Queen Christina

Period dramas made in the past often fall foul of reflecting the time which they were made in, not when they were set. This one however is timeless and ageless evoking a feel of the seventeenth century whilst still being very much a grand MGM epic from the golden age of Hollywood. It's beautifully and imaginatively crafted by maestro director Rouben Mamoulian to perfection and acted with complete believability and passion evoking some very real emotion.

It is set during the truly horrific (and complicated) Thirty Years War and begins with the death of the Protestant leader, Swedish king, Gustav Adolf. He leaves behind his seven year old daughter to take over as 'king' to continue leading Sweden in the terrible war. Greta Garbo's particular acting style and strong Swedish accent which can sometimes feel a little too theatrical at times is for once absolutely perfectly suited to playing this person who in reality had to be the greatest actress in Sweden. The role Christina had to play was to convince her subjects that their suffering, their sacrifices were God's will and unquestionably necessary. Her act was to instil such hatred of the enemy, such detestation of Catholicism that the mass slaughter of literally millions of people could be justified but it was all just an act. Although this state of perpetual war was all she had ever known, Christina herself could not convince herself that this was indeed God's will and Garbo brilliantly with incredible subtlety conveys this inner mental turmoil. Her other role was produce an heir and that is what this film uses as its hook to get into her mind.

Greta Garbo was personally involved with the making of this film, it was her own pet project and she insisted that her co-star would be her old flame, John Gilbert. He too is excellent as Christina's Spanish love interest. Fuelled with the memories of their past passionate affair, the chemistry between the two of them seems very real and is genuinely touching. Before you start to complain that the love story between Christina and Alfonso is completely made up you should know that the writer used this very clever device to symbolise her inner struggles, the epic battles going on inside her head between her feelings as a compassionate and sensitive, intelligent woman and her feelings as a king. John Gilbert's allegorical character represents Christina's aspirations, her desire for independence and her desire for freedom which she knows can never be. The famous tragic last scene (which is honestly quite emotional) is inevitable.

The story is tragically sad and so is the story of poor John Gilbert. His ill-advised monumental fall out with Louis Mayer, the most powerful man in Hollywood completely destroyed his career resulting in his death from alcoholism just three years after making this. Such tragedies seemed to be all too common back in the days of the 'studio system' with stars such as John Gilbert, John Barrymore and Clara Bow. A guy driving a truck driver or girl from the typing pool were virtually overnight given a new life, earning literally millions of dollars and then maybe a year later, at the whim of a studio head were unemployed, that life was over. In some ways John Gilbert's character in this film which can logically only have one ending reflects the actor's own trajectory.

Greta Garbo is the controversial "Queen Christina" in this beautiful 1933 film directed by the great Rouben Mamoulian, responsible for the resplendent 1941 "Blood and Sand" and many other films. Here, Garbo is reunited with a leading man from silent films, John Gilbert, and the two are marvelous together. It's so strange now to remember that there was supposedly something wrong with Gilbert's voice so when talkies came in, it wrecked his career. Obviously his voice was just fine, and in this film, he speaks with a classically trained voice and has great facility for the dialogue. Perhaps it's true that Mayer hated him and sped up his voice in his sound debut; but most likely, his alcoholism is what ultimately destroyed his career.

The script takes wild liberties with the real Queen's life, but it makes for excellent entertainment. Queen Christina was educated as a man at her father's directive so she could take over the throne, and she supposedly, as in the film, had some sort of relationship with her lady-in-waiting, Ebba. One site states that Christina abdicated her throne to be with Ebba; however, Ebba had already married and left the court by the time Christina abdicated. After her abdication, she traveled to Rome as a man and steeped herself in culture. Later on, she tried to become Queen of a couple of countries and became involved with a Cardinal, to whom she left her estate when she died at the age of 63.

Here, Christina travels as a man and ends up sharing a room with an envoy of the King of Spain, Don Antonio (Gilbert), who becomes her lover. The bedroom scenes are quite controversial, though no sex is shown. It was thought that Garbo fondling different things in the room as she "memorizes" it was a symbol of her fondling something else - plus there is only bed in the room and the two were obviously in it, though the bed was curtained. And that's as explicit as one got in 1933. The scenes at the inn apparently wiped out any concern for Christina's kissing of Ebba (Elizabeth Young) on the lips earlier!

The acting is superb, particularly from Garbo, Gilbert, and Ian Keith (Magnus). Keith was a little known character actor, yet he was an accomplished stage performer who was very impressive in film - he can be seen as Joan Blondell's drunken husband in "Nightmare Alley." As for Gilbert, what a shame - a wonderful, attractive actor who plays Antonio with great wit and intelligence. He and Garbo made a great team. Garbo is gloriously beautiful, and in a nice touch, walks in the same lumbering way as the actress who plays her as a little girl does. This is the film with possibly the most famous close-up in cinematic history - as Garbo supposedly thinks of "nothing" as she stands on the ship. The camera lingers on her for what seems like forever...yet it is somehow not long enough.

The exciting, final pairing of a great screen team is only enhanced by the subtle touches of Mamoulian and the beautiful cinematography. Don't miss it.

"I,m tired of being a symbol, Chancellor, I long to be a human being! This longing I cannot suppress!" (Greta Garbo as queen Christina)

On December, the 26th, 1933 Rouben Mamoulian's great production about the Swedish queen was released. Greta Garbo (1905-1990), a Swedish actress already famous for her roles in silent movies and some sound films, like Anna Christie (1930), was cast to play the main role by Rouben Mamoulian for the first time in her new contract. Perhaps, the producers with the director expected some success, but certainly nobody could think of the movie being watched and admired in the 21st century...

The story of Christina is changed; however, it does not make a serious distortion. The movie shows a lot of true facts from her life (her coronation in 1632 and her desire for peace) as well as some additional events (she did not abdicate for love). But, like with most other films, history had to be interpreted to the need of the audience of the 1930s.

The movie is mostly famous for dealing with Christina's desire for personal happiness and love affair between Christina and the Spanish ambassador Don Antonio De Pimentel (John Gilbert). The most memorable scene, for me personally, is their first meeting in an inn. The way Mr Mamoulian showed it is really extraordinary: nothing vulgar or open without taboo. Grapes which are a reference either to Ancient Greece and god Bachus or to Spain, Antonio's homeland. Christina is showed walking through the room and touching all objects in order to memorize them. Greta Garbo gives one of her finest performances in this memorable scene. REALLY SENSIBLE SCENE THAT VERY FEW PEOPLE WOULD BE ABLE TO SHOOT NOWADAYS! What is more, her lesbianism is hidden. There is only one moment when Christina kisses one of her servant girls in the mouth.

Another significant aspect of the movie is Christina's long for being a human, not a symbol. Her famous words that I contained at the beginning of my review reflect her personality. Everything she does is for happiness. She falls in love with Antonio and plans a happy life with him. However, Antonio dies in her arms and their love cannot be fulfilled. The final shot of Christina standing at the bow of the ship as it sets sail is another impressive, magnificent moment. Before shooting this scene, Mr Mamoulian said to Greta: "I want your face to be a blank sheet of paper. I want the writing to be done by every member of the audience..."

The cast are excellent. Greta Garbo performed in many movies, including ANNA KARENINA (1935), LOVE (1927), MATA HARI (1931), CAMILLE (1936), and in all of them, she was perfect; but this role is her ultimate masterpiece. Undoubtedly incredible! Even if you don't like anything about this movie, Greta's performance is something you will never forget. Consider how she played a man while meeting Antonio in an inn; or her speech where she calls for the end of Thirty Years War: "Spoils, glory, flags, and trumpets! What is behind these high sounding words? Death and destruction!"

John Gilbert also does a good job as Antonio but he, like everyone else, is in the shadow of Greta. I do not know if there were other such good actors or actresses in cinema's history. Perhaps, Romy Schneider... but, indeed, very few people could leave such an unfading trace in cinema.

Queen Christina is my beloved, favorite movie, a piece of high art at multiple levels. More than 70 years have passed since it was released and the movie is still a pleasure to see. It has been a must-have in my family from the time my Grandma was young in the 1930s. The movie really deserves to be released on DVD.

There are movies that you watch and quickly forget.

There are movies that you may like and see them more than once to remember for longer.

Queen Christina is a movie that, having seen once, you will never forget.

With no hesitation 10/10

This is a movie with several good points, but "Queen Christina" is most of all notable for the outstanding performance by the great Greta Garbo, in a role that is perfect for her. There are good settings and a good story, with the rest of the cast also mostly performing well, but Garbo's terrific performance grabs the viewer's attention and holds it for the entire film.

The story is very loosely based on the historical Queen Christina, who ruled Sweden in the mid-1600's. The historical character was interesting in her own right, but the movie adds a clandestine love affair with a Spanish ambassador that serves as a catalyst for questions about Christina's identity, duty, and perspective. It's a fine character study that makes ideal material for Garbo, and she is thoroughly convincing when portraying the queen's dilemmas, desires, and decisions. While the historical context is important, many of the things that the queen agonizes over are also timeless concerns, making the portrayal even more memorable. The story itself is also good, with a memorable climax.

This is a fine classic, recommended not only for those who enjoy older films, but also for anyone who can appreciate a great performance by a great actress.

I sometimes think that films should be ranked rather like golfers, with a seniors' section for the over 50s. It is often difficult for the inherent quality of a film to shine through the grainy black and white, crackly sound, stagey sets and ludicrous back-projections. One test of a classic film is: if you went and saw it at your local multiplex tonight, would you enjoy it. Maybe Casablanca, Double Indemnity, The Maltese Falcon...and, surprisingly, Queen Christina looking as modern and sexy today as when it was made in 1933. The main thing that makes it stand out from the crowd is its literate and thoughtful screenplay. The subject matter is new to most people who, like myself, have only the sketchiest of knowledge about 17th century Swedish history. Garbo is magnificent as an intelligent, liberated queen. She spends most of the film in men's clothes and thigh-length boots. I'm always rather incredulous of the Shakespearean convention where the heroine only has to put on a pair of trousers and everyone assumes she is a boy. Queen Christina delightfully pokes fun at this convention. Garbo, dressed as a boy, finds that she has to share the last room at the inn with John Gilbert, the Spanish envoy. In a scene that radiates sexiness, Garbo only has to take off her jacket for Gilbert to realise that she is all woman.