Hell's Heroes

4 outlaws turn up in a small town to rob the bank and 3 of them get away after shooting the cashier Frank Edwards (Edward Hearn) dead. We follow Bob (Charles Bickford), Bill (Fred Kohler) and Tom (Raymond Hatton) as they make their getaway and encounter a woman in labour. She gives birth and dies but not before asking the 3 men to look after her baby whose father is the cashier that they have just killed. The bad guys decide to return to the town that they have just robbed and the baby gets even with the killers....

This film has many good scenes, eg, the robbery and the final scene at the town's church. The episode where the 3 men encounter the woman is gripping (will they rape her?) and the dialogue tense, intercut with poignant moments, for instance while Bill and Tom humorously discuss cleaning the baby, we cut to a shot of Bob burying the woman. Another example is an upsetting scene where Bob and Bill leave Tom by a tree. The whole story moves along at a good pace.

The cast are excellent. Bickford is a real bad guy and very dislikeable at the beginning. Kohler and Hatton are more likable characters and I enjoyed the journey that the film takes you on as we warm to the 3 bad guys who keep their promise to look after the baby. There are moments of humour, eg, when they first hold the baby and are unsure as to what to do and Bill says "how far do you think you can throw it?" and moments of harshness.

Definitely a film to watch again.

This film starts off in a way that had me thinking the template for standard Westerns hadn't changed a whole lot over the years - three bad guys ride into a dusty town, meet up with another, act like general dickheads and then rob a bank before skedaddling, guns blazing. Where it diverges is out in the desert, when they come across a woman who has been abandoned in a covered wagon. When the leader (Charles Bickford) growls at the others "I saw her first," we feel real menace in what might come next. I won't say anything further about the plot, though the film was remade by John Ford a couple of decades later in '3 Godfathers', which true fans of the genre may know of. Anyway, what seems like a creaky old film with early sound technology gives way to a lean, unsentimental, and gritty story. William Wyler makes us feel the tension and the dirtiness of the setting, and the film zips by in a little over an hour. It's not completely fleshed out, but that's part of what I liked about it. It seems to me a raw little gem.

I've only seen this once but found it to be a remarkable and compelling early film from the dawn of the "talkies." It's title is misleading as a Christmas movie but this is a great film for Christmas with wonderful symbolism throughout the movie. Peter B. Kyne wrote the story about three desperate villainous outlaw bank robbers who are ironically confronted with the wife and newborn son of a man they had just killed and must now risk their own lives to try to save the child. Screenwriter Tom Reed adapts the novel in this William Wyler directed film. Wyler who had an illustrious 45 year career directing movies had been a silent film director and had just made the transition from silents to talkies the year before this film in 1929's Love Trap, his first full talkie feature. Wyler would go on to direct such classics as Jezebel, Mrs. Miniver, The Best Years of Our Lives, Ben Hur and Funny Girl among many, many more fine films so it's interesting to see a film by him here at the dawn of his greatness. This film had been done once before as a silent in 1916 titled Three Godfathers starring Harry Carey and would be done again in 1936 as Three Godfathers with Chester Morris and again as Three Godfathers in 1948 with John Wayne and Carey's son Harry Carey Jr. This is so stark and gritty and imaginative that it is my favorite of the two remakes that would follow. Charles Bickford stars along with Fred Kohler and Raymond Hatton. Bickford enjoyed a long career in films and television but Hattaon was a screen actor for almost 50 years in a career that began in early silents in 1909 and continued through a small role 1967's In Cold Blood. Considering this was 1930 and what was accomplished here in story, dialog, sound and photography I have to knock this up a notch and give it a 10.

There is something captivating about this, the second film adaptation of Three Godfathers. For one, the settings bear the marks of reality.the dusty western town surrounded by vistas of nothingness.the gritty contrast thrown into stark relief by the desert sun. I kept wondering why this film's settings seemed like the real west(or at least my imaginings of it) so much more than today's westerns. Perhaps it was merely the fact that this film, from '29 was only that many years from the real thing. Another early talkie which benefits from the technological limitations of the time. No music scoring.just the plodding of boots, horse's hooves, and the spare dialogue of the three characters. It brought home the isolation of the main characters and the desolation of their surroundings. Yes, the ending was symbolically top-heavy and dialogue was stagy, but there was still that economy of story Hollywood so sadly lacks now. Point made, fade out.

In childhood, my interest in cowboys centered around Fred Thomson and his horse Silver King. I did not pay much attention to the villains but I remembered that Fred Kohler was usually the leader of the 'black hats'. Raymond Hatton was only known then as the erstwhile partner of the popular comedy team of Raymond Hatton and Wallace Beery. Some time within the last five years or so, my constant monitoring of old time movies presented on TV resulted in my capturing 'Hell's Heroes'. What a discovery it was for me!

I had always remembered "The Three Godfathers" with Chester Morris, Lewis Stone and Walter Brennan from my teenage years. In fact, it had driven me to the local library to read the original story by Peter B. Kyne.

One would never have guessed that Charles Bickford would be the hero of this 1930 movie but he filled the role admirably. With the aforementioned Fred Kohler and Raymond Hatton in the supporting roles, the 'three godfathers' were a formidable thespian trio. This film, produced when it was without today's modern advantages, is an excellent model of fine early movie-making. And it should certainly be seen to get insight into the technological advances that subsequently resulted in the 1936 version with Chester Morris, Lewis Stone and Walter Brennan, as well as the Technicolor version in 1948 with John Wayne, Harry Carey, Jr. and Pedro Armendariz.

The strength of the novella by P.B. Kyne is evident through all three versions. If this title appears on your TV schedule, don't let the date of 1930 scare you away. The writing of screenplays by different persons may alter the end result but a strong well written story with excellent acting will always produce an enjoyable film. You might be surprised how dry your throat is at the end of this picture but you will also be strangely satisfied with the ending.