IMDb रेटिंग
7.5/10
1.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."A cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."A cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."
- पुरस्कार
- कुल 1 जीत
Philippe De Lacy
- Young Karl - Heir Apparent
- (as Philipe de Lacy)
Bobbie Mack
- Kellermann
- (as Bobby Mack)
George K. Arthur
- Drunk Student
- (बिना क्रेडिट के)
Lionel Belmore
- Stout Student
- (बिना क्रेडिट के)
Robert Brower
- Minister to the King
- (बिना क्रेडिट के)
Edythe Chapman
- Young Karl's Nanny
- (बिना क्रेडिट के)
Oliver Eckhardt
- Minister
- (बिना क्रेडिट के)
Margaret Gray
- Student
- (बिना क्रेडिट के)
Ruby Lafayette
- Bit Part
- (बिना क्रेडिट के)
André Mattoni
- Count Asterberg
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I found this film an absolute delight. All of the leads put in outstanding preformances. The romance between Prince Karl(Ramon Novarro) and Kathi(Norma Shearer) is wonderfully presented, and it is truly poignant. I did feel, however, that the film loses momentum, to an extent, twoards the end. The music score on the home video edition is, like most by Carl Davis, a big plus. Well worth seeing.
I watched this delightful film on TCM last night. What a revelation! Although the print quality has clearly suffered over the years, the high quality of the original production values shines through. The famous Lubitcsh Touch is all over this sweet, moving film.
The acting is also superb! Navarro and Shearer give believable performances as a star-crossed couple in turn-of-the-century Germany. Navarro, in particular, gives a pitch-perfect portrayal of a reluctant prince who longs only for a simple life surrounded by school-friends and his first love.
Also giving a beautiful performance as the prince's tutor and mentor was Jean Hersholt.
I have never particularly enjoyed silent films - many seem to me to be overly melodramatic. But this film changed my opinion. The actors and director were able to communicate so much with very few dialog cards. It made me realize what was lost when talking pictures took over and everything became more literal.
Even if you don't think you like silent films, give this one a try.
The acting is also superb! Navarro and Shearer give believable performances as a star-crossed couple in turn-of-the-century Germany. Navarro, in particular, gives a pitch-perfect portrayal of a reluctant prince who longs only for a simple life surrounded by school-friends and his first love.
Also giving a beautiful performance as the prince's tutor and mentor was Jean Hersholt.
I have never particularly enjoyed silent films - many seem to me to be overly melodramatic. But this film changed my opinion. The actors and director were able to communicate so much with very few dialog cards. It made me realize what was lost when talking pictures took over and everything became more literal.
Even if you don't think you like silent films, give this one a try.
I have seen both sound and silent versions of this movie and I actually prefer the silent one--even though it was based on a musical! Maybe part of this is because I am not the biggest fan of musicals, but I think more of this has to do with how beautifully made this film is. The film was directed by the great Ernst Lubitsch--a man renowned for his deft artistic touch and romanticism in films. All this is so apparent in this film, as it is just a work of art--gorgeous and romantic through and through. The sets, camera-work and acting are all exquisite and help to make this a very memorable film. If you want to see a sound version, help yourself. But for me, this is THE definitive version of the film.
The titles call this film "Old Heidelberg." Perhaps the longer title was added later to cash in on the popularity of Romberg's operetta, "The Student Prince," or to differenciate this 1927 silent film from an earlier version. Although director Ernst Lubitsch is a bit ham-handed about hammering home the fact that the obligations of royalty can lead to unhappiness (characters musing about how wonderful it must be to be a prince/king...the irony is too heavy-handed, which isn't like him), the point, at least, does get made. The movie abounds in gorgeous, evocative images that enhance the dramatic situations. There are many very telling moments that reveal the Master's touch...the prince steps out of the train, his momentary jealousy when he sees Kathi's popularity with the students, his stiff reunion with his former friends, who can no longer be his friends, and his realization of it. Ramon Novarro is an eager puppy-dog of a prince, charmingly, almost unbelievably, naive and enthusiastic, which makes his dilemma all the more touching as he begins to realize that there are some things a king can't have; if Norma Shearer, by comparison, seems more calculating and "actressy," she's still quite effective (when she and Karl Friedrich embrace before he heads back home because of his uncle's illness, her eyes tell you that she suspects she may never see him again), and the lesser roles are cast to near-perfection. After performing as a successful screen villain, Jean Hersholt was so good as the Prince's loyal tutor and companion that he established a nearly-unshakable image of weary kindliness. Production values are high--Lubitsch spent a lot of money but, in this case, it wasn't wasted. As one who generally finds silent films hammily-acted and dated in sensibility, I was pleasantly surprised to find this movie so absorbing. The Carl Davis score with which it is now shown, was added much later and does its own part to enhance the movie. Highly recommended.
This a delightful film full of humanistic touches-- from young Prince Karl's playful relationship with his good-natured mentor, Dr. Juttner, his carousing and drinking with the students in Old Heidelberg, to his paddling upon lakes and taking mad carriage rides with the beautiful barmaid, Kathy-- it's all at once side-stitchingly funny, bittersweet, romantic and a nostalgic tribute to youth and young love. The film is made with such a deft touch that, to the end where Prince Karl returns to visit Heidelberg, it never becomes schmaltzy. It is consistently charming and ends on a pitch perfect note. A real crowd pleaser. Highly recommended.
क्या आपको पता है
- ट्रिवियाErich von Stroheim was offered directorship of this film, but declined after having had a negative experience working under Irving Thalberg on The Merry Widow (1925). Stroheim went to Paramount to direct and star in The Wedding March (1928).
- गूफ़The young Karl's eyes are blue, but the adult Karl's eyes are brown.
- भाव
Kids in the street: [happily, looking at photo of Young Prince Karl in shop window] He's going to be a wonderful king!
- इसके अलावा अन्य वर्जनIn 1986, Thames Television in association with Metro-Goldwyn-Mayer created a video, using the alternate title "Old Heidelberg," with full orchestral score by Carl Davis, and with running time of 106 minutes.
- कनेक्शनFeatured in Irving Thalberg: Prince of Hollywood (2005)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Student Prince in Old Heidelberg?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Old Heidelberg
- फ़िल्माने की जगहें
- हीडलबर्ग, बेडेन-वर्टेम्बर्ग, जर्मनी(establishing shots - not used in final film)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $12,05,000(अनुमानित)
- चलने की अवधि
- 1 घं 46 मि(106 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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