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Penthouse

  • 1933
  • Approved
  • 1 घं 30 मि
IMDb रेटिंग
6.8/10
1.4 हज़ार
आपकी रेटिंग
Myrna Loy and Warner Baxter in Penthouse (1933)
Feel-Good RomanceGangsterLegal DramaWhodunnitCrimeDramaMysteryRomance

अपनी भाषा में प्लॉट जोड़ेंA lawyer's fiancée leaves him after he defends a racketeer accused of murder, but she needs his help when her new beau is accused of killing an old flame.A lawyer's fiancée leaves him after he defends a racketeer accused of murder, but she needs his help when her new beau is accused of killing an old flame.A lawyer's fiancée leaves him after he defends a racketeer accused of murder, but she needs his help when her new beau is accused of killing an old flame.

  • निर्देशक
    • W.S. Van Dyke
  • लेखक
    • Frances Goodrich
    • Albert Hackett
    • Arthur Somers Roche
  • स्टार
    • Warner Baxter
    • Myrna Loy
    • Charles Butterworth
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.8/10
    1.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • W.S. Van Dyke
    • लेखक
      • Frances Goodrich
      • Albert Hackett
      • Arthur Somers Roche
    • स्टार
      • Warner Baxter
      • Myrna Loy
      • Charles Butterworth
    • 37यूज़र समीक्षाएं
    • 13आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    फ़ोटो23

    पोस्टर देखें
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    टॉप कलाकार29

    बदलाव करें
    Warner Baxter
    Warner Baxter
    • Jackson Durant
    Myrna Loy
    Myrna Loy
    • Gertie Waxted
    Charles Butterworth
    Charles Butterworth
    • Layton
    Mae Clarke
    Mae Clarke
    • Mimi Montagne
    Phillips Holmes
    Phillips Holmes
    • Tom Siddall
    C. Henry Gordon
    C. Henry Gordon
    • Jim Crelliman
    Martha Sleeper
    Martha Sleeper
    • Sue Leonard
    Nat Pendleton
    Nat Pendleton
    • Tony Gazotti
    George E. Stone
    George E. Stone
    • Murtoch
    Robert Emmett O'Connor
    Robert Emmett O'Connor
    • Stevens
    Raymond Hatton
    Raymond Hatton
    • Bodyguard
    Arthur Belasco
    • Bodyguard
    William Bailey
    William Bailey
    • Maitre D' - Pinnacle Club
    • (बिना क्रेडिट के)
    Ed Brady
    Ed Brady
    • Man at Crelliman's Place
    • (बिना क्रेडिट के)
    Lynton Brent
    Lynton Brent
    • Reporter
    • (बिना क्रेडिट के)
    Theresa Harris
    Theresa Harris
    • Lili - Mimi's Maid
    • (बिना क्रेडिट के)
    Edward Hearn
    Edward Hearn
    • Detective
    • (बिना क्रेडिट के)
    Samuel S. Hinds
    Samuel S. Hinds
    • Stuyvesant - Durant's Law Partner
    • (बिना क्रेडिट के)
    • निर्देशक
      • W.S. Van Dyke
    • लेखक
      • Frances Goodrich
      • Albert Hackett
      • Arthur Somers Roche
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं37

    6.81.4K
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    फ़ीचर्ड समीक्षाएं

    7planktonrules

    Pretty good little mystery

    This film was made a year before Myrna Loy catapulted to super-stardom with the Thin Man movies. At this point in her career, she was still a relatively unknown actress with a long but generally undistinguished track record. Warner Baxter, on the other hand, was the bigger star--with starring roles in 42ND STREET, THE CISCO KID (and its sequel) and THE SQUAW MAN.

    Stylistically, the film is actually a lot like Baxter's B-movie series, The Crime Doctor, though in this case he plays a defense attorney who investigates crimes instead of a criminal psychiatrist who investigates crimes. Additionally, PENTHOUSE has a bit more style, polish and better acting than the Columbia Pictures series.

    The film begins with Baxter getting a big-time hood off for a crime he apparently did not commit (for once). However, in a odd scene, the other lawyers in the practice vote him out because they don't want to be associated with such riffraff and attorneys who defend them (Ethics and a law practice?!?! What planet did these lawyers come from anyway?!?!). Additionally, Baxter's stuck up fiancée breaks it off with him because of the unsavory element he chooses to defend. However, Baxter really isn't a jerk lawyer--he just feels that IF the guy is actually innocent, he deserves a strong defense attorney (duh). But in this bizarre As I said above, this is a film with the odd idea of an attorney PERSONALLY investigating and solving crimes which his friends or clients are accused of committing. In reality, this never happens and I can't imagine Johnny Cochran or Robert Shapiro doing this and it's a cliché you just have to accept or else the film makes very little sense.

    Along for the ride are Loy, Nat Pendleton (in one of his better and richer supporting roles) and a variety of other familiar faces (including veteran B actor, George E. Stone). It won't change your life and is a tad silly, but so well done that it's easy to forgive and enjoy.

    By the way, having Myrna Loy stay in Baxter's apartment (even though they were in separate rooms) probably never would have gotten past the censors just one year later after the new Production Code would be enacted. Nor would a single man (Baxter) have been allowed to show a single girl around his bedroom.
    61930s_Time_Machine

    Thin Man, take one

    Chic, stylish gangster romantic fun - MGM style. As you'd expect from this writing-directing team, you get likeable heroes, villainous villains, damsels in distress, femme fatales - in fact every familiar stereotype you could possibly want all expertly blended together then hurled at your face like a grapefruit.

    For an early thirties picture, the cast is unusually large with an unusually multi-layered story. Despite this, because of its skilful and focused writing, the story is told with beautiful simplicity. As a murder mystery, it's perhaps a little too simple - the police division investigating here must have been the special needs department.... but that doesn't really matter. What matters are the relationships, the witty banter, the genuine tension, the fast moving action..... and which girl will Warner Baxter end up with?

    This was Woody Van Dyke's next project after the fabulous NIGHT COURT (a really fabulous film) so it had a lot to live up to but there was no need to worry. Virtually everything he made from now on such as THE THIN MAN was pure gold. In this he benefits from having a great lead - Clark Gable's dad or maybe older brother - Warner Baxter. The characters are the ultimate cliches but so what - that just gives it a comfy warm sense of familiarity. Myrna Loy plays the archetypal tart-with-a-heart and although I've always found her strangely sinister like one of Satan's demons in drag, I have to admit that she's actually not too bad in this. Warner Baxter however just oozes charm and sincerity - it's definitely his picture...... along with Nat Pendleton who plays the loveable not as bad as the nasty gangster, gangster.

    It's formulaic of course but it still has its own individual style and isn't a cheap imitation of a Warner Brothers gangster film. It's pure, classy MGM entertainment.
    jaykay-10

    Fun and games in the underworld

    There is lots of entertainment value in this picture - quality acting, sharp dialog, quick pace - but those who are looking for a story based in realistic circumstances may be disappointed. Despite there being a goodly number of unsavory types among the characters, just about everyone comes across as clean-cut, friendly, ready with a smile, and not the least bit threatening. This takes the sharp edge off a picture with lots of promise in its early development. Nat Pendleton plays a crime boss as if he hasn't a care in the world, more than ready to use his resources to make others happy. The Myrna Loy character is appealing (much as her Nora Charles was), but defies explication: charming, intelligent, well-mannered and well-spoken, but content to serve the paying customers as a hostess/bar girl/prostitute. It just doesn't add up. Mae Clark, as a less refined colleague, is much more believable.

    [Don't fail to notice the latter, in a fit of anger, ready to throw a perfume bottle against the wall, then noticing the label and substituting a lesser brand; or Loy, keeping her composure as Warner Baxter chooses not to remain in her assigned room for the night, then immediately surveying her looks - right profile, left profile, hair, makeup - in a mirror, wondering if something has been lost.]

    The picture needs more grit, given its subject matter. Comic relief from Charles Butterworth and Tom Kennedy are just what it doesn't need.
    8whpratt1

    Myrna Loy was Great

    Had no idea just what this 1933 film was all about and if I would even be interested and was greatly surprised at how great it really was way back when. Warner Baxter,(Jack Durant) played the role of a crooked Lawyer who was being brought up on criminal charges. Myrna Loy,(Gertie Waxted) plays the role of a hostess, prostitute and all around well experienced girl who has been around the block many many times. Mae Clarke,(Mimi Montagne) gave an outstanding performance in this story that has many interesting twists and turns that will keep you guessing just how this picture will end. Myrna Loy did an outstanding performance and made this a very different kind of film which is not very well known.
    9JBThackery

    Classic gangster murder mystery spiced with romance

    This film contains all the elements of a great gangster story. It is a perfect example of 1930's big city gangster films. Yet it does not fall into a stereotypical mold at all. It is entertaining throughout. Just when you think it is going one way, it goes the other, building the suspense and irony until you realize it is not going to be a typical story.

    All the players keep in character and hold your attention with crisp and refreshing dialogue. Baxter and Loy are so in tune with one another, and you do not get the feeling they are acting.

    And isn't it neat to see Nat Pendleton play a smart, in-charge guy for once, instead of just a bumbling half-wit mob henchman. (Though he is always likable in that role, it surprised me to see what a smart guy he really was!) The plot of this film is genre-based, yet quite original and full of all the necessary elements: virtue, vice, mystery, false suspicion, resolution of mystery, resolution of false suspicion, romance, heavy action, jazz, and many doors that seem to want to open, but just the right ones open at just the right intervals to keep you entertained throughout this gem of a film.

    इस तरह के और

    Topaze
    6.7
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    6.9
    Evelyn Prentice
    Female
    6.7
    Female
    Private Detective 62
    6.7
    Private Detective 62
    Love Me Tonight
    7.5
    Love Me Tonight
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    7.2
    Jewel Robbery
    Hot Saturday
    6.5
    Hot Saturday
    Thirteen Women
    6.3
    Thirteen Women
    Man's Castle
    7.1
    Man's Castle
    Fashions of 1934
    6.6
    Fashions of 1934
    Ladies They Talk About
    6.6
    Ladies They Talk About
    Blondie Johnson
    6.6
    Blondie Johnson

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film opens with the actual May, 1933 cover of Cosmopolitan magazine; the issue in which Arthur Somers Roche's story appeared. The film went into production in August and was released in September that same year. This film is a tremendous example of how quickly a Hollywood studio could work back then. At the time, Cosmopolitan was a literary periodical, first published in 1886, and didn't become a "women's" magazine until the mid-1960s.
    • गूफ़
      When Gertie stands looking out Durant's apartment window, her left arm is up with her hand on her head, but when the shot changes to see her from the front, her arm is down and her hand is resting against the window frame.
    • भाव

      Jackson 'Jack' Durant: Oh, I've been stupid, very stupid.

      Gertie Waxted: Well, of course. You're a man.

    • क्रेज़ी क्रेडिट
      The credits are shown over the pages of the Cosmopolitan magazine story that the film is based on.
    • कनेक्शन
      Featured in Myrna Loy: So Nice to Come Home to (1990)
    • साउंडट्रैक
      Don't Blame Me
      (1933) (uncredited)

      Music by Jimmy McHugh

      Lyrics by Dorothy Fields

      Played at the Country Club

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Penthouse?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 8 सितंबर 1933 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Advokat podzemlja
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए
    • उत्पादन कंपनियां
      • Cosmopolitan Productions
      • Metro-Goldwyn-Mayer (MGM)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 30 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Myrna Loy and Warner Baxter in Penthouse (1933)
    टॉप गैप
    By what name was Penthouse (1933) officially released in India in English?
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