Mary Stevens, M.D.

"Mary Stevens, M.D." is one of many films about medical professionals produced during the pre-code era. Mary Stevens (Kay Francis) is something of an oddity--a female physician. She has trouble getting clients at first, but specializing in pediatrics and her zealous commitment to medicine gain her a successful practice.

Don Andrews (Lyle Talbot) plays the male doctor she falls in love with. But he marries a woman whose family has connections. In the first third of the film, she loves Don from afar and immerses herself in her practice.

In the second third, Mary reveals her love to Don. He has a plan for divesting himself of his practice and his wife, but complications arise, so Mary sails to Europe, promising to come back when the path to their happiness has been cleared.

I found the last third of the movie creepy in its cruelty. It's an interesting storyline, but not what I consider enjoyable. Nevertheless, Kay Francis is a striking actress. No wonder she became one of the biggest stars of the thirties and a fashion icon. Glenda Farrell, who plays the part of Glenda, her assistant, also has a strong presence reminiscent of a young Ginger Rogers.

But the plot of this film is rather predictable and, therefore, anticlimactic. Francis and Farrell will have plenty of other vehicles better suited to their talents in the coming years.

One novelty is the fact that the script seems afraid to say the word "pregnant" despite its pre-code production.

Kay Francis stars with Lyle Talbot, Thelma Todd, and Glenda Farrell in "Mary Stevens, M. D."

Mary and her dear friend, Don, graduate from medical school and set up practice together. Don, however, is attracted to easy money, so he marries a politician's daughter, Lois (Thelma Todd).

He gets a special job on the medical commission. Apparently they're a bunch of crooks and charge more money for a service than was charged by the hospital. This was some kind of pre-Medicare fraud.

Mary, meanwhile, has been in love with Don all these years, and it's unrequited. She stays busy with her pediatrician practice, but finally her nurse (Farrell) insists she take a vacation. Well, who does she run into - running from an indictment - but Don.

The indictment is quashed thanks to his father-in-law. Don plans on asking Lois for a divorce - both of them want their freedom. So Mary and Don declare their love for one another.

Once back in the thick of things, Mary realizes she's pregnant. When she tries to tell Don, he informs her that Lois is pregnant, and he can't divorce her now. So Mary does what many unwed mothers did back then - she goes away, planning on returning with an adopted child.

Kay Francis as an actress exuded so much warmth and emotion that you're pulling for her all the way. Actually I thought she could do a lot better than Lyle Talbot, who did a good job as Don. Farrell was a riot as the voice of reality.

A year after this film, the Hayes Code kicked in and unwed moms were out.

"Mary Stevens, M. D." is a true melodrama. I was yanked into it, and I found it enjoyable, with some nail-biting along the way.

Mary Stevens (Kay Francis) and her friend Don Andrews (Lyle Talbot) graduate medical school together and open medical offices next to each other. Mary struggles against sexism, but builds a thriving practice. Glenda Carroll (Glenda Farrell) is her nurse. Don starts dating rich socialite Lois Cavanaugh (Thelma Todd) and ignores his work.

Mary Stevens is a compelling character. I'm intrigued by her story. On the other hand, I couldn't care less about Don. I don't see their implied chemistry. They start off more like brother and sister. That's all I see in them. I don't care about his issues. She could be a great character for a TV show. Oh yeah! This was before TV.

Kay Francis and Lyle Talbot end their terms as interns and open an office together. Stevens marries machine politician's daughter Thelma Todd, and goes to work for the city, but things fall apart and he and Miss Francis begin an affair. He can't get a divorce, and she's pregnant.

The performers do their best, and it's a fine old soap opera, but Ray Curtiss edits the film at a bumpy rate that is often uncomfortable as Miss Francis gets whipsawed by Talbot's mistakes. A fine cast helps, including parts by Glenda Farrell, Una O'Connor, Hobart Cavanaugh, and Christian Rub, as does Sidney Hickox's subtly moving camera.

Over the years I seemed to have missed this classic film with a story line that must have shocked the audiences during the 1930's. Kay Francis,(Dr. Mary Stevens),"Divorce",'45 was a single woman who was having an affair with Lyle Talbot,(Dr. Donald A. Andrews),"It Happened in New York",'35, who was married and not very happy at all. Donald tired to get a divorce from his wife, but her father objected for family reasons and she even lied to him about having a baby. Dr. Mary Stevens winds up really having a baby from Dr. Andrews and the plot gets dramatic on a voyage with her new born baby and the threat of Infantile Paralysis. Una O'Connor (Mrs. Arnell Simmons),famous for her screams and high pitched voice in "The Invisible Man", as an inn keepers wife and many other horror films, has a baby girl who catches the infantile paralysis and needs immediate help. If you want to see a good classic film, with great actors playing very immoral lives during those days of living standards, view this film about divorce and babies born out of wedlock. This film is mild compared to 2004 !