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Pay Day

  • 1922
  • TV-G
  • 21 मि
IMDb रेटिंग
7.4/10
5.2 हज़ार
आपकी रेटिंग
Pay Day (1922)
स्लैपस्टिककॉमेडीलघु

अपनी भाषा में प्लॉट जोड़ेंAfter a difficult day at work, a bricklayer tries to enjoy his pay day without his wife knowing.After a difficult day at work, a bricklayer tries to enjoy his pay day without his wife knowing.After a difficult day at work, a bricklayer tries to enjoy his pay day without his wife knowing.

  • निर्देशक
    • Charles Chaplin
  • लेखक
    • Charles Chaplin
  • स्टार
    • Charles Chaplin
    • Phyllis Allen
    • Mack Swain
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    5.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • स्टार
      • Charles Chaplin
      • Phyllis Allen
      • Mack Swain
    • 35यूज़र समीक्षाएं
    • 13आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो45

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 39
    पोस्टर देखें

    टॉप कलाकार11

    बदलाव करें
    Charles Chaplin
    Charles Chaplin
    • Laborer
    • (as Charlie Chaplin)
    Phyllis Allen
    • His Wife
    Mack Swain
    Mack Swain
    • Foreman
    Edna Purviance
    Edna Purviance
    • Foreman's Daughter
    Syd Chaplin
    Syd Chaplin
    • Charlie's Friend and Lunch Cart Owner
    Albert Austin
    Albert Austin
    • Workman
    John Rand
    John Rand
    • Workman
    Loyal Underwood
    Loyal Underwood
    • Workman
    Henry Bergman
    Henry Bergman
    • Drinking Companion
    Al Ernest Garcia
    Al Ernest Garcia
    • Drinking Companion and Policeman
    Wyn Ritchie Evans
    • Extra
    • (बिना क्रेडिट के)
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं35

    7.45.1K
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    फ़ीचर्ड समीक्षाएं

    8st-shot

    Charlie chuckle fest.

    Chaplin's tramp has a job in this half hour short which comically depicts the plight of the era's laborer that has changed negligibly since. There is little plot to go around but plenty of perfected sight gags by the Silent master as he works and drinks with co-workers and fends off his shrewish rolling pin wielding wife who is intent on collecting his entire pay. The most deft comedy bits are on the job as he does amazing things with a lift as well as a scene grabbing bricks being tossed to him (albeit achieved by reversing the negative). The drinking with co-workers keeps the laughs going and continue through the final confrontation with the wife as Chaplin's uproarious balletic grace remains in fine form from start to finish.
    claudecat

    major scenes, minor story

    This film is definitely worth seeing for the amazing slapstick sequences, though it doesn't have much of a storyline overall. The killer opening scenes, showing Charlie working at a construction site, had me staring open-mouthed at the screen. I also enjoyed the drunks' night out, the running-after-the-tram scenes, and the bits involving the cats (especially that sausage one).

    I was less thrilled with the clichéd character of the rolling-pin-wielding wife. That role seems kind of misogynist to me, plus it opens up way too many questions that the film will never answer--you can't help but wonder how they got together in the first place, etc. And it takes a little of the innocent shine off of Charlie's sighs over Edna Purviance when you find out he's supposed to be married. The Tramp actually seems unusually louche in this picture.

    According to David Robinson, this picture boasted some of the first successful night scenes that didn't have to be tinted. I loved the big searchlight that lit up the tram sequence. Sydney Chaplin also contributes some nice comedy. Edna, disappointingly, has a very small role.

    This is far from my favorite Chaplin film, but I'm glad I have the DVD, because there are sequences I will enjoy watching over and over (and in slow motion).
    10Anonymous_Maxine

    Chaplin's best short comedy ever?

    Pay Day is definitely one of the best of all of Charlie Chaplin's early short comedies, and that's not even just because it is now placed at the end of The Gold Rush, Chaplin's own favorite of his films. Charlie plays a construction worker who shows up to work late to a job at which his boss is clearly a tyrant. The part where Charlie is in the ditch strenuously digging and only coming up with tiny bits of dirt is one of the funniest parts of the entire film. And then, of course, you have the classic brick throwing scene, which was sure to have knocked people off of their seats when they first saw it in 1922.

    But Pay Day is not just another slapstick comedy, it's also got one of the better stories of Chaplin's early, short films. His misadventures at work set up the scene for his underpayment (which seemed not to be enough pay because Charlie was uneducated and added wrong – 2+2+2+2=9), and his eventual confrontations with his beast of a wife. When she takes nearly all of his paycheck, he sneaks away to a bar to get drunk, finally making it home at 5am, only to find his horrendous wife sleeping with a rolling pin. It is another classic moment when he sneaks into the bathroom (hoping to have convinced his wife that he has already left for work) and goes to jump into the bathtub full of laundry, only to find that it is also full of water.

    While Pay Day does present a steady stream of slapstick comedy (which was, of course, one of Chaplin's greatest skills), it is also a fairly involved story, which few of his short films had, but which were almost always very well done. He again presents the predicament of the working man, both in his work environment as well as an amusing comment on the working man's home life. If you are interested in Chaplin's work or in slapstick comedy in general, Pay Day is a must see.
    caspian1978

    Just for Laughs

    Said to be Chaplin's favorite of his short films, Pay Day is a quick, yet funny story of the Tramp and his Pay Day. Showing up to the job late, complaining about his wage, and then having to deal with his scary wife is just the first half of the movie. The night spent out on the town, drinking his problems away and then trying ever so hard to catch the train home is the second half. The physical comedy in Pay day is pure Chaplin. Catching the bricks, the escapades with the elevator and the mob to ride the train are segments that are unique and very funny. Still, Pay Day is not you average Chaplin film. There are moments in the movie that are just there to make you laugh. More of a joke filled story that an actual story with a beginning, middle and an end, Pay Day is a no holds bar comedy with the object to make the audience laugh. And it does.
    8drqshadow-reviews

    A Fitting Climax to Chaplin's Uproarious Short Film Career

    Last of the Charlie Chaplin two-reelers, and also reportedly his favorite. The premise is efficient and simple - an irreverent bricklayer tries to dodge his responsibilities (and his penny-pinching wife) between daytime shifts at the construction site and inebriated nights on the town - which gives Chaplin enough structure to maintain forward momentum and enough freedom to fit in all the silly hijinx he wants. Plenty of those to go around. Between the creative cinematic tricks (reversing the film for a high-risk game of two-story brick tossing), the delightful visual gags (stealing coworkers' lunches with a crazed construction lift) and the abundant physical laughs (nobody goes head-over-heels quite like Charlie), I barely had time to catch my breath between all the good bits.

    Clearly, Chaplin had transcended the format at this point, and was more than ready to move into full-length features after experimenting with longer acts in The Kid a year earlier. A tremendously entertaining, action-packed twenty-eight minutes.

    इस तरह के और

    The Idle Class
    7.2
    The Idle Class
    A Day's Pleasure
    6.6
    A Day's Pleasure
    Sunnyside
    6.6
    Sunnyside
    The Pilgrim
    7.2
    The Pilgrim
    Shoulder Arms
    7.3
    Shoulder Arms
    A Dog's Life
    7.6
    A Dog's Life
    The Immigrant
    7.5
    The Immigrant
    The Adventurer
    7.3
    The Adventurer
    The Rink
    7.0
    The Rink
    Easy Street
    7.4
    Easy Street
    The Cure
    7.1
    The Cure
    A Night in the Show
    6.4
    A Night in the Show

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Reportedly Charles Chaplin's favorite among his own short films.
    • गूफ़
      One of the speech cards reads " Your're working.."
    • भाव

      Foreman: [the Laborer's digging up tiny bunches of dirt] You're working by the hour, not the ounce!

    • कनेक्शन
      Featured in Historia del cine: Epoca muda (1983)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 अप्रैल 1922 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
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      • नोने
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Дан исплате
    • फ़िल्माने की जगहें
      • Chaplin Studios - 1416 N. La Brea Avenue, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Charles Chaplin Productions
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    बॉक्स ऑफ़िस

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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 21 मि
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Silent
    • पक्ष अनुपात
      • 1.33 : 1

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