Somewhere in Sonora

It's in these early films that you see how middle-class John Wayne really is before he assumed the immortal identity of the American cowboy. He was obviously socialised into high society through his university connections and has a healthy interest in women. Thanks to John Ford he was just churning out the B-pictures one after the other. However, as a self-contained project, the film looks quite stagy as though it was fresh from the theatre. The dialogue is stilted and clumsy, but then that's down to the writing. I don't think that screenwriters and directors got to grips with the new medium that is cinema at this point, making this offering painful to watch.

Somewhere in Sonora (1933)

** 1/2 (out of 4)

This was one of six early films John Wayne made before Warner shortly before he would enter "B" movie kingdom until finding fame six years later in John Ford's STAGECOACH. The plot here is pure "B" stuff but has Wayne playing a good-hearted cowboy who is accused of fixing a stagecoach race, which nearly kills a man during an accident. Thanks to a father (Henry B. Walthall) he is eventually proved innocent and to repay the man he heads down to Mexico to try and save his son who has fallen in with some bad guys. When one watches a "B" Western it's best not to put too much thought into it because more often than not the screenwriter put even less thought into it. As you'd expect this movie features a plot that never really makes too much sense but then again each scene is just put together quickly so that the next one can get the film closer to the 58-minute mark so that THE END will pop up. The film has action, wannabe drama, laughable romance and some really bad comedy but all of this is what you'd expect to find (once again). I think the most annoying thing about this movie are two female characters, one will go onto be the love interest and the other is her annoying friend. The two are constantly accusing Wayne of murder and it's obvious that the producers were trying to make these two out to be a watered-down version of Tood and Kelly. The woman are extremely annoying here and the one's romance with Wayne is extremely forced and laughable. As for Wayne, he certainly hadn't gotten his acting chops down yet as there are many scenes here where he comes off rather poorly. The action scenes are the ones he does the best in as even at this early stage of his career he knows how to throw a punch and make for a fun hero. Where he doesn't do well at is the romance and drama. Just take a look at the scenes where he tries to play serious, which he does by simply lowering his voice. The lowering of the voice effect never works and in the end just comes off as being silly. Frank Rice and Billy Franey give the comic relief as Wayne's sidekicks who are constantly fighting with one another. Their humor isn't all that funny but at the same time the two actors are good enough to keep you entertained. Walthall appears very briefly in the film but easily gives the best performance. He gets second-billing but doesn't have that much to do. I'm sure those willing to sit down and what this film know what they're going to get. If it's cheap entertainment you're after then you'll find it here but there's no question this is for Wayne die-hards only.

After an old man helps John Wayne in the face of a rodeo accident frame-up, he travels to Mexico and town of the title, to find the man's long-lost (also framed) son, in order to tell him that he'd been exonerated. However, the young man is part of a gang of gringo bandits that only allow members to quit feet first.

One of six B-movies the Duke made for Warner Brothers' Four Star Westerns, this isn't quite as memorable as other films in the series. It is okay though and really looks good, with some nice location photography.

The action is a little weak this time around, but Somewhere In Sonora picks up a bit when Wayne infiltrates the gang, leading to a climax featuring stock-footage from one of Ken Maynard's old silent vehicles, possibly the 1927 of the same film.

Henry B. Walthall goes to bat for John Wayne after an overzealous sheriff charges him with a crime during a rodeo. Henry likes Wayne's riding skill and he reminds him of his lost son who fled after being accursed of a murder and hooked up with a murderous gringo gang South of the Border. Wayne repays Walthall's kindness and goes to Mexico to search for Walthall's son played by Paul Fix.

Paul Fix, very good friend of the Duke and father-in-law of Harry Carey, Jr., had more films with John Wayne than any other player. This was the second joint venture for the two of them and the last would be Cahill, U.S. Marshal, 40 years later.

Fix is in a terrible fix, the gang who took him in is one of those once in, never out outfits. But Wayne with the help of his trusty horse Duke sets things to right. Of course Duke the horse plays a mighty big hand in the final showdown.

Somewhere in Sonora entertained many a kid at the bottom half of a double bill for Warner Brothers on a Saturday afternoon. It still holds up pretty good today.

Remake of 1927 silent western has a young John Wayne (riding his horse Duke) repaying a favor to a friend (Henry B. Walthall) by going across the border to Sonora, Mexico to locate the man's son (Paul Fix). To find him he has to go undercover in the gang of notorious outlaw Monte Black, a perfect name for a western bad guy. Some nice rodeo stock footage. It's apparently pronounced "ro-day-o" as one character admonishes another. Wayne's accompanied by two comic relief sidekicks, played by Frank Rice and Bill Franey. They are responsible for most of the movie's best parts. There's also two annoying girls who keep popping up and seem to share one brain cell. Pretty routine '30s B western.