Street Angel

Melodramatic, atmospheric romance with some great tracking shots that look like they influenced Scorsese decades later. Gaynor and Farrell, are extraordinarily well used; this film probably epitomises their appeal better than any other. He's all youthful exuberance, and she's all liquid-eyed yearning. The print I saw had a musical soundtrack with sound effects -- very soupy, but for a take-it-or-leave-it love story like this, just right.

Janet Gaynor stars as the "street angel," a euphemism for prostitute, in this lushly romantic silent film. Of course Gaynor is really not a woman of the streets, but is convicted up this crime and stealing money from a lunch counter, which she does out of desperation to save her sick mother. She escapes the police however and hides out with a traveling circus. She becomes part of the troupe and meets a vagabond artist (Charles Farrell) and falls in love.

His love for her inspires him to create a great painting of her. This art gets him a muralist job with the city. On the verge of marriage, the police find her and take her to prison. Farrell doesn't know what's happened to her and his life is destroyed until a chance meeting on the foggy shores of Naples.

Janet Gaynor is superb as the street angel, quite able to show passion despite her youth and she looks great. Charles Farrell is OK as the artist. Henry Armetta is one of the circus performers, and Natalie Kingston is the mean prostitute.

Director Frank Borzage creates a great city set amidst fog and shadows. This setting is used to great effect in the several chase scenes. The set design and cinematography earned Oscar nominations, and this is one of three films (with Sunrise and Seventh Heaven) for which Gaynor won the very first Oscar as best lead actress (beating out Gloria Swanson and Louise Dresser).

Gaynor achieved stardom at the end of the silent era but easily made the transition to sound and had a solid career through the late 30s. She is best remembered as the star of the original A Star Is Born in 1937.

Frank Borzage's films often take place in Europa ."Seventh Heaven" took the audience to France before and during WW1.And in the talkies era ,many of his works were depictions of Germany("Little Man What Now?" "Three Comrades" "Mortal Storm" ).

"Street Angel" is a Neapolitan effort.The follow -up to "Seventh Heaven" ,with the same actors ,its first part is a bit erratic,recalling "Heaven" but without its focus and its intensity.But by the second third ,the movie really takes off ;it grabs you when Gino and Angela move into their small apartment in Napoli.And when the girl,about to be arrested,is given one hour's grace,Borzage's movie turns sublime.This hour ...this hour....If it were only for that scene,Janet Gaynor would deserve her AA hands down.This is really one of the most beautiful love scenes I have ever seen: you should see the actress smile ,laugh through her tears ,her intense happiness which she knows will be short-lived: and doing that without any words is a feat which is even more impressive today.

Other remarkable scenes: When Angela is in Jail ,and Gino is desperately searching for her,the director makes a stunning use of the shadows.

The misty harbor "where there are plenty of them (street angels)" where the lovers meet again.

And last but not least ,the painting ("You should not have sold it,it was our guardian angel" ) which plays a prominent part in the plot ;the final harrowing scene in the church is Gina's redemption.A sequence to rival the best of Murnau's "Daybreak" .

Frank Borzage is the poet of the lovers who've got to fight against a hostile world."On the street ,you will find people whose love and pain make great" the director tells us before his story begins.

"Street Angel" misses greatness by inches. One of three famous late silent movies starring Janet Gaynor (the others were "Sunrise" and "Seventh Heaven"), it's an ultra-romantic melodrama with enormous power. Frank Borzage, a specialist in this kind of film, pulls out all the stops to make this seem almost like an other-worldly fable; the story is painted in broad brush strokes, and the plot has a few echoes of "Les Miserables." The sets and cinematography are outstanding; Gaynor is heartbreakingly beautiful, and her performance is superb. The film's biggest flaw-- almost the only one-- is that near the end it indulges in a wildly improbable coincidence, and it's always awkward when a film closes on a note like that. It isn't quite as good as "Sunrise--" very few movies are-- but for most of its running length this rich, lush film is an absolute joy to watch.

This film was a follow up to 1927's "7th Heaven", starring Farrell and Gaynor, and in my opinion, this film is even better. The Farrell-Gaynor chemistry is so potent that at times (especially when they're dining together in his little apartment) you feel as if you're intruding. The last scene, where Charles is chasing Janet through the fog, is moody, atmospheric--Borzage at his best. An exquisite film.