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Midnight Mary

  • 1933
  • Passed
  • 1 घं 14 मि
IMDb रेटिंग
7.0/10
1.8 हज़ार
आपकी रेटिंग
Loretta Young in Midnight Mary (1933)
Midnight Mary: Never Get Away From Me
clip प्ले करें0:57
Midnight Mary: Never Get Away From Me देखें
5 वीडियो
46 फ़ोटो
Legal DramaCrimeDramaRomance

अपनी भाषा में प्लॉट जोड़ेंAn abused orphan sinks into a life of crime.An abused orphan sinks into a life of crime.An abused orphan sinks into a life of crime.

  • निर्देशक
    • William A. Wellman
  • लेखक
    • Anita Loos
    • Gene Markey
    • Kathryn Scola
  • स्टार
    • Loretta Young
    • Franchot Tone
    • Ricardo Cortez
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    1.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • William A. Wellman
    • लेखक
      • Anita Loos
      • Gene Markey
      • Kathryn Scola
    • स्टार
      • Loretta Young
      • Franchot Tone
      • Ricardo Cortez
    • 35यूज़र समीक्षाएं
    • 24आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो5

    Midnight Mary: Never Get Away From Me
    Clip 0:57
    Midnight Mary: Never Get Away From Me
    Midnight Mary: Most Beautiful Girl
    Clip 1:07
    Midnight Mary: Most Beautiful Girl
    Midnight Mary: Most Beautiful Girl
    Clip 1:07
    Midnight Mary: Most Beautiful Girl
    Midnight Mary: Room For A Good Worker
    Clip 1:33
    Midnight Mary: Room For A Good Worker
    Midnight Mary: Make A Go Of It
    Clip 1:22
    Midnight Mary: Make A Go Of It
    Midnight Mary: Can't Stand
    Clip 1:37
    Midnight Mary: Can't Stand

    फ़ोटो46

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 40
    पोस्टर देखें

    टॉप कलाकार36

    बदलाव करें
    Loretta Young
    Loretta Young
    • Mary
    Franchot Tone
    Franchot Tone
    • Tom
    Ricardo Cortez
    Ricardo Cortez
    • Leo
    Andy Devine
    Andy Devine
    • Sam
    Una Merkel
    Una Merkel
    • Bunny
    Frank Conroy
    Frank Conroy
    • District Attorney
    Warren Hymer
    Warren Hymer
    • Angelo
    Ivan F. Simpson
    Ivan F. Simpson
    • Tindle
    • (as Ivan Simpson)
    Harold Huber
    Harold Huber
    • Puggy
    Sandy Roth
    • Blimp
    Martha Sleeper
    Martha Sleeper
    • Barbara Mannering
    Charley Grapewin
    Charley Grapewin
    • Clerk
    • (as Charles Grapewin)
    Halliwell Hobbes
    Halliwell Hobbes
    • Churchill
    Robert Emmett O'Connor
    Robert Emmett O'Connor
    • Cop
    Ernie Adams
    Ernie Adams
    • Court Photographer
    • (बिना क्रेडिट के)
    Reginald Barlow
    Reginald Barlow
    • Trial Judge
    • (बिना क्रेडिट के)
    Louise Beavers
    Louise Beavers
    • Anna - Mary's Maid
    • (बिना क्रेडिट के)
    Lynton Brent
    Lynton Brent
    • Court Photographer
    • (बिना क्रेडिट के)
    • निर्देशक
      • William A. Wellman
    • लेखक
      • Anita Loos
      • Gene Markey
      • Kathryn Scola
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं35

    7.01.8K
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    फ़ीचर्ड समीक्षाएं

    8goblinhairedguy

    Essential pre-code viewing

    This is a seldom-discussed but highly significant title in the pre-code canon, as it delineates the compromises a pretty and (originally) moral young woman must make to extricate herself from poverty during the depression. Overall, it's a predictable melodrama, very typical of its period, and the fact that Wild Bill Wellman was for some reason working at MGM for this one tends to stultify the brashness that was his trademark in his early years at Warners. Nonetheless, the tricky editing is very Warners-like and keeps the story moving at a rapid pace, particularly in the jaw-dropping montage where the eponymous character loses her virginity. Most importantly, the script is very frank about sex and absolutely cynical about American society at the time. The most notorious scene is all innuendo -- in order to distract her gangster paramour, Mary inaudibly whispers in his ear, obviously relating in quite some detail the pleasures she will endow him with if only he comes to bed with her immediately. Loretta Young is luminous as always and Ricardo Cortez has a nice time with his role as a confident hoodlum who knows he has her on a string. As for Franchot Tone and Grady Sutton...
    fsilva

    Excellent Pre-Code Drama

    Wow! What a movie! Definitely one of the best Pre-Codes I've seen. Swiftly paced, perfectly edited, with Loretta Young at her most beautiful and giving one of her most believable and honest performances.

    After seeing many of Loretta's films from the early 1930s, now I think that she gave her best performances in this period of time. There is a quality of freshness and naturalness, that gives much more truth to Loretta's portrayals in the early 1930s than to her interpretations of the late 1930s and 1940s, with few exceptions. Besides, those huge, beautiful eyes of hers, that smile, those apple cheeks, that slender figure so perfect for those early 1930s gowns, never looked better than in this period.

    Here she impersonates a doomed girl, who's known all the ugly aspects of life; the film begins when she's being tried for murder. The movie is told via-flashbacks and depicts how she got into this situation. It's so strange that this picture was produced by MGM; it could have been perfectly done at Warner Brothers. Well, the director, William Wellman, had been making lots of films on the Warner lot (Loretta as well), so he must have put much of the Warner's "Touch" and "mood" into it, perfectly blending it with MGM's gloss and top production values.

    Ricardo Cortez is excellent as the "aparently" suave gangster in love with Loretta and Franchot Tone is aptly cast as a society lawyer who falls for her. An excellent cast of supporting actors include Una Merkel, Warren Hymer, Martha Sleeper and those usual reliable butlers: Robert Greig and Halliwell Hobbes.

    I found this film so entertaining, so timeless, so modern in many ways. Pre-Code Fans don't dare to miss it!
    8stoneyburke

    Loretta was Never Lovlier

    This Review is worth an 11 for the gowns, 8 for the rest. Loretta in Adrian's clothes was a knockout...I have seen this movie twice on that wonderful TCM and that beaded skullcap hat still makes me marvel...it takes a pretty face to pull that one off. Story is interesting enough but the actors were really perfect for this big little movie. Ricardo Cortez was at his sexy handsome smarmiest..Franchot Tone was at his great kind, rich and wimpiest and sweet Loretta held the whole shebang together and I cannot imagine anyone thinking/saying she wasn't right for the part. Plus, if clothes make the man then clothes really make the woman... Now about the story...Loretta of got a few bum raps along the way, love, etc., but wait, just spend 75 minutes and judge for yourself.
    Michael_Elliott

    Great Performances

    Midnight Mary (1934)

    ** 1/2 (out of 4)

    Famous Pre-Code has Loretta Young playing the title character, a woman who always finds herself in the wrong place at the wrong time. After a stint inside a reform school she winds up on the streets without a job but is taken under the wing of a gangster (Ricardo Cortez). She eventually tries to go straight with the help of a lawyer (Franchot Tone) but soon the gangster wants him dead. Young is one of my favorite actresses and there's no question this here is one of her most famous films but to me the story is really lacking and not too original. It really seems like MGM wanted to throw Young into the sex/vamp role but they didn't put too much thought into the screenplay. The movie certainly isn't bad but at the same time it's not the greatest that it could have been. The biggest issue with Young's vamp here is that she never does anything wrong. She's a good girl from head to toe so there's no point in trying to push her off as the vamp. What makes this film work so well are the incredibly strong performances from the three leads. Young is very sexy and believable in her role. Cortez even manages to deliver a strong performance but the scene stealer has to be Tone. Andy Devine and Una Merkel have supporting roles. To me this film works best as a love story because in heart that's exactly what it is. Throw in the sexy wardrobes of Young mixed with Wellman's direction and you've got a pretty good film that's worth watching.
    10sunlily

    Pre-code Bliss!

    Midnight Mary is pre-code bliss par excellence! Loretta Young stars as a down on her luck young woman who finds herself in situations that she never would've found herself in later in her career! From the opening courtroom scenes where Mary finds herself reminiscing about her past, we are taken on a roller coaster ride through the years to find out how she came to be where she is now! Mary isn't a bad girl, she's just had a lot of bad luck and made unfortunate choices in consequence.

    Loretta has tons of chemistry with her co-stars Ricardo Cortez (yummy) and wise-cracking, adorable Una Merkel, who has a really great philosophical drunk scene in the movie! There are many scenes that wouldn't have made it past the censors later on, such as the one at the kitchen table where Loretta and Franchot Tone discuss a subject that's on a lot of people's minds a lot of the time. And towards the end of the movie, there's a scene with Mary trying to seduce Leo, who responds by licking her fingers as she strokes his face.

    This is a great little morality play and a comment on the hard times encountered during the Depression Era, when many people were forced into hard choices they might never have made otherwise.

    All the cast is great, including Franchot Tone as the suave lawyer who befriends and saves Mary and Andy Devine as his loud-mouthed friend who's along for the ride.

    Midnight Mary really is Pre-Code Bliss!

    इस तरह के और

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    7.0
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    6.3
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    6.8
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    6.5
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    6.4
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    6.8
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    Man's Castle
    7.1
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    6.4
    The Purchase Price
    Back Street
    7.0
    Back Street

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The original working title "Lady of the Night" was changed after the Hays Office objected. (The title was thought to be obscene.)
    • गूफ़
      In the beginning in the courtroom, the Cosmopolitan magazine edition that Mary is reading differs between the long and closeup shots. The edition she reads in long shots is the February 1933 edition and in closeups, she reads the May 1933 edition.
    • भाव

      Mary Martin: Sometimes I think if I don't get away from you, I'll go out of my mind.

      Leo Darcy: That's only sometimes. You'll never get away. You belong to me!

      Mary Martin: I've never belonged to you. Never! Do you hear?

    • कनेक्शन
      Featured in Complicated Women (2003)
    • साउंडट्रैक
      Jingle Bells
      (1857) (uncredited)

      Written by James Pierpont

      In the score at Christmas

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Midnight Mary?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 30 जून 1933 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Midnight Lady
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 14 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Loretta Young in Midnight Mary (1933)
    टॉप गैप
    By what name was Midnight Mary (1933) officially released in India in English?
    जवाब
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