One Sunday Afternoon

... The Strawberry Blonde.

This film is much darker than "The Strawberry Blonde". Biff Grimes (Gary Cooper), aspiring dentist, has a bad temper, and really loves Virginia (Faye Wray). However when Hugo Barnstead (Neil Hamilton) elopes with her, he marries her friend Mary on the rebound and to save face. Hugo rises to the level of running the factory where Biff works and threatens to fire Biff if he doesn't spy on the other employees. In a face off with Hugo, Biff gets into a scrap with a cop and the cop's gun goes off, striking him in the leg. Biff goes to prison for two years and finishes his dental training through correspondence. Then "one Sunday afternoon" years later Biff encounters Hugo again when he needs to have a tooth extracted. Since he uses gas during such extractions, Biff sees an opportunity for paying Hugo back with murder.

Although this film plays out much like "The Strawberry Blonde" there are a few differences. "The Strawberry Blonde" was much lighter. Hugo Barnstead in that film was played by Jack Carson, who could always manage to inject just a bit of likeability into the cads he played. Cagney doesn't seem as angry in his rendition of Biff as Cooper does, and Cagney's Biff doesn't need to see what has become of his ideal woman (Virginia) years later in order to start appreciating his wife. Also, Cagney was innocent of any intentional wrongdoing in the crime that sent him to prison, where Cooper's Biff Grimes let his temper get the best of him in his downfall.

One Sunday Afternoon (1933)

*** (out of 4)

When Hugo Barnstead (Neil Hamilton) comes to a dentist office to have a tooth pulled he never expected to run into Biff Grimes (Gary Cooper). Years earlier Biff fell in love with the vamp Virginia (Fay Wray) only to have his heart broken when she ran off with the other man. It seems this film has been forgotten over the years due to how popular the remake with James Cagney was when it was released. That's really too bad because even though THE STRAWBERRY BLONDE was a fine film, this early sound version features a terrific cast and is a pretty good time on its own. What I enjoyed most about this film were the performances from the cast. I really enjoyed Cooper here who was simply superb playing this man who goes through his entire life with rage and anger because the girl he loved got away. I thought Cooper did a terrific job at playing the more dramatic parts extremely straight but I also thought he was wonderful during some of the comic moments. The sequence when he first meets Virginia was a classic because of the comic timing he brought to it. Wray is also extremely good as the vamp, although she's not given too much to do here. I will say that her attempt at Mae West at the end of the film didn't work all that well but it was still entertaining seeing her do it. Frances Fuller is terrific as the woman Cooper marries on the rebound and Hamilton makes for a good villain. I think the biggest problem with the film is that Cooper's character is such a jerk and is at times so mean that you somewhat lose sympathy for him. I thought he was especially cruel to his future wife and I was a little surprised to how mean his character was. Still, ONE Sunday AFTERNOON is a pure gem that's certainly worth checking out and especially if you're a fan of the cast.

"One Sunday Afternoon" is a charming and little-known piece of Americana, the first filmization of James Hagan's play about a dentist named Biff Grimes (Gary Cooper) who has long tried to revenge on his old friend Hugo Barnstead (Neil Hamilton) for marrying Grimes' girl Virginia (Fay Wray) and leaving him with the charming and devoted Amy (Frances Fuller). The film opens with Grimes and his pal Snappy Downer (Rascoe Karns) singing and drinking. Barnstead shows up Grimes' home to get this tooth pulled. Grimes puts him on nitrous oxide gas, and then the film dissolves into a flashback as Grimes remembers their past, providing him with a motive for revenge.

"One Sunday Afternoon" was remade in 1941 by Warner Bros. and Raoul Walsh into a timeless and unforgettable classic, "The Strawberry Blonde", starring James Cagney, Olivia de Havilland, and Rita Hayworth. Walsh's version is infinitely superior, but "One Sunday Afternoon" is worthwhile for Gary Cooper's superb performance.

The exposition that takes place in a dentist's office, before the flashback that constitutes the major part of this film, seemed rather long to me. And the main character, Biff Grimes (Gary Cooper), seemed to be the least likable. So, I thought this film was going to be a drag.

But as the story develops, one learns that Biff, though a dense, insensitive lout, has an interesting story to tell. And the first part of the film is necessary to fully appreciate what follows.

I have always felt that Gary Cooper is best suited for characters that are socially awkward. Biff is just such a role. Cooper is surrounded by actors who outshine him at times. But they form a solid ensemble for this adapted play (that would be remade two more times in the forties). Fay Wray, in particular, amazes with her transformations throughout the film.

This plot is a simple story about revenge that no doubt pleased audiences of the depression era who looked to champion the common man.

The film begins in a dental office, as the dentist, Biff (Gary Cooper), talks to a friend (Roscoe Karns) about this relationship with Hugo (Neil Hamilton) back in the Gay 90s when they had been friends. This is instigated when Hugo comes to the office and sees Biff for the first time in decades. Hugo needs a tooth pulled and while he is sedated with gas, Biff recalls their past when they were both ardently pursuing a pretty young lady (Fay Wray)--while pretty much ignoring her more plain but much sweeter friend (Frances Fuller). Through the course of the film, Hugo stabs his supposed friend in the back again and again.

This movie is the original--with remakes in 1941 (THE STRAWBERRY BLONDE) and 1948 (ONE Sunday AFTERNOON). While I rarely prefer remakes, I must say that the 1941 version is much more watchable and fun. Part of this is because the 1933 version is so very, very quiet--with very little music to help set the mood. Also, the whole mood of the 1933 film is more somber and the story a bit more direct and "bare bones" in style. Also, while I like Gary Cooper films, for a comedy like this one, Cagney was better and the supporting actors he had were also superior and gave THE STRAWBERRY BLONDE so much more energy. This film is still well worth seeing, but the 1941 film has a more polished plot, better characters and the full Warner Brothers package (wonderful and first-rate production values) that this Paramount film lacks.