another Olympic champion swimmer, as Tarzan, this latest installment was an attempt to reinvent the Tarzan character on an independently scale with new supporting characters. As the opening introduction states, "The worldwide popularity of the "Tarzan" stories has promoted to another tale, for the first time, a new story of the ape man's strangest and most romantic adventures." Initially released in both 12 weekly serial installments and tightly edited feature length film, it's the 85 minute edition that is seemingly available for viewing and reviewing by today's standards.

In the surviving copy often shown on Turner Classic Movies since 2011 (as opposed to shorter 72 minute editions presented either on commercial, public television and video tape since the 1980s), TARZAN THE FEARLESS, set in Africa, opens with Tarzan (Buster Crabbe) vine swinging to the delight of his chimpanzee companion. Tarzan is lord of the jungle, friend of the animals, and hero to those he rescues from danger. Next scene introduces a safari consisting of Mary Brooks (Jacqueline Wells), Bob Hall (Edward Woods), her fiance; and jungle guides, Jeff Herbert (Philo McCullough) and Nick Moran (Matthew Betz), on a trail searching for the missing archaeologist, Doctor Brooks (E. Alyn Warren), Mary's father. Studying ancient tribes and seeking for a lost Aryan civilization and rare emerald, Brooks has been abducted by worshippers of the ancient god Zar. As Tarzan follows the safari from a distance due to his interest in Mary's blonde beauty, it is also learned that Nick Moran also wants Mary for his wife. After locating her father's cabin, Mary is abducted and held captive by the evil High Priest Eltar (Mischa Auer). Frank Lackteen, Carlotta Monti, Ivory Williams and Everett Brown also support the cast.

While Buster Crabbe first leading role in the movies being KING OF THE JUNGLE (Paramount, 1933), by which he was cast as Kaspa, the Lion Man, which proved popular, rather than starring Crabbe in a new jungle series based on the Kaspa character, he entered the world of Tarzan in a whole new different adventure. Comparing this to the Weissmuller adventure would be typical for audiences and reviewers, with many favoring Weissmuller over Crabbe. Though Weissmuller had a good physical build to become Tarzan, so did Crabbe with his bigger chest. In the existing prints, there is no origin to the Tarzan character as to how a white man, with no method of speech except in grunts and calling himself Tarzan, ended up in Africa. Maybe there was more plot development to him and other actors to the story in the serial that appears not to be available for present viewing.

Unlike Weissmuller, Crabbe's Tarzan, who sports a leopard spot skin loincloth, bears a different sounding war cry many than Weissmuller. This is the same jungle yell used in latter independent Tarzans of the 1930s featuring Herman Brix and Glenn Morris. Heavily underscored using similar stock music used for some independent productions, TARZAN THE FEARLESS relies more on some exciting Tarzan/animal fights, last minute rescue or near death experience for attention purposes. As much as Buster Crabbe wasn't bad as Tarzan, Weissmuller really made this jungle hero his own, becoming the longest reigning and best known Tarzan of the screen (1932-1948) for years to come.

A public domain title made available from various video and DVD distributors, TARZAN THE FEARLESS has its moments, but with uneven plotline with numerous jump cuts make this a little hard to comprehend and appreciate. (**)

Tarzan the Fearless (1933)

** (out of 4)

Mary Brooks (Julie Bishop) travels into the jungle with some men to search for her missing father. Thankfully she runs into Tarzan (Buster Crabbe) who helps on her search as well as helps fight some of the bad people in her group. TARZAN THE FEARLESS is a pretty bad movie that features all sorts of campy moments but I think it remains watchable because it does have a certain charm thanks to its badness. Originally this was meant to be a 12-part serial but sadly that version is now missing. The producer basically took the first four chapters and turned them into this movie so that will explain why things sometimes don't make sense or that the story is jumping all around the place. Without the serial to see exactly what they did, it's hard to say if they improved anything but most of the time these serial chapters to features don't work. There are quite a few campy moments with this film and most of them are Tarzan himself. He has a really silly and annoying howl here that will certainly make you laugh. As with the first MGM film, Tarzan can't speak here so instead of talking to Mary he always breaks into this weird laugh that makes him seem rather slow. It's clear Crabbe was going for a different type of performance because he makes the Tarzan character more of a mentally challenged person than anything else. Bishop is certainly easy on the eyes as the love interest. Philo McCullough was actually good as the main villain and we get Edward Woods playing the good guy. The film is full of stock footage, fights with lions and of course the eye-rolling moment of yet another beauty getting into their bathing suit and going swimming when of course a croc shows up. TARZAN THE FEARLESS is a real mess of a movie but fans of bad cinema should get a few kicks out of it.

I will also say that Turner Classic Movies showed a 87-minute version, which I actually found much better than an earlier version running 71-minutes and included on one of those public domain packs. If you think the fuller version doesn't make much sense try watching that shorter one!

This is a feature version of a 12-chapter serial, although some don't seem to know that the serial exists. As was a semi-common practice of the time, some serials were produced as both a feature and also as a serial. The reason was that some theatres would not book serials but had no qualms about booking a feature edited from a serial, and this practice allowed the serial producer to get a booking in a theatre for his condensed feature that they would not have gotten as a 12-episode serial.

This "feature version" consists of the first four chapters of the 12-chapter SERIAL that was titled "Tarzan the Fearless," , which a great many collectors have in its 12-chapter form (that some don't seem to know exists) and, some of the luckier ones, even have all of the different original one-sheets posters issued with each chapter title, and the full eight-card set of different lobby cards issued with each chapter following the showing of the feature version at theatres that did book serials; and most of those theatres that did book serials didn't bother showing this feature version, opting instead to show one chapter a week for 12 weeks.

The chapter titles for the 12 episodes of this serial (from which the "Tarzan the Fearless" feature version was chopped out of) were: 1. The Dive of Death; 2. The Storm God Strikes; 3. Thundering Death; 4. The Pit of Peril; 5. Blood Money; 6. Voodoo Vengeance; 7. Caught by Cannibals; 8. The Creeping Terror; 9. Eyes of Evil; 10. The Death Plunge; 11. Harvest of Hate and 12. Jungle Justice.

Producer Sol Lesser's plan was to make both a feature version and a serial...and he did both.

In 1932, MGM made one of the best Tarzan movies of all time, "Tarzan the Ape Man". It was so well made that it resulted in a long string of movies with Johnny Weissmuller and it made him a major star. A year after this film, Sol Lesser produced a serialized version of the Tarzan story and in this case the production starred Buster Crabbe. Why Crabbe? Well, like Weissmuller, Crabbe was a gold medal winning American swimmer...and Lesser certainly couldn't afford Weissmuller! No, a Lesser film was known for economy...and because of that, you would expect his movie to be less refined and as well written.

It is important that you understand that I am reviewing the full-length movie version of Lesser's Tarzan film. It also came out in a 12-part serialized version...though apparently it's been lost and the movie version if the only one available today. If I hear about the serial being discovered, I'll try to update my review. And, considering how the film is a whittled down version of a much longer serial, I was not surprised that the movie seemed choppy.

Like Weissmuller, Crabbe's Tarzan is barechested and well coiffed despite being raised by apes in the African jungles. Unlike Weissmuller, Crabbe's Tarzan yell is pretty enemic! Both took advantage of their swimming skills by having them swim during the films.

The story involves Tarzan falling for a blonde who ISN'T named Jane. Unfortunately, she's traveling with some dirtbags who want to kill Tarzan (why???) and in the end, Tarzan saves the day and gets the girl.

So is this Tarzan tale any good? Well, it's not terrible...and the animal scenes (such as when Tarzan fights a lion) aren't bad at all...though, sadly, like too many Tarzan pics, there is also ample use of stock footage and a few non-African animals (such as American alligators instead of African crocodiles). As for Tarzan, while Crabbe looked nice, he wasn't as good in the role as Weissmuller...and mostly said nothing...choosing instead to pantomime much of the time or utter a few goofy laughs. Overall, a cheap curiosity that is watchable but not up to the standards of MGM's series which was begun the year before this one....and much like the quality of Lesser's many B-westerns.