A Study in Scarlet

Sherlock Holmes became such a quick fixture in motion pictures that it is possible to write studies on the various movies and actors centered on that character.

This particular film was an early Hollywood take on Holmes in the sound period. It is interesting to note that it came out only three years after Sir Arthur Conan Doyle died in 1930. By the time this had come out Hollywood had done silent and sound films about Holmes with William Gillette, John Barrymore, and (more recently) Clive Brooks. But the three best Holmes' of the sound period were still to come along: Arthur Wontner in Great Britain, Basil Rathbone in Hollywood, and Jeremy Brett (on television). Holmes in this version was Reginald Owen, best remembered for his "Ebenezer Scrooge" in the 1938 version of "A Christmas Carol". Owen was a very good character actor (villainous in films like "The Call Of The Wild", but funny as anything in "The Good Fairy"). He had played Watson already, so he was one of the few actors to essay both friends parts. But he seemed too laid back to be a good Holmes.

"A Study In Scarlet" appeared in December 1887 in "Beeton's Christmas Annual", a long forgotten magazine in Great Britain, which is only now recalled because of Conan Doyle's novella. If you are lucky enough to stumble onto the Beeton's of that month and year (and it is the original) than hold onto it - it's worth many thousands of dollars.

It's in two parts. The first half is "The Lauriston Gardens Mystery", wherein Dr. John H. Watson (our narrator) introduces us to his friend and roommate Sherlock Holmes, and then to the adventure (set in April 1881) where he first became aware that Holmes was a consulting detective, and was consulted by Scotland Yard's Detectives Tobias Gregson and "G." (no further name ever given) Lestrade (not "Lastrade" as the movie's cast of characters named him). Lestrade would be the best known of the detectives in the saga who would consult Holmes (and would be most memorably played by Dennis Hoey in the Rathbone films). Here he's played by Alan Mowbray - not badly but with little electricity.

The plot of the first portion of the novella is about the murder of two men, one by poison and one by a knife wound in the heart. Holmes traces the story back to the old west, where in the second half (entitled "The Country of the Saints") it is linked to the Mormons in Utah.

Most (if not all) was jettisoned, into a story about murder for insurance, centering around Anna May Wong and Alan Dinehart. Dinehart's character Thaddeus Merrydew, is based on a single line of writing in the four novels and fifty six short stories that were written by Conan Doyle. In "The Adventure of the Empty House", when reading a list of people with "M" in their name (he is searching for the biography of Colonel Sebastian Moran), he finds a reference to "Merrydew of abominable memory." That's it! No "Thaddeus Merrydew", just "Merrydew". Somebody concocting the script remembered that one reference. I may add, this was also the last time in movies there was any villain named Merrydew against Mr. Sherlock Holmes.

As an early talkie film about Holmes, it is worth seeing - but it is not among the best Holmes movies.

"A Study in Scarlet", somewhat more than loosely based on Conan Doyle's very first 'Sherlock Holmes' novel published in 1887, stars this time Reginald Owen, one of Hollywood's most famous British character actors who during his long career played about everything from Ebenezer Scrooge to King Louis XV. - and even Dr. Watson, in the previous Sherlock Holmes adventure with Clive Brook in the title role. It was the only time Owen portrayed the master sleuth - unfortunately, for he did QUITE well in this role!

Definitely less haughty and pedantic and more sympathetic than Basil Rathbone (who, nevertheless, was admittedly the most 'true' impersonator of Doyle's original character), yet just as clever and quick-witted, Owen alias Holmes is being asked for help by the widow of a member of an obscure 'organization' who's been tricked out of the money her husband would have soon been to receive from the shady 'business transactions' of that organization. At the same time, a strange newspaper ad, obviously written in a kind of code, intrigues Holmes - and it all finally leads him to one of his 'favorite' enemies, lawyer-blackmailer Merrydew...

A very nice, entertaining crime story, with much love for every detail and a perfectly recreated atmosphere of England in the 1880s, from the shady back streets of London to the quiet countryside, where Holmes (that is, Owen) delivers a hilarious impersonation of a wealthy elderly gentleman - just about like the disguises Chester Morris impressed us with many times as 'Boston Blackie'! Some genuinely English 'characters' complete the picture, a whole 'epidemic' of murders and murder attempts provides the adequate suspense... Not to be missed by fans of Sherlock Holmes in particular, and fans of classic crime in general!

I first started reading the Holmes saga almost 40 years ago.Since then,my search has included all of the stories in the Canon,a great number of the pastiches,a vast number of the films,plays,and T.V. specials,and other works.So,while not considering myself a TRUE expert,nonetheless,I have a working knowledge of many of the adaptations.

There has yet,to my knowledge,to be a dramatisation of the original story of this name.And,it seems,for good reason.The plot involves the murder of 2 American tourists to London,both of whom being members of the Church of Latter Day Saints.The framework story then opens,and shows a fictionalized,and highly derogatory account of a Mormon totalitarian police state.Dissidents are terrrorized,nonconformists are murdered,and travelers are slaughtered so that new additions can be obtained for the harems of the Elders.

Understandably,given these details,one can understand as to why NO adaptation has yet,and probably never will be completed.Not only would it never play in Salt Lake City,but it would also alienate a major religious body.

I had never seen Reginald Owen in anything but a somewhat weak Christmas Carol. He plays a larger, more imposing Sherlock Holmes. Holmes' appearance is usually rather striking, so actors play on his idiosyncrasies. In this movie, he sort of blends in. The story has nothing to do with the story. It will probably never be produced as written because of it's religious issues. This is an attempt to apprehend the big cheese in a series of murders involving the "Scarlet Circle." Men are dying according to the same poem used in Christie's Ten Little Indians (And Then There Were None). Holmes is aware of what is going on, but can't really strike quickly. This results in deaths not being prevented. While there is a seriousness to this film, there is a lot of humor as well. The characters are rich and interesting and the acting is pretty good. See it for another angle on the Holmes canon.

I was intrigued by the thought of Reginald Owen playing Sherlock Holmes because I disliked him as Ebeneezer Scrooge in MGM's " A Christmas Carol" (1938). In that role he was very subdued and did not bring the character to life, although I have been spoiled in this regard by Alastair Sim; would the same happen here?

Happily, he was much better as Holmes, but once again I have been spoiled by Basil Rathbone and Arthur Wontner. Nevertheless, he was more than adequate but was done in by the leaden pace of the proceedings in A Study In Scarlet - it could have been so much better with a little tension and suspense and a few less dead spots, as the the storyline was excellent. I especially enjoy mysteries in which the murderer is unknown until the last scene.

A good entry in the Holmes series - unless you've seen the aforementioned Rathbone or Wontner in the title role.