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42nd Street

  • 1933
  • Approved
  • 1 घं 29 मि
IMDb रेटिंग
7.3/10
14 हज़ार
आपकी रेटिंग
Warner Baxter, George Brent, Bebe Daniels, Allen Jenkins, Ruby Keeler, Guy Kibbee, Una Merkel, Ned Sparks, and George E. Stone in 42nd Street (1933)
Official Trailer
trailer प्ले करें2:19
2 वीडियो
99+ फ़ोटो
कॉमेडीड्रामारोमांटिक कॉमेडीरोमांससंगीतमय

अपनी भाषा में प्लॉट जोड़ेंWhen the leading lady of a Broadway musical breaks her ankle, she is replaced by a young unknown actress, who becomes the star of the show.When the leading lady of a Broadway musical breaks her ankle, she is replaced by a young unknown actress, who becomes the star of the show.When the leading lady of a Broadway musical breaks her ankle, she is replaced by a young unknown actress, who becomes the star of the show.

  • निर्देशक
    • Lloyd Bacon
  • लेखक
    • Rian James
    • James Seymour
    • Bradford Ropes
  • स्टार
    • Warner Baxter
    • Bebe Daniels
    • George Brent
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    14 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Lloyd Bacon
    • लेखक
      • Rian James
      • James Seymour
      • Bradford Ropes
    • स्टार
      • Warner Baxter
      • Bebe Daniels
      • George Brent
    • 141यूज़र समीक्षाएं
    • 79आलोचक समीक्षाएं
    • 83मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर के लिए नामांकित
      • 3 जीत और कुल 2 नामांकन

    वीडियो2

    42nd Street
    Trailer 2:19
    42nd Street
    Hollywood's Shared History with Broadway
    Video 6:12
    Hollywood's Shared History with Broadway
    Hollywood's Shared History with Broadway
    Video 6:12
    Hollywood's Shared History with Broadway

    फ़ोटो200

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 193
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Warner Baxter
    Warner Baxter
    • Julian Marsh
    Bebe Daniels
    Bebe Daniels
    • Dorothy Brock
    George Brent
    George Brent
    • Pat Denning
    Ruby Keeler
    Ruby Keeler
    • Peggy Sawyer
    Guy Kibbee
    Guy Kibbee
    • Abner Dillon
    Una Merkel
    Una Merkel
    • Lorraine Fleming
    Ginger Rogers
    Ginger Rogers
    • Ann Lowell
    Ned Sparks
    Ned Sparks
    • Thomas Barry
    Dick Powell
    Dick Powell
    • Billy Lawler
    Allen Jenkins
    Allen Jenkins
    • Mac Elroy
    Edward J. Nugent
    Edward J. Nugent
    • Terry
    Robert McWade
    Robert McWade
    • Jones
    George E. Stone
    George E. Stone
    • Andy Lee
    Harry Akst
    • Jerry
    • (बिना क्रेडिट के)
    Virginia Albertson
    • Chorus Girl
    • (बिना क्रेडिट के)
    Loretta Andrews
    Loretta Andrews
    • Chorus Girl
    • (बिना क्रेडिट के)
    Marie Arbuckle
    • Chorus Girl
    • (बिना क्रेडिट के)
    Alice Arnold
    • Chorus Girl
    • (बिना क्रेडिट के)
    • निर्देशक
      • Lloyd Bacon
    • लेखक
      • Rian James
      • James Seymour
      • Bradford Ropes
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं141

    7.313.5K
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    फ़ीचर्ड समीक्षाएं

    7caspian1978

    A Must for Ruby Keeler fans

    Berkeley's famous pattern-dancers become more than an example of self-focusing art. Unlike several other of Berkeley related films, 42nd Street has more heart than "eye candy." Ruby Keeler returns to the musical genre as another small town girl wanting to become a Broadway dancer. There's less comic relief in this one. Unlike all the Gold Digger films of the 1930's, 42nd Street stands out as a movie about hopes and dreams. One of the all time classics for musical lovers, its a must see if you're a Ruby fan!
    dot-20

    The 'Citizen Kane' of Warner Bros musicals

    I can't be objective -- I love everything about this movie, from the clunky tapping of Ruby Keeler to the wisecracks of Ginger Rogers et al. It's not as dark as other Berkeley films,such as the Golddiggers, but it is bittersweet. Marsh is a lonely man (though we shouldn't read too much into his request that Andy Lee come home with him), and he may be dying. But it isn't something the script dwells on, it's too busy flinging lines like "In a star it's temperament, but in a chorus girl it's just bad taste" and just being outrageous. (That is Gandhi who gets the girl at the end of "You're Getting To Be a Habit With Me," isn't it?) Julian Marsh is a master of psychology -- all those speeches about the hundreds of jobs resting on Peggy Sawyer's shoulders would give Ethel Merman a nervous breakdown! I've given up all hope of making sense of the plot of "Pretty Lady" -- it's easier that way. If you haven't seen this, see it now. If you have, watch for Dave O'Brien (future star of "Reefer Madness") dancing in the chorus.
    AQKent

    Warner Baxter steals the show

    Although I'm a big fan of Dick Powell and Ginger Rogers, I think Warner Baxter (as Julian Marsh) really steals this film. The movie is the original from which so many others have borrowed, but Baxter's portrayal of the world-weary, burned-out producer still stands as both complex and outstanding. He could easily have gone over the top with this part, but I found Julian Marsh to be very real person with very real problems. The rest of the movie is lots of fun, with plenty of gritty, behind the scenes wisecracks and a very adult outlook, especially for 1933. Busby Berkeley, Guy Kibbee, Una Merkel... lots to look at and enjoy, but the film really turns on a great performance by Warner Baxter...
    Bucs1960

    Depression-era Gem

    This is one fun movie if you like singing, dancing and adore the whole atmosphere of the early 30's. A back stage story that sets the standard for all those "unknown becomes overnight star" films. The weakest part of it all is Ruby Keeler and I apologize in advance to all of her fans and there are many. She was an Irish Step Dancer, which does not come across very well in film. Step dancers concentrate on their feet only and upper body movement is not a consideration. This makes the dancer appear as heavy footed and clumsy. Plus she wasn't a very good actress and didn't sing very well either. But she was as cute as a button with those big eyes and innocent face,so all is forgiven.

    Warner Baxter gives the best performance of his career as the driven director who verges on madness. Dick Powell is delightful as the juvenile; many who only know him from his later films are not aware that he had a beautiful tenor voice and made his first splash in films as a singer and light comedian. Ginger Rogers is perfect as the slightly dishonorable chorus girl with the sugar daddy and Una Merkle playing Ginger's pal is surprisingly cute. Bebe Daniels is beautiful as the star of the play and does a great rendition of "You're Getting To Be A Habit With Me"., The rest of the supporting cast is right on target...with some good support from Ned Sparks, Guy Kibbee and the ubiquitous George E. Stone.

    A lot got by the censors in this film to the delight of the audience....things were tightened up the next year as the Hayes Office started cracking down. Enjoy this film...enjoy, enjoy, and enjoy!!
    9storyguy

    the movie that created the clichés

    Most of the negative comments posted below seem to be from people who either just don't like musicals or who are unaware that all the "cliches" in this movie were essentially invented by "42nd Street." It's sort of like complaining that Shakespeare is full of quotations. This movie is absolutely brilliant, which is why it's been imitated endlessly for the last seven decades.

    Sure, Keeler's not the end-all of tap dancing, but she fits the bill as an ingénue and is generally amiable and perky. The plot is predictable, but only because we've seen it duplicated so often. If you hadn't seen the same sort of thing a million times, you'd notice that it's tightly assembled and even somewhat suspenseful. The show is full of first-rate comic asides, even if some of the material is dated by obsolete slang and contemporary pop culture references.

    And do people still take the trouble to complain that Busby Berkeley's dance numbers couldn't have been seen properly by the audience in the theater? That's like complaining that an ape couldn't really grow to be as large as King Kong. The whole point is that it's a movie, and Berkeley is able to do things that can't happen in the real world. Hence the transformation of background settings while the camera is close up on an actress's face. There isn't even such a thing as a close-up in a stage production. Carping that a '30's musical isn't realistic enough is like complaining that Venus couldn't actually have been born out of a clamshell.

    In any case, this is one of the great '30s musicals... and one of the great Hollywood movies of all time. If you don't like the genre, then so be it. It always amazes me that so many film fans strongly prefer "Singin' in the Rain" to such predecessors as "42nd Street," "Dames," "Top Hat," "Swing Time," etc., when "Singin' in the Rain" is simply an homage to the '30s musical and generates quite little fresh material of its own. Mind you, it's a brilliantly executed homage, and it arguably benefits from its overt tongue-in-cheek attitude, but I can't help thinking many are simply swayed by the fact that it's in color (really good Technicolor) and has clearer sound quality than its '30s predecessors. Either way, you need to see and appreciate the original movie musicals before you can really understand what "Singin' in the Rain" was about... just as you should see some Hong Kong action flicks and blacksploitation films to get what's going on in "Pulp Fiction."

    But I digress. See "42nd Street," and try to keep an open mind. Just because it's old is not a reason to assume that the people who made it didn't know their business extremely well.

    इस तरह के और

    Gold Diggers of 1933
    7.7
    Gold Diggers of 1933
    Footlight Parade
    7.5
    Footlight Parade
    Top Hat
    7.7
    Top Hat
    Swing Time
    7.4
    Swing Time
    42nd Street
    8.7
    42nd Street
    I Am a Fugitive from a Chain Gang
    8.2
    I Am a Fugitive from a Chain Gang
    42nd Street: The Musical
    7.8
    42nd Street: The Musical
    Dames
    7.0
    Dames
    Love Me Tonight
    7.5
    Love Me Tonight
    She Done Him Wrong
    6.3
    She Done Him Wrong
    Grand Hotel
    7.3
    Grand Hotel
    Trouble in Paradise
    7.9
    Trouble in Paradise

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film was so financially successful it saved Warner Brothers from bankruptcy.
    • गूफ़
      The opening screen says "COPYRIGHT MCMXXXIII" (i.e., 1933), but the closing credits say "COPYRIGHT MCMXXXII" (i.e., 1932).
    • भाव

      Julian Marsh: Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you. Got to. Do you understand? You can't fall down. You can't because your future's in it, my future and everything all of us have is staked on you. All right, now I'm through, but you keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you're going out a youngster but you've got to come back a star!

    • इसके अलावा अन्य वर्जन
      A digitally restored and colorized version was recently released.
    • कनेक्शन
      Edited into Musical Memories (1946)
    • साउंडट्रैक
      42nd Street
      (1932) (uncredited)

      Lyrics by Al Dubin

      Music by Harry Warren

      Played during the opening credits and often in the score

      Sung and Danced by Ruby Keeler

      Sung by Dick Powell and chorus girls

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is 42nd Street?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 मार्च 1933 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La calle 42
    • फ़िल्माने की जगहें
      • Stage 2, Vitagraph Studios - 4151 Prospect Avenue, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(theater interiors)
    • उत्पादन कंपनी
      • Warner Bros.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,39,000(अनुमानित)
    • दुनिया भर में सकल
      • $1,800
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      • 1.37 : 1

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