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Female

  • 1933
  • Passed
  • 1 घं
IMDb रेटिंग
6.7/10
2 हज़ार
आपकी रेटिंग
George Brent and Ruth Chatterton in Female (1933)
Screwball ComedyComedyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंAlison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.

  • निर्देशक
    • Michael Curtiz
    • William Dieterle
    • William A. Wellman
  • लेखक
    • Gene Markey
    • Kathryn Scola
    • Donald Henderson Clarke
  • स्टार
    • Ruth Chatterton
    • George Brent
    • Lois Wilson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Curtiz
      • William Dieterle
      • William A. Wellman
    • लेखक
      • Gene Markey
      • Kathryn Scola
      • Donald Henderson Clarke
    • स्टार
      • Ruth Chatterton
      • George Brent
      • Lois Wilson
    • 45यूज़र समीक्षाएं
    • 23आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो20

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार49

    बदलाव करें
    Ruth Chatterton
    Ruth Chatterton
    • Alison Drake
    George Brent
    George Brent
    • Jim Thorne
    Lois Wilson
    Lois Wilson
    • Harriet
    Johnny Mack Brown
    Johnny Mack Brown
    • Cooper
    Ruth Donnelly
    Ruth Donnelly
    • Miss Frothingham
    Ferdinand Gottschalk
    Ferdinand Gottschalk
    • Pettigrew
    Phillip Reed
    Phillip Reed
    • Freddie Claybourne
    Gavin Gordon
    Gavin Gordon
    • Briggs
    Kenneth Thomson
    Kenneth Thomson
    • Red
    Huey White
    • Puggy
    Douglass Dumbrille
    Douglass Dumbrille
    • George Mumford
    • (as Douglas Dumbrille)
    Spencer Charters
    Spencer Charters
    • Tom
    Irving Bacon
    Irving Bacon
    • Gas Station Attendant
    • (बिना क्रेडिट के)
    Edmund Breese
    Edmund Breese
    • Board Member
    • (बिना क्रेडिट के)
    Edmund Burns
    Edmund Burns
    • Alison's Secretary
    • (बिना क्रेडिट के)
    Wallis Clark
    Wallis Clark
    • Board Member
    • (बिना क्रेडिट के)
    Edward Cooper
    • James - Alison's Second Butler
    • (बिना क्रेडिट के)
    Tom Costello
    • Draftsman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Michael Curtiz
      • William Dieterle
      • William A. Wellman
    • लेखक
      • Gene Markey
      • Kathryn Scola
      • Donald Henderson Clarke
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं45

    6.72K
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    10

    फ़ीचर्ड समीक्षाएं

    6planktonrules

    A movie with its feet firmly planted on BOTH the Pre- and Post-Code eras!

    This is a very strange film. On one hand, it's very much a so-called "Pre-Code" film because it was made before the new and tougher Production Code. As such, the film is rather frank about sex and seems amoral through the first half. Ruth Chatterton's very liberated character is all business by day, but by night she wants her male employees to service her like stud bulls!! Then, if they fall in love with her, they are cast aside and transferred to another branch of the company. However, it's also like a Post-Code movie in the second half because it tries to completely undo the first half of the film--and even goes so far as to say that it's NOT a woman's place to be running any business! Chatterton, uncharacteristically, seems to agree with this by the time the movie ends!! It's like a case of amnesia or multiple personality!! This inconsistency really helped to undo the movie for me. Had they kept Chatterton cold and sexually charged throughout the film, it really would have made more sense and been more salacious--something that you really expect in the most extreme Pre-Code films. As is, parts are enjoyable and parts are really dull and conventional. An interesting but far from perfect film. How anyone can give this rather ordinary film a score of 10 is just bizarre.
    8secondtake

    Amazing performances, modern plot, fast and beautiful.

    Female (1933)

    Smart, fast, witty, daring, fresh, impressive. A great little movie (just an hour long) with such a swirling series of events, and such great acting, you hardly know it's over. The filming is really tight and modern, the writing is sharp, and the leading role, the sexually liberated executive woman played by Ruth Chatterton, is spot on perfect. When George Brent appears (after half an hour), he matches her in a subtle, convincing performance that shows why, after having made twenty films already, he still had his career ahead of him. Chatterton, by contrast, made few films later, which is our loss.

    The astonishing thing about the plot, of course, is how racy it is. Even today, with no holds barred (just some letters in a rating system), to have a leading woman sleep around with every handsome young man she wants, without any down side (no backstabbing, no violence, no disease, no remorse, nothing at all) is bold. These days, of course, she'd be a poster child against sexual harassment on the workplace.

    But really the movie is about strength, and romance, and is remarkably modern and alive. The director is Michael Curtiz, who made such a huge number of films some of the gems like this one get lost. Some of his other gems, of course, are not lost at all (like, uh, Casablanca or Mildred Pierce). Give this its due. Worth every frame.
    8littlemartinarocena

    Chatterton eats men for breakfast in this pre code gem

    This comedy should be a pre-code document, just as the code was about to be imposed. The sexual conduct of Ruth Chatterton's character is mind blowing in this 1933 flick. Reminded me of Demi Moore in "Disclosure" with a major difference, Ruth Chatterton devours her minions not because she is some kind of monster but as simple mater of fact. h inherited a man's role and she loves it. The last few minutes of "Female" are a forced betrayal of the intention and the morality tale becomes an ominous warning sign for all entrepreneurial females. So blunt! Inspite of the ending this is a gem that should be seen. I guarantee you it will leave you open mouthed. Ruth Chatterton is not just amazingly modern in her upper class Mae Westish part but her performance is truly superb
    9rgraham-3

    Female President of an Automobile Company!

    This is a wonderful movie! The Art Deco sets are great - especially Miss Drake's house. (High up in the entry hall there is a balcony with a live organist!). Here are some facts: The assembly line for the "Drake" automobile is actually footage of the assembly line for the 1932 Plymouth. That beautiful town car she travels in is a Cord L-29 (as it pulls away listen to that beautiful whine of the front-wheel-drive transmission). George Brent drive a 1929 Packard. (Guess my obsession!)
    7AlsExGal

    Film centered on the auto industry takes a U-turn mid movie

    Alison Drake (Ruth Chatterton) is the owner and CEO of the Drake auto company. She is strictly business at work, but has an eye for the handsome men among her employees. They usually want to talk about some idea that they have pertaining to the company, she acts interested in their idea and invites them for dinner at her house, and she then loves them and leaves them as in a one night stand. The next day they think the two of them are an item. They find out otherwise when they are transferred to the Montreal office. Alison proves, through her actions in the first half of the film, that she can be as ruthless in business and as carnivorous in sexual conquests as any man.

    But then she meets HIM - Jim Thorne (George Brent). They meet at a shooting gallery one night when she is looking for somebody to like her for herself - He does. But he also thinks she is a pick up AND he has traditional values. He won't allow himself to be used and he won't use others. She finds herself caring that he doesn't care, and she has an opportunity to see a lot of him as he turns out to be the hot shot auto designer to whom her company has given a two year contract.

    This film benefits from the fact that Brent and Chatterton were married when they made this, and their chemistry shines through. It also benefits from some great character actors including Ruth Donnelly, usually full of sass, acting demure here, strangely enough. She is pursued by Pettigrew (Ferdinand Gottschalk), Alison Drake's personal assistant who at age 75 is elf-like enough that no credible sexual link between them could possibly exist. He is a wise and yet mischievous presence. Also note that this film, a B effort for Warner's, acts as a running ad for other Warner's films with Cagney's "Picture Snatcher" being called out by name and the film's soundtrack consisting of Warren and Dubin songs written for the Busby Berkeley musicals of this same year.

    This film was initially a troubled production and ultimately had three directors - William Dieterle, who became ill after nine days, then William Wellman, and ultimately Michael Curtiz, who was tasked with reshooting what Jack Warner considered a weak film. Happy with the final product, and with the speed with which Curtiz reshot the film, Jack Warner gave Curtiz sole director's credit.

    The basic change in Alison's character did not spare "Female" when it came to the Production Code Era which began in 1934. Head censor Joe Breen refused to allow it to be shown calling it "A cheap low-tone picture with lots of double meaning, wise-cracks, and no little filth which they think is funny." Usually such words from Joe Breen are a ringing endorsement, and that is the case in this instance.

    इस तरह के और

    एक मुक्त आत्मा
    6.6
    एक मुक्त आत्मा
    Night Nurse
    7.0
    Night Nurse
    Three on a Match
    7.1
    Three on a Match
    The Divorcee
    6.7
    The Divorcee
    The Purchase Price
    6.4
    The Purchase Price
    The Girl from Missouri
    6.6
    The Girl from Missouri
    Frisco Jenny
    6.8
    Frisco Jenny
    Man Wanted
    6.5
    Man Wanted
    Guilty Hands
    6.9
    Guilty Hands
    Red-Headed Woman
    7.0
    Red-Headed Woman
    So Big!
    6.8
    So Big!
    Hold Your Man
    6.9
    Hold Your Man

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The exterior of Alison Drake's house was shot on location in the Hollywood Hills at the famous Ennis-Wright House, designed by Frank Lloyd Wright, later featured famously in William Castle's House on Haunted Hill (1959).
    • गूफ़
      When Alison is talking with Harriet about four minutes in, the placement of the crane and the puffs of dark smoke outside the window change abruptly; it is obvious that the filming was not done in a continuous take.
    • भाव

      Pettigrew: You don't appreciate her. She's the only honest woman I've ever met. There's nothing of the hypocrite about Miss D. That's more than you can say about the men she comes in contact with. Look at them. A pack of spineless "Yes"-men. All after her for her money. She sees through them. That's why she tosses them aside. Just as Napoleon would have dismissed a ballet girl. Why, she's never met a man yet that's worthy of her. And she never will.

    • कनेक्शन
      Featured in Complicated Women (2003)
    • साउंडट्रैक
      Shanghai Lil
      (1933) (uncredited)

      Music by Harry Warren

      Played on a phonograph at Alison's apartment

      Also played on the organ during the first swimming pool scene

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Female?Alexa द्वारा संचालित
    • What make are those cars coming out of the Drake Auto Factory?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 नवंबर 1933 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Ungkarlsflickan
    • फ़िल्माने की जगहें
      • Ennis House - 2607 Glendower Avenue, Los Feliz, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(exterior of house)
    • उत्पादन कंपनी
      • First National Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,86,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    George Brent and Ruth Chatterton in Female (1933)
    टॉप गैप
    By what name was Female (1933) officially released in India in English?
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