अपनी भाषा में प्लॉट जोड़ेंAn ambulance-chasing lawyer gets tangled up with a female investigator out to end his shyster ways.An ambulance-chasing lawyer gets tangled up with a female investigator out to end his shyster ways.An ambulance-chasing lawyer gets tangled up with a female investigator out to end his shyster ways.
- पुरस्कार
- कुल 3 जीत
Samuel S. Hinds
- Mr. Beaumont
- (as Samuel Hinds)
Stanley Blystone
- Policeman at Skating Rink
- (बिना क्रेडिट के)
Ed Brady
- Conspirator to Get the District Attorney
- (बिना क्रेडिट के)
Allan Cavan
- Doctor Kahn
- (बिना क्रेडिट के)
Clay Clement
- Judge
- (बिना क्रेडिट के)
Edgar Dearing
- Policeman at Streetcar
- (बिना क्रेडिट के)
James Donlan
- Photographer
- (बिना क्रेडिट के)
Robert Homans
- Streetcar Driver
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Lee Tracy is excellent as a shady lawyer who recruits clients at accident scenes. When possible, he reaches the scene moments ahead of the ambulance; when necessary, he arranges the accident itself. Swooping in, he informs his clients what their injuries are, whisks them off to the hospital, and lines up personal injury lawsuits that range from dubious to downright phony and are driving the insurance company crazy. What can they do to stop him? Insurance man John Miljan has a plan
.
Madge Evans is an accident victim who willingly falls in with a Tracy scheme—and it's as we are getting to know her character that the plot takes a welcome and exciting turn. Evans has the most developed and difficult role here; the question of which side she is on is one that not even she is sure she can answer.
Frank Morgan is outstanding but rather sad as a doomed alcoholic doctor who assists Tracy in his schemes. Charles Butterworth is sidekick and right hand man "Floppy," a professional accident victim who joins Tracy's team.
The dialog flies past, especially when Tracy delivers it; he's dashing, deceitful, villainous, charming—it's a larger than life character and Tracy fills the role perfectly. Overall, the picture is somewhat less than totally believable but it's a lot of fun to watch and follow along.
Madge Evans is an accident victim who willingly falls in with a Tracy scheme—and it's as we are getting to know her character that the plot takes a welcome and exciting turn. Evans has the most developed and difficult role here; the question of which side she is on is one that not even she is sure she can answer.
Frank Morgan is outstanding but rather sad as a doomed alcoholic doctor who assists Tracy in his schemes. Charles Butterworth is sidekick and right hand man "Floppy," a professional accident victim who joins Tracy's team.
The dialog flies past, especially when Tracy delivers it; he's dashing, deceitful, villainous, charming—it's a larger than life character and Tracy fills the role perfectly. Overall, the picture is somewhat less than totally believable but it's a lot of fun to watch and follow along.
Fast-talking ambulance chasing lawyer Lee Tracy and his drunk doctor friend Frank Morgan have a pretty good set-up going. They get to accident scenes first and immediately convince the people involved they are hurt and need to sue. But the insurance company is onto their tactics, so they set Tracy up with investigator Madge Evans. Tracy is immediately attracted to lovely Ms. Evans and before long has fallen in love with her. Largely unknown little gem with a crackling script. Tracy is great in a part tailor-made for him. I continue to be impressed by Evans. She's one of those actresses with lots of talent and good looks that, for whatever reason, never made it big. Frank Morgan is terrific in a sympathetic role. Nice support by Charles Butterworth as a man named Floppy who throws himself in front of cars so he can sue. Also David Landau and John Miljan make good villains. This is an underrated and very enjoyable film.
Sometimes when you run into an old, obscure movie, one of the credits will suggest whether it's worth watching. Take "The Nuisance," written for the screen by Sam and Bella Spewack, a team with a flair for sparkling dialogue whose Broadway credits include "Kiss Me Kate." In "The Nuisance," they provide Lee Tracy with the verbal firepoweer for his performance as a fast-talking, charmingly corrupt, ambulance-chasing lawyer whose pet target is the local streetcar company. With the help of Frank Morgan as a boozy medico with a gift for doctoring x-rays, he turns small accidents into big paydays. When the company hires lovely Madge Evans to entrap Tracy, the fun begins, building to a hilarious lesson in the antiquated laws of the land. (Watching one scene, I was reminded of the fact that it was still supposedly illegal to shoot rabbits from a moving elevated train in Manhattan even after all the El trains were torn down.) The result is a fast, frequently funny film with a surprisingly modern feel. In fact, despite scenes like a courtroom battle involving the fare to ride a streetcar -- five cents -- "The Nuisance" doesn't seem as outdated as the laws it satirizes
Versatility is an attribute in any performer, but so is doing one thing exceptionally well. Perhaps if Lee Tracy's screen career had not met a premature, unfortunate ending, he and his public would have felt a need for him to play something other than the kind of role which he performed with such natural ease and remarkable skill: the brash, fast-talking, wisecracking, slithery, finger-jabbing, opportunistic, less than trustworthy (to put it mildly) rascal. As a tour de force, this picture ranks with his best, even if there may be more twists and turns of the plot than the story requires. Though Frank Morgan's poignant portrayal of an alcoholic doctor is not an altogether comfortable fit here, and Tracy's explanation of his loss of youthful ideals too pat to be convincing, the movie is consistently entertaining, with fine performances by all the supporting players aiding and abetting another memorable star turn by Lee Tracy.
Seeing The Nuisance for the first time cured me of at least one illusion I had. That Walter Matthau in his Oscar winning performance as Whiplash Willie Gingrich had created something original. Billy Wilder when he did The Fortune Cookie must have seen this undeservedly forgotten MGM film with Lee Tracy in the title role.
In fact I'll bet Matthau probably clerked in Tracy's office before taking the bar and learned everything well. Tracy is the shyster lawyer that shyster lawyers make jokes about. But he's cleaning out the insurance companies and in those Depression years they've decided to do something about it.
What they've done is hire Madge Evans, a female PI to fake an accident and become a Tracy client. But as things go in these films of course she falls for the guy.
Some other familiar faces populate the cast. Most familiar are Frank Morgan as an alcoholic doctor who treats Tracy like a son and helps Tracy with his fraudulent injury cases. And also there's the ever droll Charles Butterworth who makes a living faking being hit by automobiles for insurance settlements. He's running out of big cities to pull that racket.
Still if you watch The Nuisance you'll know what inspired Billy Wilder in The Fortune Cookie.
In fact I'll bet Matthau probably clerked in Tracy's office before taking the bar and learned everything well. Tracy is the shyster lawyer that shyster lawyers make jokes about. But he's cleaning out the insurance companies and in those Depression years they've decided to do something about it.
What they've done is hire Madge Evans, a female PI to fake an accident and become a Tracy client. But as things go in these films of course she falls for the guy.
Some other familiar faces populate the cast. Most familiar are Frank Morgan as an alcoholic doctor who treats Tracy like a son and helps Tracy with his fraudulent injury cases. And also there's the ever droll Charles Butterworth who makes a living faking being hit by automobiles for insurance settlements. He's running out of big cities to pull that racket.
Still if you watch The Nuisance you'll know what inspired Billy Wilder in The Fortune Cookie.
क्या आपको पता है
- ट्रिवियाThis film's earliest documented telecast took place in Minneapolis Monday 11 February 1957 on KMGM (Channel 9); it first aired in San Antonio 9 April 1957 on WOAI (Channel 4), in Lubbock TX 10 June 1957 on KCBD (Channel 11), in Miami 31 July 1957 on WCKT (Channel 7), in Albany 30 December 1957 on WTEN (Channel 10), in Portland OR 24 January 1958 on KGW (Channel 8), in Honolulu 25 January 1958 on KHVH (Channel 13), in Philadelphia 25 March 1958 on WFIL (Channel 6), in Cleveland 29 April 1958 on KYW (Channel 3), in Kalamazoo 7 June 1957 on WKZO (Channel 3), and in Tucson 21 October 1958 on KVOA (Channel 4). With an uninviting title, and a relatively forgotten cast, as well as the usual pre-code aspects of the story, major market sponsors showed little interest in this one, and so it was only occasionally taken off the shelf, and, even then, in the less predominant locations. In more recent years a new generation of vintage film enthusiasts have "discovered" Lee Tracy, and its long unseen hidden pre-code delights, so it's since become a welcome occasional flyer on cable TV on Turner Classic Movies.
- भाव
Joseph Phineas 'Joe' Stevens: [regarding a bounced check] You'll learn that money doesn't come out of fountain pens.
- कनेक्शनFeatured in Lee Tracy: The Fastest Mouth in the West (2022)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 23 मि(83 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें